The King's Equal


Book Description

In order to wear the crown of the kingdom, an arrogant young prince must find an equal in his bride. Instead, he finds someone far better than he.




The King's Equal


Book Description

Who is she? A dying king makes his son his heir--on one condition. Vain Prince Raphael must marry a woman who is his equal in beauty, intelligence, and wealth... Where is this woman? A search throughout the kingdom proves fruitless. Then the lovely Rosamund appears at the palace, as if by magic, and Raphael is certain he has found his wife. She is intelligent and wealthy, as well as beautiful--certainly his equal, he thinks. But what does the mysterious Rosamund think? Two-time Newbery Medalist Katherine Patersons critically-acclaimed original fairy tale about an arrogant prince and his search for a bride is now available in a reformatted chapter book edition. With beautiful new line art by Curtis Woodbridge, this provocative story with a contemporary social message (The New York Times Book Review) will become an instant classic for newly independent readers. An entertaining and enchanting story.




The King's Equal


Book Description

In order to wear the crown of the kingdom, an arrogant young prince must find an equal in his bride. Instead, he finds someone far better than he




Letter from Birmingham Jail


Book Description

This landmark missive from one of the greatest activists in history calls for direct, non-violent resistance in the fight against racism, and reflects on the healing power of love.







Why We Can't Wait


Book Description

Dr. King’s best-selling account of the civil rights movement in Birmingham during the spring and summer of 1963 On April 16, 1963, as the violent events of the Birmingham campaign unfolded in the city’s streets, Dr. Martin Luther King, Jr., composed a letter from his prison cell in response to local religious leaders’ criticism of the campaign. The resulting piece of extraordinary protest writing, “Letter from Birmingham Jail,” was widely circulated and published in numerous periodicals. After the conclusion of the campaign and the March on Washington for Jobs and Freedom in 1963, King further developed the ideas introduced in the letter in Why We Can’t Wait, which tells the story of African American activism in the spring and summer of 1963. During this time, Birmingham, Alabama, was perhaps the most racially segregated city in the United States, but the campaign launched by King, Fred Shuttlesworth, and others demonstrated to the world the power of nonviolent direct action. Often applauded as King’s most incisive and eloquent book, Why We Can’t Wait recounts the Birmingham campaign in vivid detail, while underscoring why 1963 was such a crucial year for the civil rights movement. Disappointed by the slow pace of school desegregation and civil rights legislation, King observed that by 1963—during which the country celebrated the one-hundredth anniversary of the Emancipation Proclamation—Asia and Africa were “moving with jetlike speed toward gaining political independence but we still creep at a horse-and-buggy pace.” King examines the history of the civil rights struggle, noting tasks that future generations must accomplish to bring about full equality, and asserts that African Americans have already waited over three centuries for civil rights and that it is time to be proactive: “For years now, I have heard the word ‘Wait!’ It rings in the ear of every Negro with piercing familiarity. This ‘Wait’ has almost always meant ‘Never.’ We must come to see, with one of our distinguished jurists, that ‘justice too long delayed is justice denied.’”




Kings and Captains


Book Description

Charles Moorman reexamines several major works of the western heroic tradition: The Iliad, The Odyssey, Beowulf, The Song of Roland, The Nibelungenlied, the Norse sagas, and the Arthurian cycle. Disregarding the usual limited definitions which have controlled the study of heroic literature, he draws together these disparate works by proposing a theme common to them all: the opposition of two major figures whom he names king and captain. The figure of the king arises from the community with its need for responsible government, while the captain, derived from myth, is a highly individualistic, irresponsible heroic figure. The tension which Moorman sees between them is used as a means of reinterpreting the works under study. Though widely separated in time and cultural milieu, The Illiad, and The Song of Roland, for example, can be compared by interpreting both the Agamemnon-Achilles and the Oliver-Roland relationships as conflicts between king and captain. These essays will prove illuminating for layman and scholar alike.










Translation and notes


Book Description

A collection of hagiology, legend, Ossianic lore, and fiction.