The Inner Nature of Music and the Experience of Tone
Author : Rudolf Steiner
Publisher :
Page : 120 pages
File Size : 13,95 MB
Release : 1983
Category : Music
ISBN :
Author : Rudolf Steiner
Publisher :
Page : 120 pages
File Size : 13,95 MB
Release : 1983
Category : Music
ISBN :
Author : Rudolf Steiner
Publisher :
Page : 0 pages
File Size : 31,87 MB
Release : 2024-12-03
Category : Music
ISBN : 9781621483465
7 lectures in various cities, December 3, 1906 - March 16, 1923 (CW 283) "A tone is at the foundation of everything in the physical world." This is one of many astonishing statements made by Rudolf Steiner in this collection of seven lectures on the inner realities of music. These lectures are an unusual treasure, since they are the only two groups of lectures that Steiner gave primarily on music, other than the lecture cycle for the tone eurythmy course, Eurythmy as Visible Music. In the first group of three lectures, given in 1906, Steiner explains why music affects the human soul so powerfully. Music has always held a special position among the arts because it is the only art form whose archetype, or source, lies not in the physical world, as with architecture, sculpture, and painting, but purely in the spiritual world-the soul's true home. Music thus directly expresses through tones the innermost essence of the cosmos, and our sense of wellbeing when we hear music comes from a recognition of our soul's experience in the spiritual world. In the remaining lectures, given in 1922 and 1923, Steiner discusses our experience of musical intervals and shows how it has undergone profound changes during the course of evolution. The religious effects of music in ancient times and the union of music with speech are considered, as well as the origin of musical instruments out of imaginations that accompanied singing. New insights are offered on the nature of the major and minor modes and on future directions of musical development. "Major and minor keys, this strange bond between music and human subjectivity, the actual inner life of feeling--insofar as this life of feeling is bound to the earthly corporeality--came into being only in the course of the fourth post-Atlantean epoch and are related to the experience of the third. The difference between major and minor keys appears; the subjective soul element relates itself to the musical element." -- Rudolf Steiner (lect. 5) This volume is a translation of 7 lectures (of 8) in Das Wesen des Musikalischen und das Tonerlebnis im Menschen, published by Rudolf Steiner-Nachlaftverwaltung, Dornach, 1969 (GA 283).
Author : Rudolf Steiner
Publisher : Steiner Books
Page : 0 pages
File Size : 46,51 MB
Release : 1983
Category : Anthroposophy
ISBN : 9780880100748
7 lectures in various cities, December 3, 1906 - March 16, 1923 (CW 283) "A tone is at the foundation of everything in the physical world." This is one of many astonishing statements made by Rudolf Steiner in this collection of seven lectures on the inner realities of music. These lectures are an unusual treasure, since they are the only two groups of lectures that Steiner gave primarily on music, other than the lecture cycle for the tone eurythmy course, Eurythmy as Visible Music. In the first group of three lectures, given in 1906, Steiner explains why music affects the human soul so powerfully. Music has always held a special position among the arts because it is the only art form whose archetype, or source, lies not in the physical world, as with architecture, sculpture, and painting, but purely in the spiritual world-the soul's true home. Music thus directly expresses through tones the innermost essence of the cosmos, and our sense of wellbeing when we hear music comes from a recognition of our soul's experience in the spiritual world. In the remaining lectures, given in 1922 and 1923, Steiner discusses our experience of musical intervals and shows how it has undergone profound changes during the course of evolution. The religious effects of music in ancient times and the union of music with speech are considered, as well as the origin of musical instruments out of imaginations that accompanied singing. New insights are offered on the nature of the major and minor modes and on future directions of musical development. This volume is a translation of 7 lectures (of 8) in Das Wesen des Musikalischen und das Tonerlebnis im Menschen (GA 283).
Author : Rudolf Steiner
Publisher :
Page : 106 pages
File Size : 32,73 MB
Release : 1983-12-01
Category :
ISBN : 9780685076699
Author : You Nakai
Publisher : Oxford University Press
Page : 769 pages
File Size : 28,9 MB
Release : 2021
Category : Music
ISBN : 0190686766
David Tudor is remembered today as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His bold reinterpretation of Cage's Variations II and his idiosyncratic performances using homemade modular instruments inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output-which began with the organ and ended with visual art-have kept Tudor a puzzle. Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. Author You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal a new perspective on Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose work always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his dissection of electronic circuits, Nakai transcends discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.
