The Lacquer Screen


Book Description

Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate. "One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."-—New York Times Book Review "Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."-—The Spectator "So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."-—New York Times Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.




Coromandel Lacquer Screens


Book Description

Coromandel is an area of the east coast of India between the Godava River and Nagapatnam. Contrary to what its name implies, Coromandel lacquer does not come from this region but from China. Although almost all museums with a major Oriental art collection own a Coromandel screen, no monograph has so far been dedicated to that theme. This is the first book to directly address this subject. Aimed at a public with an interest in Oriental art, this book is divided in to four parts. The first part gives a brief overview of trade relations between East and West. In order to place the emergence of Coromandel screen in its proper context, the first part also details the evolution of Chinese lacquer. The second part deals with the origin of Coromandel lacquer technique and the third part describes the various decorative patterns to be found in the screens featured in the book. By comparing the style of the dated screens with that of undated ones, the authors have formed a theory of how the Coromandel style developed. Part four includes a research into the materials and techniques used in the manufacture of a Coromandel screen. Here old Chinese texts on lacquer techniques are consulted and fragments of Coromandel lacquer are examined. This book provides the first step toward broader and deeper research on the subject and should encourage more discussions on the subject. It will become one of the classic references that breaks new ground in this much-neglected subject.




Dee Goong An (Three Murder Cases Solved)


Book Description

First published in the eighteenth century, Dee Goong An chronicles three of Judge Dee's celebrated cases, woven together into a novel. A double murder among merchants, the fatal poisoning of a new bride, and an unsolved murder in a small town — these crimes launch Judge Dee down the great silk routes and even into graveyards to consult the spirits of the dead. With his keen analytical wit, can he discover the killers? First of the Judge Dee books, translated by Robert van Gulik.




On a Chinese Screen


Book Description




The Chinese Nail Murders


Book Description

Judge Dee and his helpers investigate a series of murders despite pressure to solve them quickly.




French Art Deco


Book Description

Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.







Techniques of Chinese Lacquer


Book Description

Published on the occasion of an exhibition at the J. Paul Getty Museum focusing on the conservation of the Victoria and Albert Museum's Mazarin Chest, from March 3 to May 24, 2009, this is the first English translation of Jesuit Filippo Bonanni's eighteenth-century treatise, considered the most important and comprehensive early study of Chinese lacquer in Europe. Bonanni relates various authors' attempts to understand and analyze the composition of the newly imported Chinese lacquer. He lists a variety of recipes of the time as well as their effectiveness--including various European recipes developed as an affordable alternative to the Chinese import--and offers what he considers the most reliable recipe, as well as his own appraisal of the best uses and applications of the lacquer. An invaluable primary source for scholars and conservators.




The Chinese Lake Murders


Book Description

In the third installment of Robert Van Gulik's classic ancient Chinese mystery series based on historical court records, magistrate, lawyer, and detective Judge Dee has his work cut out for him. Set in 666 A.D., in the hidden city of Han-yuan, sixty miles from the imperial capital of ancient China, Dee is sent to investigate a case of embezzlement of government funds. But things are about to get more complicated for the great detective. Just before he is about to take leave of Han-yuan, the popular courtesan Almond Blossom disappears, and then a bride who dies on her wedding night also disappears from her coffin -- her body replaced with that of a murdered man. To make matters worse, Judge Dee is confronted with the dangerous sect called the White Lotus.




Lacquerware in Asia, Today and Yesterday


Book Description

Dating back several thousand years, the art of lacquer is one of the most ancient expressions of Asian culture, and this publication provides an overview of the different kinds of methods and materials used in Cambodia, China, India, Korea, Japan, Myanmar, Thailand and Vietnam. The number of people employed in this ancestral art has fallen dramatically throughout Asia in recent decades, and this book considers the challenges to its survival as well as highlighting the importance of documenting past and modern procedures.