Mapping the Invisible Landscape


Book Description

Any landscape has an unseen component: a subjective component of experience, memory, and narrative which people familiar with the place understand to be an integral part of its geography but which outsiders may not suspect the existence ofOCounless they listen and read carefully. This invisible landscape is make visible though stories, and these stories are the focus of this engrossing book. Traveling across the invisible landscape in which we imaginatively dwell, Kent RydenOCohimself a most careful listener and readerOCoasks the following questions. What categories of meaning do we read into our surroundings? What forms of expression serve as the most reliable maps to understanding those meanings? Our sense of any place, he argues, consists of a deeply ingrained experiential knowledge of its physical makeup; an awareness of its communal and personal history; a sense of our identity as being inextricably bound up with its events and ways of life; and an emotional reaction, positive or negative, to its meanings and memories. Ryden demonstrates that both folk and literary narratives about place bear a striking thematic and stylistic resemblance. Accordingly, "Mapping the Invisible Landscape" examines both kinds of narratives. For his oral materials, Ryden provides an in-depth analysis of narratives collected in the Coeur d'Alene mining district in the Idaho panhandle; for his consideration of written works, he explores the OC essay of place, OCO the personal essay which takes as its subject a particular place and a writer's relationship to that place. Drawing on methods and materials from geography, folklore, and literature, "Mapping the Invisible Landscape" offers a broadly interdisciplinary analysis of the way we situate ourselves imaginatively in the landscape, the way we inscribe its surface with stories. Written in an extremely engaging style, this book will lead its readers to an awareness of the vital role that a sense of place plays in the formation of local cultures, to an understanding of the many-layered ways in which place interacts with individual lives, and to renewed appreciation of the places in their own lives and landscapes."




The Invisible Landscape


Book Description

A thoroughly revised edition of the much-sought-after early work by Terence and Dennis McKenna that looks at shamanism, altered states of consciousness, and the organic unity of the King Wen sequence of the I Ching.




Landscape with Invisible Hand


Book Description

National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization. When the vuvv first landed, it came as a surprise to aspiring artist Adam and the rest of planet Earth — but not necessarily an unwelcome one. Can it really be called an invasion when the vuvv generously offered free advanced technology and cures for every illness imaginable? As it turns out, yes. With his parents’ jobs replaced by alien tech and no money for food, clean water, or the vuvv’s miraculous medicine, Adam and his girlfriend, Chloe, have to get creative to survive. And since the vuvv crave anything they deem classic Earth culture (doo-wop music, still life paintings of fruit, true love), recording 1950s-style dates for the vuvv to watch in a pay-per-minute format seems like a brilliant idea. But it’s hard for Adam and Chloe to sell true love when they hate each other more with every passing episode. Soon enough, Adam must decide how far he’s willing to go — and what he’s willing to sacrifice — to give the vuvv what they want.




Invisible Gardens


Book Description

Invisible Gardens is a composite history of the individuals and firms that defined the field of landscape architecture in America from 1925 to 1975, a period that spawned a significant body of work combining social ideas of enduring value with landscapes and gardens that forged a modern aesthetic. The major protagonists include Thomas Church, Roberto Burle Marx, Isamu Noguchi, Luis Barragan, Daniel Urban Kiley, Stanley White, Hideo Sasaki, Ian McHarg, Lawrence Halprin, and Garrett Eckbo. They were the pioneers of a new profession in America, the first to offer alternatives to the historic landscape and the park tradition, as well as to the suburban sprawl and other unplanned developments of twentieth-century cities and institutions. The work is described against the backdrop of the Great Depression, the Second World War, the postwar recovery, American corporate expansion, and the environmental revolution. The authors look at unbuilt schemes as well as actual gardens, ranging from tiny backyards and play spaces to urban plazas and corporate villas. Some of the projects discussed already occupy a canonical position in modern landscape architecture; others deserve a similar place but are less well known. The result is a record of landscape architecture's cultural contribution - as distinctly different in history, intent, and procedure from its sister fields of architecture and planning - during the years when it was acquiring professional status and struggling to define a modernist aesthetic out of the startling changes in postwar America.




