The key concept of culture and the Khan family’s identity in the film "East is East"


Book Description

Academic Paper from the year 2022 in the subject English Language and Literature Studies - Other, grade: 1,0, Klagenfurt University, language: English, abstract: When Rudyard Kipling published "The Balled of East and West" a new notion of intercultural competence was created. This very concept is to be elucidated in the proseminar paper with regard to the ballad and the film "East is East". With the ballad providing the backbone for Khan-Din’s play (1996) and Damien O’Donnell’s film (1999), it is to be discussed in further detail alongside my elucidations on the Khan family’s cultural identity and affiliation throughout the course of the film. The paper will concentrate on the Khan family and their - what I deem - a bitter struggle with their cultural identity and belonging, which is also suggested by Delanoy (2022) and Zapata (2010). Both argue with me in unison that the film displays various manifestations of identity conflicts, proceeding from the pursuit of affiliating to the concept of Britishness. Based on these and other additional scientific texts, the paper will present findings on the Khan family’s search for identity and their evolution over the course of the movie. Since the research questions amounts to “How does the Khan family evolve throughout the film and in which ways does the concept of East is East, and West is West, and never the twain shall meet apply to their demeanor”, the Ballad of East and West will be referenced oftentimes in the paper. By virtue of the relevance for the film, the paper will also provide a brief elucidation on key concepts such as culture and identity construction. To refer to quotes and scenes from the film, the paper will consistently provide textualization and indicate the respective time frame; still, the paper requires the reader to be acquainted with the movie and its milieu.




Introducing Cultural Studies


Book Description

"An outstanding entry level text aimed at those with little or no cultural studies knowledge... Innovative, creative and clever." - Times Higher Education "The ideal textbook for FE and first year HE cultural studies students. Its quality and character allow the reader to ‘feel’ the enthusiasm of its author which in turn becomes infectious, instilling in the reader a genuine sense of ebullient perturbation." - Art/Design/Media, The Higher Education Authority An introduction to the practice of cultural studies, this book is ideal for undergraduate courses. Full of practical exercises that will get students thinking and writing about the issues they encounter, this book offers its readers the conceptual tools to practice cultural analysis for themselves. There are heuristics to help students prepare and write projects, and the book provides plenty of examples to help students develop their own ideas. Written in a creative, playful and witty style, this book: Links key concepts to the key theorists of cultural studies. Includes a wide range of references of popular cultural forms. Emphasizes the multidisciplinary nature of cultural studies. Includes pedagogical features, such as dialogues, graphs, images and recommended readings. The book′s skills-based approach enables students to develop their creative skills, and shows students how to improve their powers of analysis generally.




Understanding Bollywood


Book Description

This book offers an introduction to popular Hindi cinema, a genre that has a massive fan base but is often misunderstood by critics, and provides insight on topics of political and social significance. Arguing that Bollywood films are not realist representations of society or expressions of conservative ideology but mediated texts that need to be read for their formulaic and melodramatic qualities and for their pleasurable features like bright costumes, catchy music, and sophisticated choreography, the book interprets Bollywood films as complex considerations on the state of the nation that push the boundaries of normative gender and sexuality. The book provides a careful account of Bollywood’s constitutive components: its moral structure, its different forms of love, its use of song and dance, its visual style, and its embrace of cinephilia. Arguing that these five elements form the core of Bollywood cinema, the book investigates a range of films from 1947 to the present in order to show how films use and innovate formulaic structures to tell a wide range of stories that reflect changing times. The book ends with some considerations on recent changes in Bollywood cinema, suggesting that despite globalization the future of Bollywood remains promising. By presenting Bollywood cinema through an interdisciplinary lens, the book reaches beyond film studies departments and will be useful for those teaching and studying Bollywood in English, sociology, anthropology, Asian studies, and cultural studies classes.




Multicultural Encounters


Book Description

This book confronts the challenge of difference for rethinking everyday multiculture. It proposes both a theory and practice of a critical pedagogy of popular culture through an analysis of contemporary media and film. For students and scholars committed to a critical practice for transforming the politics of representation and otherness.







Pop Culture in North Africa and the Middle East


Book Description

Ideal for students and general readers, this single-volume work serves as a ready-reference guide to pop culture in countries in North Africa and the Middle East, covering subjects ranging from the latest young adult book craze in Egypt to the hottest movies in Saudi Arabia. Part of the new Pop Culture around the World series, this volume focuses on countries in North Africa and the Middle East, including Algeria, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Morocco, Saudi Arabia, Syria, the United Arab Emirates, and more. The book enables students to examine the stars, idols, and fads of other countries and provides them with an understanding of the globalization of pop culture. An introduction provides readers with important contextual information about pop culture in North Africa and the Middle East, such as how the United States has influenced movies, music, and the Internet; how Islamic traditions may clash with certain aspects of pop culture; and how pop culture has come to be over the years. Readers will learn about a breadth of topics, including music, contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. There are also entries examining topics like key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, and clothing fads and designers, allowing readers to gain a broad understanding of each topic, supported by specific examples. An ideal resource for students, the book provides Further Readings at the end of each entry; sidebars that appear throughout the text, providing additional anecdotal information; appendices of Top Tens that look at the top-10 songs, movies, books, and much more in the region; and a bibliography.




