ケンブリッジ大学所蔵和漢古書総合目錄 : アストン・サトウ・シーボルト・コレクション


Book Description

A complete catalogue of early books acquired by the diplomats W. G. Aston, Ernest Satow, and Heinrich von Siebold in Japan. The bulk of the 2,500 items are wood-block printed books of the Edo period. The editors' introduction is followed by entries giving title, author/editor/illustrator, date of publication and/or printing, all participating publishers, and the seals of previous owners.




Japanese Masterworks from the Price Collection


Book Description

Joe Price purchased his first Japanese painting in the 1950s, under the influence of Frank Lloyd Wright. Over the next five decades, he and his wife Etsuko would collect more than 200 masterpieces from the Edo period (1615-1868), a time when Japan had isolated itself from the rest of the world. Curiously, during that period of national seclusion, independent and diversely creative artists flourished as never before. Today, the Etsuko and Joe Price Collection is placed among the finest in the world. The detailed patterns evident in many of the works reflect the high regard artists of the period held for textile designers. The expressiveness in the eyes of the various animals, demons, deities, and people depicted suggest that they all inhabited the same world rather than different spiritual levels- the prominent religious theory of the time.The animal world becomes more animated, landscapes have their own light, spirits are alive, past becomes present, evoking a mood that suggests familiarity with all worlds, above and below. At the collection's core are screens, hanging scrolls, fans, and some of the finest examples of the distinctive, hauntingly preternatural renderings of animal life by Ito Jakuchu (1716-1800), one of the most innovative and imaginative of Kyoto's eighteenth-century painters. Jakuchu's prominence in recent decades has been greatly aided by the Price's intensive interest in his work.




Tales of Times Now Past


Book Description




Japanese Prints


Book Description

In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.




Art of the Japanese Postcard


Book Description

From the late nineteenth to the early twentieth century, Japan was a vital world center for postcard art. Art of the Japanese Postcard presents 300 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius. From the late nineteenth to the early twentieth century, Japan was a vital world centre for postcard art. More than just casual mail pieces, these postcards were often designed by prominent artists and had a visual impact that belied their modest format. Remarkably beautiful examples of graphic design in their own right, they also recorded the shifting definitions of 'East' and 'West' at a time when such European currents as Art Nouveau began to show up in Japanese visual productions. Art of the Japanese Postcard presents 350 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. printing, but also for the insight they provide into contemporary Japanese artistic practices - insights not relayed in standard histories that focus on painting and sculpture - as well as for the fluid interplay of European and Japanese modes. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius.




Living for the Moment


Book Description

"Published in conjunction with the exhibition Living for the Moment: Japanese Prints from the Barbara S. Bowman Collection at the Los Angeles County Museum of Art, Los Angeles, California (October 11, 2015-April 3, 2016)"--Colophon.




In the Moment


Book Description

Filled with over 100 vivid works of art and insightful essays, In the Moment is an extensive work, featuring several Japanese art forms and crafts. Inspired by an early love of Japanese aesthetics, tech entrepreneur and avid art collector Larry Ellison has assembled an impressive collection of Japanese art spanning some eleven hundred years of history. The current selection, which introduces the collection to the public for the first time, is organized into four areas: sculpture, painting, lacquer, and metalwork. Highlights include a remarkable wood figure of Shotoku Taishi at age two, dating to the late 1200s or early 1300s; painted screens showcasing the use of classical Japanese and Chinese themes by Kano school artists in the late 1500s and early 1600s; and whimsical paintings of animals by innovative masters active in Kyoto in the 1700s. The catalogue also features lacquers representing the Rinpa and Ritsuo traditions of craftsmanship and design; examples of the Japanese armor maker's art; and bronze vases and objects from the Meiji (1868–1912) and Taisho periods (1912–1926).




Painting Edo


Book Description

Accompanies an exhibition of the same name held at the Harvard Art Museums, Cambridge, Massachusetts, February 14-July 26, 2020.




The Virginia Atchley Collection of Japanese Miniature Arts


Book Description

For over forty years, the name Virginia Atchley has been synonymous with the collecting fo miniature Japanese arts in America. Virginia Atchley has now decided to share her collection with other aficionados in this book. Detailed here are over 400 pieces, with signatures.




Textiles of Japan


Book Description

From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.