American Bibliography


Book Description




The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, the African. Written by Himself. Vol I[-II]. [five Lines from Isaiah] First American Edition. of 2; Volume 1


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library W020545 [A]{4} B-R{6} S2 2B-R{6}. Plates engraved by Cornelius Tiebout. Errors in paging: p. 189, 192 misnumbered 199, 202. List of subscribers, p. [5-8]. New-York: Printed and sold by W. Durell, at his book-store and printing-office, no. 19, Q. Street, M, DCC, XCI. [1791] [8], 194; [2], 192 p., [2] leaves of plates (one folded): ill., 1 port.; 12°










The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, the African. Written by Himself. Vol I[-II]. [five Lines from Isaiah] First American Edition. of 2; Volume 2


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library W020545 [A]{4} B-R{6} S2 2B-R{6}. Plates engraved by Cornelius Tiebout. Errors in paging: p. 189, 192 misnumbered 199, 202. List of subscribers, p. [5-8]. New-York: Printed and sold by W. Durell, at his book-store and printing-office, no. 19, Q. Street, M, DCC, XCI. [1791] [8], 194; [2], 192 p., [2] leaves of plates (one folded): ill., 1 port.; 12°







Slave Portraiture in the Atlantic World


Book Description

Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.




A Tribute for the Negro


Book Description