Author : Hermann von Helmholtz
Publisher :
Page : 608 pages
File Size : 44,98 MB
Release : 1885
Category : Music
ISBN :
Author : Lane Arye
Publisher : Hampton Roads Publishing
Page : 264 pages
File Size : 45,93 MB
Release : 2002-01-01
Category : Self-Help
ISBN : 1612832903
The last time you whistled a tune or hummed a song-why did you choose that one? You may not consider yourself a musical person, but your little act of unintended music may be the key to unlocking within you a wealth of unsuspected creativity-a kind of creativity that goes way beyond music, too. Lane Arye, PhD, a musician himself, focuses on the music that people do not intend to make. Using the highly regarded psychological model called Process Work, developed by Arnold Mindell, PhD, Arye has been teaching students around the world how to awaken their creativity, using music as the starting point, but including all art forms and ways of expression. The unintentional appears at moments when some hidden part of us, something beyond our usual awareness, suddenly tries to express itself. If we start paying attention to what is trying to happen rather than to what we think should happen, we open the door to self-discovery and creativity. Sometimes what we regard as "mistakes" in self-expression are in fact treasures. The book is rich with real-life stories, ideas, and practical techniques for unlocking creativity, which Arye dispenses with humor, insight, and enthusiasm.
Author : Charles O. Nussbaum
Publisher : MIT Press
Page : 401 pages
File Size : 42,29 MB
Release : 2007
Category : Emotions in music
ISBN : 0262140969
How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. Nussbaum identifies three modes of musical representation, describes the basis of extramusical meaning, and analyzes musical works as created historical entities (performances of which are tokens or replicas). In addition, he explains how music gives rise to emotions and evokes states of mind that are religious in character. Nussbaum's argument proceeds from biology, psychology, and philosophy to music--and occasionally from music back to biology, psychology, and philosophy. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. The biology, psychology, and philosophy of musical representation, he argues, have something to tell us about what we are, based on what we have been.
Author : Rudolf Steiner
Publisher : SteinerBooks
Page : 100 pages
File Size : 28,33 MB
Release : 1993
Category : Body, Mind & Spirit
ISBN : 9780880103756
In these lectures, Steiner focuses on the vital task of developing the proper orientation toward a free spiritual life. With great compassion and understanding, he offers telling examples of how humanity must walk a conscious middle way between the two tempting powers of Lucifer and Ahriman. He describes the incarnation of Lucifer in the third millennium before the Christ event, out of which flowed not just the wisdom of paganism, but also the conscious intellect we enjoy today. Ahriman, on the other hand, is shown approaching human beings through such phenomena as materialism, nationalism, and literalism, all in preparation for his incarnation in the third millennium. Keep in mind, however, that these two powers do not work separately; rather, they are working increasingly together. Our task as human beings is to hold them in balance, continually permeating one with the other. Steiner tells us that "Lucifer and Ahriman must be regarded as two scales of a balance, and it is we who must hold the beam in equipoise. How can we train ourselves to do this? By permeating what takes ahrimanic form within us with a strongly luciferic element." To accomplish this task we need a new, more conscious inner life.
Author : Rudolf Steiner
Publisher : Rudolf Steiner Press
Page : 230 pages
File Size : 46,55 MB
Release : 2021-05-17
Category : Religion
ISBN : 1855845881
In this landmark series of lectures, Rudolf Steiner challenges the notion that human consciousness has in essence remained the same throughout history. On the contrary, we can only see the past in its true light when we study the differences in human souls during the various historical eras. Consciousness, he says, evolves constantly and we can only comprehend the present by understanding its origin in the past. Delivered in the evenings during the course of the ‘mystery act’ of the Christmas Foundation Meeting – when Rudolf Steiner not only re-founded the Anthroposophical Society but for the first time took a formal role within it – these lectures study world history in parallel with the ancient mysteries of initiation, showing how they are intimately linked. Steiner describes consciousness in the ancient East and follows the initiation principle from Babylonia to Greece, up to its influences in present-day spiritual life. He also discusses Gilgamesh and Eabani, the mysteries of Ephesus and Hibernia, and the occult relationship between the destruction by fire of the Temple of Artemis and the burning of the first Goetheanum in Dornach, Switzerland. Published for the first time with colour plates of Steiner’s blackboard drawings, the freshly-revised text is complemented with an introduction, notes and appendices by Professor Frederick Amrine and an index.