The Industrial Ephemeral


Book Description

What transformative effects does a multimillion-dollar industry have on those who work within it? The Industrial Ephemeral presents the untold stories of the people, politics, and production chains behind architecture, real estate, and construction in areas surrounding New Delhi, India. The personal histories of those in India's large laboring classes are brought to life as Namita Vijay Dharia discusses the aggressive environmental and ecological metamorphosis of the region in the twenty-first century. Urban planning and architecture are messy processes that intertwine migratory pathways, corruption politics, labor struggle, ecological transformations, and technological development. Rampant construction activity produces an atmosphere of ephemerality in urban regions, creating an aesthetic condition that supports industrial political economy. Dharia's brilliant analysis of the sensibilities and experiences of work lends visibility to the struggle of workers in an era of growing urban inequality.




The Industrial Ephemeral


Book Description

Introduction : An asynchronic timeline -- Ephemeral infrastructures -- The financial sublime -- Drawing fantasies -- The industry of sound -- Inside the pit -- Concrete love -- Conclusion : Inquilab zindabad -- Appendix : list of masterplans affecting gurgaon.




Ephemeral Media


Book Description

Ephemeral Media explores the practices, strategies and textual forms helping producers negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, this book provides a new perspective on the transitory, and transitional, nature of screen culture in the early twenty-first century.




Pop-Up Retail


Book Description

Ephemeral stores, also known as pop-up stores, have existed since the beginning of trade between consumers. They appeared in city centres, villages or other convenient places where they proposed an offering and then disappeared as soon as its offering was wearied. This is a very similar experience to the current phenomenon; ephemeral stores appear unannounced and disappear without notice or can morph into something else. Brands adopt these stores because of the array of benefits they present and their characterizing features. Consumers, on the other hand, are not only positively reactive to ephemeral stores, they actively demand these novel, engaging, satisfying or beneficial stores more than ever as they provide them with constant change and surprise. Focusing on ephemeral retailing, this book aims to provide a clear understanding of what it is, how it developed and why it gained importance in today’s busy retail scene. As many brands are adopting ephemeral stores into their distribution channels or using them as unique touchpoints, this book proposes a categorization of ephemeral retailing, explaining different ephemeral store vocations based on different brand strategies and objectives. With many professional opinions about ephemeral stores and a body of academic research developing, this book aims to combine all knowledge about the topic into one concise publication: it clarifies, consolidates and creates a clear understanding about the topic of ephemeral retailing that will inform future research and activity. The book is written for academics, students and retail professionals with an interest in relevant fields such as retail marketing and management, brand management and distribution.




The Ephemeral Eighteenth-Century


Book Description

This history of printed ephemera's rise as an eighteenth-century cultural category transforms understanding of 'disposable' printed items.




The Industrial Situation


Book Description




The Home, Nations and Empires, and Ephemeral Exhibition Spaces


Book Description

This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.




Pinelandia


Book Description

Across the pine forests and deserts of America, there are mock Middle Eastern villages, mostly hidden from public view. Containing mosques, restaurants, street signs, graffiti in Arabic, and Iraqi role-players, these villages serve as military training sites for cultural literacy and special operations, both seen as crucial to victory in the Global War on Terror. In her gripping and highly original ethnography, anthropologist Nomi Stone explores US military predeployment training exercises and the lifeworlds of the Iraqi role-players employed within the mock villages, as they act out to mourn, bargain, and die like the wartime adversary or ally. Spanning fieldwork across the United States and Jordan, Pinelandia traces the devastating consequences of a military project that seeks to turn human beings into wartime technologies recruited to translate, mediate, and collaborate. Theorizing and enacting a field poetics, this work enlarges the ethnographic project into new cross-disciplinary worlds. Pinelandia is a political phenomenology of American empire and Iraq in the twenty-first century.




The New Insecurity


Book Description

Examines the impact of the loss of expectations of permanent employment and enduring family relationships on individuals today and explores how changes in the collective endeavor to provide security could help.




Ephemeral vistas


Book Description

The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.