Tradition and Creativity


Book Description

The terms "culture" and "civilization" have too often been used interchangeably in referring to accomplishments in the spiritual, intellectual, and material domains, and human progress from the uncultivated to the refined. But in reality, they have a twofold meaning, as the essays in this book attest. The eight prominent scholars in this volume, working in their respective areas of expertise, offer either new perspectives or new syntheses on the study of the subjects under discussion. In discussing various aspects of Chinese and Japanese cultures, these essays either offer new perspectives or new syntheses on the study of the topics under discussion. In addition, they share a common effort to underscore the importance of the humanistic tradition in East Asian civilization. Authored by leading scholars in the field, they represent the current scholarship in the West on the study of Chinese and Japanese cultures, and contribute significantly to a better understanding of East Asia. Contents: Preface: Ching-I Tu; Popular Religions in Japan: Faith, Belief, and Behavior, Robert J. Smith; Virtuous Wives and Good Mothers-Women in Chinese Society, Marilyn B. Young; Popular Culture in China, Evelyn S. Rawski; Japanese Culture and Foreign Affairs, Akira Iriye; Chinese Culture: High Integration and Hard Modernization, James T.C. Liu; Modern Art Criticism and Chinese Painting History, Wen C. Fong; Religion and Literature in China: The "Obscure Way" of The Journey to the West, Anthony C. Yu; Management and Labor in the Japanese Economy, Solomon B. Levine




In Pursuit Of Contemporary East Asian Culture


Book Description

These critical essays examine East Asian culture through an interdisciplinary, cross-cultural lens. Readings of film, television, and visual and literary texts reveal the historical condition as well as the contemporary impulses driving East Asian culture today. We feel the muted tension in a rural South Korean village; we walk down the bustling streets of Hong Kong and witness the city's protean possibilities for a postrevolutionary reality. The boisterous tarento shows on Japanese television force us to rethink the nature of information and image production in relation to leisure management; cinematic spectacles in Japan, North Korea, Taiwan, and China point to complex issues of agency, the formation of the public sphere, and postnationalist identities. We see contemporary fiction from China and Japan engage themes of desire and remembrance as metaphors to express a profound historical anxiety. Mirroring the fast-moving and multifaceted landscape is our ability to move freely through time as we confront legitimizing narratives of modernization in early-twentieth-century Japan and, against an emerging regime of global capitalism, reexamine the approaching century in imagined historical hindsight. By anticipating the geocultural shift to the Asian Pacific Rim in the twenty-first century, this volume serves as both an introduction to contemporary East Asian culture and an exploration of its global context.




The East in the West


Book Description

The East in the West reassesses Western views of Asia. Traditionally many European historians and theorists have seen the societies of the East as 'static' or 'backward'. Jack Goody challenges these assumptions, beginning with the notion of a special Western rationality which enabled 'us' and not 'them' to modernise. He then turns to book-keeping, which several social and economic historians have seen as intrinsic to capitalism, arguing that there was in fact little difference between East and West in terms of mercantile activity. Other factors said to inhibit the East's development, such as the family and forms of labour, have also been greatly exaggerated. This Eurocentrism both fails to explain the current achievements of the East, and misunderstands Western history. The East in the West starts to redress the balance, and so marks a fundamental shift in our view of Western and Eastern history and society.




The Asian Family in Literature and Film


Book Description

This book offers a key analysis of the changing perceptions of family in East Asian societies and the dynamic metamorphosis of “traditional” family units through the twentieth century and into the new millennium. The book focuses on investigations of the Asian family as it is represented in literature, film, and other visual media emerging from within China, Japan, South Korea, and Taiwan, and on contestations of the power hegemonies and moral codes that underpin such representations, while also assessing Western and global influences on the Asian family. Individually and collectively, these essays examine traditions and transformations in the evolving conception of family itself and bring together a range of scholars from within and beyond the region to reflect upon the social and cultural mores represented in these texts, the issues that concern Asian families, and projections for future families in their own societies and in a globalized world. Through the written text and the lens of the camera, what directions has the understanding of family in an Asian context taken in the twenty-first century? How have the multiple platforms of media represented, encouraged, or resisted transitions during this time? Amid broader and mutating referential frameworks and cross-cultural influences, is the traditional concept of the “nuclear family” still relevant in the twenty-first century? This book lends further prominence to the diverse literary and cinematic production within East Asia and the eclectic range of media used to represent these ideas. It will be essential reading for scholars of literature, film studies, and Asian studies, and for those with an interest in the cultural and sociological implications of the changing definitions and parameters of the family unit.