Visible, Invisible


Book Description

'Visible Invisible' presents 40 of the completed landscape designs by the widely recognized firm Reed Hilderbrand. Douglas Reed and Gary Hilderbrand are known for their rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression.




Invisible New York


Book Description

Publisher Description




Brotherhood of the Screaming Abyss


Book Description

Brotherhood of the Screaming Abyss: My Life with Terence McKenna, is an autobiographical account of renowned ethnobotanist Dennis McKenna's childhood, his relationship with his brother, and the author's experiences with and reflections on psychedelics, philosophy, and scientific innovation. Chronicling the McKenna brothers' childhood in western Colorado during the 1950s and 1960s, Dennis writes of his adolescent adventures including his first encounters with alcohol and drugs (many of which were facilitated by Terence), and the people and ideas that shaped them both. Brotherhood of the Screaming Abyss weaves personal narrative through philosophical ideas and tales of psychedelic experimentation. In this book, Dennis describes these inquiries with the wisdom of perspective. In his account of what has become known as "The Experiment at La Chorrera"-- which Terence documented in his own 1989 book, True Hallucinations -- Dennis describes how he had visions of merging mushroom and human DNA, the brothers' predictions for the future, and their evolving ideas about society and consciousness. He also offers an intellectual understanding of the hallucinogenic effects of high-dose psychedelic mushrooms and other psychedelic substances. Dennis, now world-renowned for this ethnobotanical work, describes in Brotherhood his early interests in cosmology and astrology, his sometimes rocky relationship with his older brother and how their paths diverged later in their lives. Dennis describes his academic career in between touching accounts of both his mother's and Terence's battles with cancer. In the 10th Anniversary edition of Brotherhood, Dennis reflects on scientific revelations, climate change, and the social and political crises of our time. The new edition also features both the original foreword by Luis Eduardo Luna and a new foreword by Dr. Bruce Damer. Brotherhood of the Screaming Abyss is a story about brotherhood, psychedelic experimentation, and the intertwining nature of science and myth.




A Psychonaut's Guide to the Invisible Landscape


Book Description

Into territory where expression is like chaos theory, where oddly symmetrical order manifests out of the seemingly anarchic swirl of images and events, the author ventures with the mind-set of a naturalist. What emerges is an objective landscape that embodies the Other and that represents a conscious state in which the barriers between self and not-self dissolve.







Constructing the Invisible Landscape


Book Description

The Summer Olympic Games of 1932 is not an architectural story in the narrow sense of the term. If "architecture" is broadly defined as landscape and the process by which it is shaped, invested with meaning, and packaged, then the organizing effort is a very architectural story indeed. Booster brought the Games to Los Angeles as a surrogate world's fair. The Organizing Committee -- that select group of boosters enthusiastically supported by local publishers -- sought the opportunity to host the Olympics for the purpose of promoting the city. They endeavoured to manipulate the landscape as a means of making the Olympics a showcase, but "manipulate" here means not so much the building and rebuilding of material form, constructing streets and buildings, it also means the construction of experience by a variety of material and ephemeral means. Even before the athletes arrived, the booster's project was the creation and projection of a holistic image of landscape - they called it arcadia - a landscape without internal contradictions and organically suited to the ideals of Olympism and the mythic ideals boosters had recanted for fifty years. They accomplished this largely by suppressing, or making invisible, aspects of the landscape and attendant social relations that contradicted the booster's narrative. This dissertation treats the Olympic event as a synthesis of motives and strategies, an urban episode in which local boosters inflected and re-interpreted the Olympic scheme. In a larger context, this study questions the importance bestowed upon visible and monumental buildings in the study of modern architecture and urban planning