Author : Katharine Baetjer
Publisher : Metropolitan Museum of Art
Page : 90 pages
File Size : 49,82 MB
Release : 1997
Category : Drawing
ISBN : 0870997939
Author : Pepe Karmel
Publisher : The Museum of Modern Art
Page : 288 pages
File Size : 41,41 MB
Release : 1999
Category : Art
ISBN : 9780870700378
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
Author : Jackson Pollock
Publisher : Giunti Editore
Page : 0 pages
File Size : 12,76 MB
Release : 2014
Category : Art
ISBN : 9788809794818
Exhibiting Jackson Pollock in Florence and comparing him to Michelangelo is the challenge that the authors and curators of this exhibition faced. One originates in drawing that with all its strength attempts to respect the order of nature and of the divine. The other is based in the phenomenology of the unconscious and mystical geometry, the perfect representation of an expanding universe. What Michelangelo and Pollock shared was the inspired frenzy they both transmitted as they worked, a sort of agonistic trance that rendered them extraneous to the outer world.
Author : Jackson Pollock
Publisher : Solomon R Guggenheim Museum
Page : 143 pages
File Size : 21,75 MB
Release : 2005
Category : Art
ISBN : 9780892073269
Essays by Susan Davidson, David Anfam and Margaret Hoben Ellis.
Author :
Publisher : Getty Publications
Page : 158 pages
File Size : 14,30 MB
Release : 2006
Category : Landscape in art
ISBN : 0892368365
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Author : Frank O'Hara
Publisher : The Museum of Modern Art
Page : 228 pages
File Size : 40,3 MB
Release : 2005
Category : Art
ISBN : 9780870705106
By Frank O'Hara. Edited by Bill Berkson. Essay by Kynaston McShine.
Author : Nina Zimmer
Publisher : Prestel Publishing
Page : 0 pages
File Size : 43,18 MB
Release : 2016
Category : Figurative art, American
ISBN : 9783791355863
This beautiful book focuses on the distinctive and expressive power of Jackson Pollock's figurative paintings, drawings, and prints; a rarely studied aspect of his artistic career. Jackson Pollock's name has become synonymous with the abstract drip paintings that he famously created on the floor of his studio. Before these paintings, from the 1930s to the late 1940s, Pollock created figurative works, studying at one time under the painter Thomas Hart Benton and with the Mexican muralists Diego Rivera, JoseĢ Clemente Orozco, and David Alfaro Siqueiros. Pollock took up figuration again after his famous drip paintings. This book starts with the early decades and also treats Pollock's re-adoption of the figuration after his renowned abstract paintings. The Figurative Pollock features 100 paintings and works on paper. From rolling landscapes to experiments in non-Western totemic painting to sketches and drawings fueled by Jungian analysis, the enormous range of Pollock's early and late work is presented here. Brimming with confidence and a sense of freedom, distinct yet so easily related to Pollock's most famous oeuvre, these works contribute to an understanding of how the artist found his voice.
Author : Katharine Baetjer
Publisher :
Page : 0 pages
File Size : 32,56 MB
Release : 1997
Category :
ISBN :
Author : Jackson Pollock
Publisher :
Page : 305 pages
File Size : 27,53 MB
Release : 2011-01-01
Category : Art, American
ISBN : 9780615426990
The life of abstract expressionist painter Jackson Pollock (1912-1956), as told by his family, friends, neighbors and colleagues.
Author : Magdalena Dabrowski
Publisher :
Page : 190 pages
File Size : 41,24 MB
Release : 1988
Category : Art
ISBN :
"This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
