The Kingfish in Fiction


Book Description

The controversial, almost mythic Louisiana politician Huey P. Long inspired not just one but six American novels, published between 1934 and 1946. And he continues to resonate in American cultural memory, appearing in a 1995 work of historical fiction. The Kingfish in Fiction offers the first study of all six “Hueys-who-aren’t-Hueys” as they strut and bluster their way across the literary page, each character with his own particular story, each towing a different authorial agenda. Keith Perry carefully dissects the intertwining of documented history and artistic invention in Sinclair Lewis’s It Can’t Happen Here, Hamilton Basso’s Cinnamon Seed and Sun in Capricorn, John Dos Passos’s Number One, Adria Locke Langley’s A Lion Is in the Streets, and Robert Penn Warren’s All the King’s Men. Perry explains that Lewis cast his version of the Kingfish as a totalitarian menace, a sort of homegrown Hitler, in what Lewis later admitted was an unapologetic attempt to sabotage Long’s designs on the White House. Basso, one of Long’s most vocal detractors, created two Long-based characters, each a rabble-rousing affront to what remained of the Old South order. To warn readers of the dangers hidden in the politician-constituent contract, Dos Passos transformed Long into a shameless manipulator of the gullible American masses. Langley’s rendition suffers complete condemnation by its creator for personal as well as public transgressions. Warren’s spellbinding Willie Stark, almost as much philosopher as politician, ironically bears the least resemblance to Long though for almost six decades Stark has been Long’s best-known fictional embodiment. Exploring how and why these five authors—among them, a Nobel laureate, one of America’s most celebrated political novelists, and a two-time Pulitzer Prize winner—turned one politician into six fictional characters leads Perry to conclude that Huey P. Long’s lasting impression may well be a composite of both historical and imaginative interpretation.




Kingfish


Book Description

From the moment he took office as governor in 1928 to the day an assassin’s bullet cut him down in 1935, Huey Long wielded all but dictatorial control over the state of Louisiana. A man of shameless ambition and ruthless vindictiveness, Long orchestrated elections, hired and fired thousands at will, and deployed the state militia as his personal police force. And yet, paradoxically, as governor and later as senator, Long did more good for the state’s poor and uneducated than any politician before or since. Outrageous demagogue or charismatic visionary? In this powerful new biography, Richard D. White, Jr., brings Huey Long to life in all his blazing, controversial glory. White taps invaluable new source material to present a fresh, vivid portrait of both the man and the Depression era that catapulted him to fame. From his boyhood in dirt-poor Winn Parish, Long knew he was destined for power–the problem was how to get it fast enough to satisfy his insatiable appetite. With cunning and crudity unheard of in Louisiana politics, Long crushed his opponents in the 1928 gubernatorial race, then immediately set about tightening his iron grip. The press attacked him viciously, the oil companies howled for his blood after he pushed through a controversial oil processing tax, but Long had the adulation of the people. In 1930, the Kingfish got himself elected senator, and then there was no stopping him. White’s account of Long’s heyday unfolds with the mesmerizing intensity of a movie. Pegged by President Roosevelt as “one of the two most dangerous men in the country,” Long organized a radical movement to redistribute money through his Share Our Wealth Society–and his gospel of pensions for all, a shorter workweek, and free college spread like wildfire. The Louisiana poor already worshiped him for building thousands of miles of roads and funding schools, hospitals, and universities; his outrageous antics on the Senate floor gained him a growing national base. By 1935, despite a barrage of corruption investigations, Huey Long announced that he was running for president. In the end, Long was a tragic hero–a power addict who squandered his genius and came close to destroying the very foundation of democratic rule. Kingfish is a balanced, lucid, and absolutely spellbinding portrait of the life and times of the most incendiary figure in the history of American politics.




All the King's Men


Book Description

Willie Stark's obsession with political power leads to the ultimate corruption of his gubernatorial administration.




Huey Long


Book Description

Provides a look at the controversial Louisiana statesman who fought, with sometimes questionable methods, to improve the quality of life of the poor




Mafia Kingfish


Book Description

Story of the Mafia leader who the author believes was involved in the assassination of President Kennedy and other crimes and scandals in addition to running an organized crime empire in Louisiana.




Authoritarianism and Class in American Political Fiction


Book Description

This book analyzes what many critics consider to be the three best examples of modern American political fiction—Robert Penn Warren’s All the King’s Men, Edwin O’Connor’s The Last Hurrah, and Billy Lee Brammer’s The Gay Place—to address a specific problem in American governance: how the intense competition for power among elite factions often results in their ignoring major groups of their constituents, thereby providing political bosses with a rationale to seize authoritarian control of the government in the name of constituent groups who feel ignored or neglected, promising them more democratic rule, but in the process, excluding other groups, so that the bosses themselves become elitist, ruling only for the sake of some constituents and not others.




Huey Long


Book Description

He was one of the most extraordinary figures in America's political history, a great natural politician who had become, at the time of his assassination, a serious rival to Franklin D. Roosevelt for the presidency.




Black Stereotypes in Popular Series Fiction, 1851-1955


Book Description

Even well-meaning fiction writers of the late Jim Crow era (1900-1955) perpetuated racial stereotypes in their depiction of black characters. From 1918 to 1952, Octavus Roy Cohen turned out a remarkable 360 short stories featuring Florian Slappey and the schemers, romancers and ditzes of Birmingham's Darktown for The Saturday Evening Post and other publications. Cohen said, "I received a great deal of mail from Negroes and I have never found any resentment from a one of them." The black readership had to be satisfied with any black presence in the popular literature of the day. The best known white writers of black characters included Booth Tarkington (Herman and Verman in the Penrod books), Irvin S. Cobb (Judge Priest's houseman Jeff Poindexter), Roark Bradford (Widow Duck, the plantation matriarch), Hugh Wiley (Wildcat Marsden, the war veteran who traveled the country in the company of his goat) and Charles Correll and Freeman Gosden (radio's Amos 'n' Andy). These writers deservedly declined in the civil rights era, but left a curious legacy that deserves examination. This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others.




Handbook of the American Novel of the Twentieth and Twenty-First Centuries


Book Description

Increasing specialization within the discipline of English and American Studies has shifted the focus of scholarly discussion toward theoretical reflection and cultural contexts. These developments have benefitted the discipline in more ways than one, but they have also resulted in a certain neglect of close reading. As a result, students and researchers interested in such material are forced to turn to scholarship from the 1960s and 1970s, much of which relies on dated methodological and ideological presuppositions. The handbook aims to fill this gap by providing new readings of texts that figure prominently in the literature classroom and in scholarly debate − from James’s The Ambassadors to McCarthy’s The Road. These readings do not revert naively to a time “before theory.” Instead, they distil the insights of literary and cultural theory into concise introductions to the historical background, the themes, the formal strategies, and the reception of influential literary texts, and they do so in a jargon-free language accessible to readers on all levels of qualification.




The Preface


Book Description

Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.