The Irish Story : Telling Tales and Making It Up in Ireland


Book Description

Roy Foster is one of the leaders of the iconoclastic generation of Irish historians. In this opinionated, entertaining book he examines how the Irish have written, understood, used, and misused their history over the past century. Foster argues that, over the centuries, Irish experience itself has been turned into story. He examines how and why the key moments of Ireland's past--the 1798 Rising, the Famine, the Celtic Revival, Easter 1916, the Troubles--have been worked into narratives, drawing on Ireland's powerful oral culture, on elements of myth, folklore, ghost stories and romance. The result of this constant reinterpretation is a shifting "Story of Ireland," complete with plot, drama, suspense, and revelation. Varied, surprising, and funny, the interlinked essays in The Irish Story examine the stories that people tell each other in Ireland and why. Foster provides an unsparing view of the way Irish history is manipulated for political ends and that Irish poverty and oppression is sentimentalized and packaged. He offers incisive readings of writers from Standish O'Grady to Trollope and Bowen; dissects the Irish government's commemoration of the 1798 uprising; and bitingly critiques the memoirs of Gerry Adams and Frank McCourt. Fittingly, as the acclaimed biographer of Yeats, Foster explores the poet's complex understanding of the Irish story--"the mystery play of devils and angels which we call our national history"--and warns of the dangers of turning Ireland into a historical theme park. The Irish Story will be hailed by some, attacked by others, but for all who care about Irish history and literature, it will be essential reading.




Irish Story


Book Description

Roy Foster is one of the leaders of the iconoclastic generation of Irish historians. In this opinionated, entertaining book he examines how the Irish have written, understood, used, and misused their history over the past century. Foster argues that, over the centuries, Irish experience itself has been turned into story. He examines how and why the key moments of Ireland's past--the 1798 Rising, the Famine, the Celtic Revival, Easter 1916, the Troubles--have been worked into narratives, drawing on Ireland's powerfuloral culture, on elements of myth, folklore, ghost stories and romance. The result of this constant reinterpretation is a shifting "Story of Ireland," complete with plot, drama, suspense, and revelation. Varied, surprising, and funny, the interlinked essays in The Irish Story examine the stories that people tell each other in Ireland and why. Foster provides an unsparing view of the way Irish history is manipulated for political ends and that Irish misfortunes are sentimentalized and packaged. He offers incisive readings of writers from Standish O'Grady to Trollope and Bowen; dissects the Irish government's commemoration of the 1798 uprising; and bitingly critiques the memoirs of Gerry Adams and Frank McCourt. Fittingly, as the acclaimed biographer of Yeats, Foster explores the poet'scomplex understanding of the Irish story--"the mystery play of devils and angels which we call our national history"--And warns of the dangers of turning Ireland into a historical theme park. The Irish Story will be hailed by some, attacked by others, but for all who care about Irish history and literature, it will be essential reading.




The Memory of Catastrophe


Book Description

Memories of catastrophes--both those which occur naturally and those which are consequences of human actions--loom large in the modern consciousness. The volume opens with an investigation of the concepts of catastrophe and collective memory, and the relationships between them. Arguing that a pervasive catastrophic memory may be as disabling as it is instructive, Gray and Oliver stress the necessity of rendering the phenomenon subject to secular critical inquiry. The value of such an approach is then demonstrated in a series of case studies.




Tales from Old Ireland


Book Description

And so it was that when he met Aoife, a stranger to those parts, he was struck by her beauty and blind to her evil.




Making the Stage


Book Description

MAKING THE STAGE is a collection of essays that examines the role of theatre, drama, and performance in contemporary culture, a culture that is growing increasingly technological and isolated--seemingly at odds with the very nature of theatre, a collaborative and sometimes very primitive art form. Through the course of these essays, it is clear that theatre not only survives some of the challenges of the day but even defines discussions, particularly political ones which are prohibited by an increasingly manipulated media. The essays, from a diverse group of theatre scholars, examine the mechanics of theatre, from space to sound to the use of technology, the role of women in creating theatre, the relationship between theatre and literary art forms, the politics of theatre, science and theatre, and the role of performance art. Through them all, it is clear that theatre, drama, and performance continue to speak in significant ways.




