Author : Robert Winston Witkin
Publisher : Psychology Press
Page : 212 pages
File Size : 29,40 MB
Release : 2003
Category : Philosophy
ISBN : 9780415268257
Unpacks Adorno's critique of popular culture in an engagingly, looking at the development of theories of authority, commodification and negative dialectics. Goes on to consider Adorno's writing on specific aspects of popular culture.
Author : Charles Dennée
Publisher :
Page : 372 pages
File Size : 20,21 MB
Release : 1925
Category : Composers
ISBN :
Author :
Publisher :
Page : 346 pages
File Size : 21,14 MB
Release : 1925
Category : Piano music
ISBN :
Author :
Publisher :
Page : 400 pages
File Size : 47,57 MB
Release : 1925
Category : Music
ISBN :
Author : Louis Charles Elson
Publisher :
Page : 392 pages
File Size : 37,13 MB
Release : 1925
Category : Folk songs
ISBN :
Author : Louis Charles Elson
Publisher :
Page : 344 pages
File Size : 13,59 MB
Release : 1925
Category : Folk songs
ISBN :
Author : Charles Dennée
Publisher :
Page : 380 pages
File Size : 18,86 MB
Release : 1925
Category : Composers
ISBN :
Author :
Publisher :
Page : 406 pages
File Size : 35,45 MB
Release : 1925
Category : Singing
ISBN :
Author : Bill Parker
Publisher :
Page : 356 pages
File Size : 15,42 MB
Release : 1997
Category : Music
ISBN : 9781878427595
In this edition Bill Parker expands and updates his previous selections and offers the consensus choices for the very. best classical recordings on compact disc. His knowledgeable comments on both new and old releases provide a valuable shortcut to those trying to sort out the relative merits of the past century of recording art. For the first time, this edition includes international record numbers for those collectors who prefer imported editions. With each musical period prefaced by a brief history, this edition truly becomes an indispensable reference guide for any new and curious collector.
Author : Malcolm Budd
Publisher : Routledge
Page : 321 pages
File Size : 18,63 MB
Release : 2002-11-01
Category : Music
ISBN : 1134882106
It has often been claimed, and frequently denied, that music derives some or all of its artistic value from the relation in which it stands to the emotions. This book presents and subjects to critical examination the chief theories about the relationship between the art of music and the emotions.
