The Inextinguishable Blaze


Book Description

The extremes of eighteenth-century debauchery and vice depicted by the artist Hogarth were not confined to the poor; the English Prime Minister, Walpole, led the way by his openly immoral life, and his principle of let sleeping dogs lie allowed every kind of public and private corruption to flourish unchecked.Yet side by side with these poisonous weeds there grew the good seed that was to produce the Evangelical Revival--Daniel Rowland and Howell Harris in Wales, Jonathan Edwards in New England, the golden-tongued Whitefield in England and Scotland, and the two Wesleys, who took the world for their parish. While these and others helped to save Britain from the horrors of such a Reign of Terror as engulfed her nearest neighbor, they lit a blaze that the darkness could not put out. With an enthusiasm informed and controlled by diligent scholarship and up-to-date research, Skevington Wood here tells the gripping story of those momentous days, and shows how the candle of men like Master Ridley and Latimer, that had become the refining fires of Puritan times, had now turned into an inextinguishable blaze that would, in the century to follow, carry the Light of the World to the ends of the earth.




When God Walked Among the Nations


Book Description

The following is a brief description of the prevailing spiritual and moral tides that were washing over much of Europe and America in the early eighteenth century--God's "righteous name had been intolerably dishonored, his pure and holy word disregarded by incompetent or unconverted clergy, and the human family, created to glorify God and enjoy him forever, willfully and with abandon gave themselves to all manner of corruption." These were despairing times--with striking similarities to our present day. And yet, in the midst of this seemingly hopeless era, the omnipotent God did what no man alone could accomplish: he restored the honor due to his great name, and exalted the power of his holy word through a revival that set ablaze two spiritually parched continents--God Walked Among the Nations! The pulpit was powerfully revived, men and women by the tens of thousands were soundly converted, and biblical renewal and social reformation flourished throughout the land. Do you wonder if a revival so vast in scope that it produces extraordinary biblical, moral, and social reformation throughout your nation is even possible? If you're pondering this question, then it is time to read about the glorious event best known as the First Great Awakening and renew your hope.




The Company of the Preachers


Book Description

This work by a veteran pastor and professor of homiletics looks at the history of preaching from its roots in the Old Testament prophets to its continuing development in the modern era.




The Light of the Nations


Book Description

The nineteenth century, observes Dr. Orr, was the century of Christian action and accomplishment. The social and political upheavals of the late eighteenth century were followed by a decline in Christian witness so serious that it seems as though Christianity was near death. In despair, Christian leaders prayed for Divine intervention; and answer came--a series of six great waves of evangelical renewal and advance which made the nineteenth century the Great Century of evangelism. From this study of Evangelical Revivals it is possible to trace a pattern of action and discover a progression of achievement which demonstrates that the same Spirit of God who moved the apostles continues to operate in the world. Dr. Orr suggests that the evangelical awakenings may be shown to be the foremost method of an Almighty God to promote the betterment of all mankind, and His primary instrument to win men to transforming faith in Himself.




Revival


Book Description

Historian Michael Haykin stokes a passion for revival by investigating the history of spiritual renewal in the Reformed tradition. After examining the Holy Spirit’s outpourings during the Reformation and English Puritanism, Haykin focuses on two remarkable moments of renewal in the eighteenth century: the Great Awakening and the revival of the Particular Baptists in the British and Irish islands. By looking back at revivals from the past, we can develop a biblical framework for expectant prayer for revival in our day.




Expositions of Holy Scripture Ezekiel, Daniel, and the Minor Prophets. St Matthew Chapters I to VIII


Book Description

'Then said He unto me, Son of man, hast thou seen what the ancients of the house of Israel do in the dark, every man in the chambers of his imagery!'—EZEKIEL viii. 12. This is part of a vision which came to the prophet in his captivity. He is carried away in imagination from his home amongst the exiles in the East to the Temple of Jerusalem. There he sees in one dreadful series representations of all the forms of idolatry to which the handful that were left in the land were cleaving. There meets him on the threshold of the court 'the image of jealousy,' the generalised expression for the aggregate of idolatries which had stirred the anger of the divine husband of the nation. Then he sees within the Temple three groups representing the idolatries of three different lands. First, those with whom my text is concerned, who, in some underground room, vaulted and windowless, were bowing down before painted animal forms upon the walls. Probably they were the representatives of Egyptian worship, for the description of their temple might have been taken out of any book of travels in Egypt in the present day. It is only an ideal picture that is represented to Ezekiel, and not a real fact. It is not at all probable that all these various forms of idolatry were found at any time within the Temple itself. And the whole cast of the vision suggests that it is an ideal picture, and not reality, with which we have to do. Hence the number of these idolaters was seventy—the successors of the seventy whom Moses led up to Sinai to see the God of Israel! And now here they are grovelling before brute forms painted on the walls in a hole in the dark. Their leader bears a name which might have startled them in their apostasy, and choked their prayers in their throats, for Jaazan-iah means 'the Lord hears.' Each man has a censer in his hand—self-consecrated priests of self-chosen deities. Shrouded in obscurity, they pleased themselves with the ancient lie, 'The Lord sees not; He hath forsaken the earth.' And then, into that Sanhedrim of apostates there comes, all unknown to them, the light of God's presence; and the eye of the prophet marks their evil.










Medea, Magic, and Modernity in France


Book Description

Bringing together the previously disparate fields of historical witchcraft, reception history, poetics, and psychoanalysis, this innovative study shows how the glamour of the historical witch, a spell that she cast, was set on a course, over a span of three hundred years from the sixteenth to the eighteenth centuries, to become a generally broadcast glamour of appearance. Something that a woman does, that is, became something that she has. The antique heroine Medea, witch and barbarian, infamous poisoner, infanticide, regicide, scourge of philanderers, and indefatigable traveller, serves as the vehicle of this development. Revived on the stage of modernity by La Péruse in the sixteenth century, Corneille in the seventeenth, and the operatic composer Cherubini in the eighteenth, her stagecraft and her witchcraft combine, author Amy Wygant argues, to stun her audience into identifying with her magic and making it their own. In contrast to previous studies which have relied upon contemporary printed sources in order to gauge audience participation in and reaction to early modern theater, Wygant argues that psychoanalytic thought about the behavior of groups can be brought to bear on the question of "what happened" when the early modern witch was staged. This cross-disciplinary study reveals the surprising early modern trajectory of our contemporary obsession with magic. Medea figures the movement of culture in history, and in the mirror of the witch on the stage, a mirror both appealing and appalling, our own cultural performances are reflected. It concludes with an analysis of Diderot's claim that the historical process itself is magical, and with the moment in Revolutionary France when the slight and fragile body of the golden-throated singer, Julie-Angélique Scio, became a Medea for modernity: not a witch or a child-murderess, but, as all the press reviews insist, a woman.