The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson


Book Description

In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'




Journals and Miscellaneous Notebooks: 1866-1882


Book Description

In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'




Journals and Miscellaneous Notebooks: 1841-1843


Book Description

Vols. 8, 11-12 accompanied by separate "Emendations and departures from the manuscript," by the editors.




Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, Volume XII: 1835-1862


Book Description

The twelfth volume makes available nine of Emerson's lecture notebooks, covering a span of twenty-seven years, from 1835 to 1862, from apprenticeship to fame. These notebooks contain materials Emerson collected for the composition of his lectures, articles, and essays during those years.




Journals and Miscellaneous Notebooks: 1843-1847


Book Description

In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'







Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, Volume I: 1819-1822


Book Description

Ralph Waldo Emerson, the man and thinker, will be fully revealed for the first time in this new edition of his journals and notebooks. The old image of the ideal nineteenth-century gentleman, created by editorial omissions of his spontaneous thoughts, is replaced by the picture of Emerson as he really was. His frank and often bitter criticisms of men and society, his "nihilizing," his anguish at the death of his first wife, his bleak struggles with depression and loneliness, his sardonic views of woman, his earthy humor, his ideas of the Negro, of religion, of God--these and other expressions of his private thought and feeling, formerly deleted or subdued, are here restored. Restored also is the full evidence needed for studies of his habits of composition, the development of his style, and the sources of his ideas. Cancelled passages are reproduced, misreadings are corrected, and hitherto unpublished manuscripts are now printed. The text comes as close to a literal transcription as is feasible. A full apparatus of annotation, identification of quotations, and textual notes is supplied. Reproduced in this volume are twelve facsimile manuscript pages, many with Emerson's marginal drawings. The first volume includes some of the "Wide Worlds," journals begun while Emerson was at Harvard, and four contemporary notebooks, mostly unpublished. In these storehouses of quotation, juvenile verse, themes, and stories are the first versions of Emerson's "Valedictory Poem," Bowdoin Prize Essays, and first published work. Together they give a faithful picture of Emerson's apprenticeship as an artist and reveal the extent of his hidden and frustrated ambition--to become a writer.




The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson


Book Description

The pages of these five journals from the years 1843 to 1847 document Emerson's struggle to formulate the true attitude of the scholar and disinterested, independent writer to the vexing question of public involvement. He notes to himself that he "pounds...tediously" on the "exemption of the writer from all secular works."




To Die For


Book Description

July Fourth, "The Star-Spangled Banner," Memorial Day, and the pledge of allegiance are typically thought of as timeless and consensual representations of a national, American culture. In fact, as Cecilia O'Leary shows, most trappings of the nation's icons were modern inventions that were deeply and bitterly contested. While the Civil War determined the survival of the Union, what it meant to be a loyal American remained an open question as the struggle to make a nation moved off of the battlefields and into cultural and political terrain. Drawing upon a wide variety of original sources, O'Leary's interdisciplinary study explores the conflict over what events and icons would be inscribed into national memory, what traditions would be invented to establish continuity with a "suitable past," who would be exemplified as national heroes, and whether ethnic, regional, and other identities could coexist with loyalty to the nation. This book traces the origins, development, and consolidation of patriotic cultures in the United States from the latter half of the nineteenth century up to World War I, a period in which the country emerged as a modern nation-state. Until patriotism became a government-dominated affair in the twentieth century, culture wars raged throughout civil society over who had the authority to speak for the nation: Black Americans, women's organizations, workers, immigrants, and activists all spoke out and deeply influenced America's public life. Not until World War I, when the government joined forces with right-wing organizations and vigilante groups, did a racially exclusive, culturally conformist, militaristic patriotism finally triumph, albeit temporarily, over more progressive, egalitarian visions. As O'Leary suggests, the paradox of American patriotism remains with us. Are nationalism and democratic forms of citizenship compatible? What binds a nation so divided by regions, languages, ethnicity, racism, gender, and class? The most thought-provoking question of this complex book is, Who gets to claim the American flag and determine the meanings of the republic for which it stands?