Trials of Irish History


Book Description

Providing a new and stimulating conceptual framework for the study of Irish historiography, this book combines a theoretical approach with close analysis of important case studies and presents the first historical and theoretical examination of the trailblazer historians who, from 1938, spearheaded an unpoliticized Irish history




Remembering the Revolution


Book Description

Remembering the Irish Revolution chronicles the ways in which the Irish revolution was remembered in the first two decades of Irish independence. While tales of heroism and martyrdom dominated popular accounts of the revolution, a handful of nationalists reflected on the period in more ambivalent terms. For them, the freedoms won in revolution came with great costs: the grievous loss of civilian lives, the brutalisation of Irish society, and the loss of hope for a united and prosperous independent nation. To many nationalists, their views on the revolution were traitorous. For others, they were the courageous expression of some uncomfortable truths. This volume explores these struggles over revolutionary memory through the lives of four significant, but under-researched nationalist intellectuals: Eimar O'Duffy, P. S. O'Hegarty, George Russell, and Desmond Ryan. It provides a lively account of their controversial critiques of the Irish revolution, and an intimate portrait of the friends, enemies, institutions and influences that shaped them. Based on wide-ranging archival research, Remembering the Irish Revolution puts the history of Irish revolutionary memory in a transnational context. It shows the ways in which international debates about war, human progress, and the fragility of Western civilisation were crucial in shaping the understandings of the revolution in Ireland. It provides a fresh context for analysis the major writers of the period, such as Sean O'Casey, W. B. Yeats, and Sean O'Faolain, as well as a new outlook on the genesis of the revisionist/nationalist schism that continues to resonate in Irish society today.




Ireland


Book Description

“Dramatic, adventurous, heroic, romantic. . . these historical chronicles, legends, myths, tall tales and fables, featuring warriors, kings, monks, explorers and clever common folk, imaginatively tell the history of Ireland.” — Philadelphia Inquirer This New York Times bestselling epic is an unforgettable tour de force that marries the intimate, passionate texture of the Irish spirit with a historical scope that is sweeping and resplendent. Storyteller extraordinaire Frank Delaney takes his readers on a journey through the history of Ireland, stopping along the way to evoke the dramatic events and personalities so critical to shaping the Irish experience. In the winter of 1951, a storyteller, the last practitioner of an honored, centuries-old tradition, arrives at the home of nine-year-old Ronan O'Mara in the Irish countryside. For three wonderful evenings, the old gentleman enthralls his assembled local audience with narratives of foolish kings, fabled saints, and Ireland's enduring accomplishments before moving on. But these nights change young Ronan forever, setting him on a years-long pursuit of the elusive, itinerant storyteller and the glorious tales that are no less than the saga of his tenacious and extraordinary isle.




Culture and the Rites/Rights of Grief


Book Description

Although generally resented and deemed unfavourable for individuals, societies and nations, grief, grievance, and grieving, along with a complex list of epithets that could, under varying circumstances, accompany them – racial grief, political grievance, protracted grieving, chronic grief, traumatic, unresolved grievance – nevertheless occupy a significant place in culture and its manifestations in literature, art, history, science, and politics. Culture and the Rites/Rights of Grief offers an intellectual excursion into realms of potentially regenerative problematics, too frequently dismissed without due consideration. In this light, the volume constitutes a weighty contribution to the field of literary and cultural studies. First and foremost, however, Culture and the Rites/Rights of Grief is to be intellectually enjoyed by readers with an interest in present-day literary, cultural and political phenomena, at the intersection of which grief and grieving execute an imposing presence, albeit one that remains as indeterminate and flitting as the nature of contemporary cross-cultural and cross-disciplinary encounters.




The Irish-American Experience in New Jersey and Metropolitan New York


Book Description

This book is a collection of nine essays exploring the Irish-American experience in the New Jersey and New York metropolitan area, both historically and today. The essays place the local Irish-American experience in the wider context of immigration studies, assimilation, and historical theory. Using case studies, interviews, scholarly research in primary historical documents and theory, and first-hand experience, the authors delve into what it has meant, and means, to be Irish American in the New Jersey and New York area, projecting what this ethnic identity will signify in years to come. Representing a variety of scholarly and professional disciplines, from archivists; to historians; to lawyers; to scholars of literature and theology; the authors share their own unique perspectives on the significance of the contributions of Irish-Americans to American life in various arenas. Each chapter is interdisciplinary, revealing the interconnections among cultural history, biography, contemporary events, and literary appreciation. It is through these intersections of disciplines, of past and present, of individual and community, that we can best analyze and appreciate the ways that Irish-Americans have shaped life in the New Jersey/New York area over the past two centuries.