The Invention of Suspicion


Book Description

The Invention of Suspicion argues that the English justice system underwent changes in the sixteenth century that, because of the system's participatory nature, had a widespread effect and a decisive impact on the development of English Renaissance drama. These changes gradually made evidence evaluation a popular skill: justices of peace and juries were increasingly required to weigh up the probabilities of competing narratives of facts. At precisely the same time, English dramatists were absorbing, from Latin legal rhetoric and from Latin comedy, poetic strategies that enabled them to make their plays more persuasively realistic, more 'probable'. The result of this enormously rich conjunction of popular legal culture and ancient forensic rhetoric was a drama in which dramatis personae habitually gather evidence and 'invent' arguments of suspicion and conjecture about one another, thus prompting us, as readers and audience, to reconstruct this 'evidence' as stories of characters' private histories and inner lives. In this drama, people act in uncertainty, inferring one another's motives and testing evidence for their conclusions. As well as offering an overarching account of how changes in juridical epistemology relate to post-Reformation drama, this book examines comic dramatic writing associated with the Inns of Court in the overlooked decades of the 1560s and 70s. It argues that these experiments constituted an influential sub-genre, assimilating the structures of Roman comedy to current civic and political concerns with the administration of justice. This sub-genre's impact may be seen in Shakespeare's early experiments in revenge tragedy, history play and romance comedy, in Titus Andronicus, Henry VI and The Comedy of Errors, as well as Jonson's Every Man in his Humour, Bartholomew Fair and The Alchemist. The book ranges from mid-fifteenth century drama, through sixteenth century interludes to the drama of the 1590s and 1600s. It draws on recent research by legal historians, and on a range of legal-historical sources in print and manuscript.




Elizabeth I and Her Circle


Book Description

This is the inside story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. Using a wide range of original sources -- including private letters, portraits, verse, drama, and state papers -- Susan Doran provides a vivid and often dramatic account of political life in Elizabethan England and the queen at its centre, offering a deeper insight into Elizabeth's emotional and political conduct -- and challenging many of the popular myths that have grown up around her. It is a story replete with fascinating questions. What was the true nature of Elizabeth's relationship with her father, Henry VIII, especially after his execution of her mother? What was the influence of her step-mothers on Elizabeth's education and religious beliefs? How close was she really to her half-brother Edward VI -- and were relations with her half-sister Mary really as poisonous as is popularly assumed? And what of her relationship with her Stewart cousins, most famously with Mary Queen of Scots, executed on Elizabeth's orders in 1587, but also with Mary's son James VI of Scotland, later to succeed Elizabeth as her chosen successor? Elizabeth's relations with her family were crucial, but almost as crucial were her relations with her courtiers and her councillors (her 'men of business'). Here again, the story unravels a host of fascinating questions. Was the queen really sexually jealous of her maids of honour? What does her long and intimate relationship with the Earl of Leicester reveal about her character, personality, and attitude to marriage? What can the fall of Essex tell us about Elizabeth's political management in the final years of her reign? And what was the true nature of her personal and political relationship with influential and long-serving councillors such as the Cecils and Sir Francis Walsingham?




The Bewitching of Anne Gunter


Book Description

In 1604, 20-year-old Anne Gunter was bewitched: she foamed at the mouth, contorted wildly in her bedchamber, went into trances. Her garters and bodices were perpetually unlacing themselves. Her signature symptom was to vomit pins and "she voided some pins downwards as well by her water or otherwise.." Popular history at its best, "The Bewitching of Anne Gunter" opens a fascinating window onto the past. It's a tale of controlling fathers, willful daughters, nosy neighbors, power relations between peasants and gentry, and village life in early-modern Europe. Above all it's an original and revealing story of one young woman's experience with the greatly misunderstood phenomenon of witchcraft. James Sharpe is Professor of History at York University and the author of "Instruments of Darkness: Witchcraft in" "Early Modern History" and other works of social history.




Volpone, Or, The Fox


Book Description

Volpone, Or, The Fox is Ben Jonson's great parable of greed, self-interest and inheritance. Using animal fable to satirize the wealthy and the greedy, it remains one of his most distinctive and compelling dramatic works. Jonson wrote the play for performance in 1606, and orchestrated its publication the following year. In it, the wealthy Venetian Volpone pretends to be on his deathbed, encouraging Voltore, Corbaccio and Corvino-the vulture, raven and crow-to compete for his fortune. With unflinching harshness and biting humour, Jonson portrays a society damningly hollowed out by over-monetization. This edition has been prepared by leading textual expert, John Jowett. With incisive scholarship, he explores the play's craftsmanship and examines how theatre practitioners and critics engage with it. Detailed notes explicate an authoritative text and breathe new life into it for readers today. Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary to guide the reader through a deeper understanding and appreciation of the play. This edition provides: A clear and authoritative text Detailed on-page commentary notes A comprehensive, illustrated introduction to the play's historical, cultural and performance contexts A bibliography of references and further reading







Doubtful and dangerous


Book Description

Doubtful and dangerous examines the pivotal influence of the succession question on the politics, religion and culture of the post-Armada years of Queen Elizabeth’s reign. Although the earlier Elizabethan succession controversy has long commanded scholarly attention, the later period has suffered from relative obscurity. This book remedies the situation. Taking a thematic and interdisciplinary approach, individual essays demonstrate that key late Elizabethan texts – literary, political and polemical – cannot be understood without reference to the succession. The essays also reveal how the issue affected court politics, lay at the heart of religious disputes, stimulated constitutional innovation, and shaped foreign relations. By situating the topic within its historiographical and chronological contexts, the editors offer a novel account of the whole reign. Interdisciplinary in scope and spanning the crucial transition from the Tudors to the Stuarts, the book will be indispensable to scholars and students of early modern British and Irish history, literature and religion.




Epistolary Courtiership and Dramatic Letters


Book Description

Through an analysis of the career of the eminent courtier Sir Thomas Overbury, Epistolary Courtiership and Dramatic Letters re-examines what is meant by courtiership in the Jacobean period. With a particular focus on the years between 1609 and 1613, the book brings together many of the letters surrounding the scandal leading to Overbury's murder and provides an examination of epistolarity in the context of humanist and legal learning. Defining key themes of social mobility, homosociality and the legal power of James VI and I, it exposes the mechanisms by which men rose at his court and provides a context for a new reading of contemporary dramatic texts by Shakespeare, Webster and Chapman. The book argues that the changing performance of courtiership at James's court, the wider knowledge of that reflected in contemporary letters and consequently shifting attitudes, all alter the performance of courtiership in the playhouse.




Dreaming the English Renaissance


Book Description

Dreaming the English Renaissance examines ideas about dreams, actual dreams people had and recorded, and the many ways dreams were used in the culture and politics of the Tutor/Stuart age in order to provide a window into the mental life and the most profound beliefs of people of the time.