The Ladies Gallery


Book Description

A shred of black lace. A broken hand mirror. A spidery strip of false eyelash. These are the fragments left to Irene Vilar, granddaughter of Lolita Lebrón, the revered political activist for Puerto Rican independence who in 1954 sprayed the U.S. House of Representatives with gunfire, wounding several congressmen, and served twenty-seven years in prison. In The Ladies' Gallery, Vilar revisits the legacy of her grandmother and that of her anguished mother, who leaped to her death from a speeding car when Vilar was eight. Eleven years after her mother's death, Vilar awakens in a psychiatric hospital after her own suicide attempt and begins to face the devastating inheritance of abandonment and suicide passed down from her grandmother and mother. The familial pattern of self-destruction flings open the doors to her national inheritance and the search for identity. Alternating between Vilar's notes from the ward and the unraveling of her family's secrets, this lyrical and powerful memoir of three generations of Puerto Rican women is urgent, impassioned, and unforgettable.




The Ladies' Gallery


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First Ladies of the United States


Book Description

A gorgeous publication that reveals the historical importance of first ladies through portraiture. Each first lady has brought her own priorities and flair to the position that has never been officially defined. They have served as hostesses, trendsetters, activists, and political players. First Ladies of the United States features 84 portraits of the nation's first ladies, as varied in style and representation as the individual women they depict. From watercolors and oil paintings to engravings and photographs, this book celebrates the legacy of first ladies throughout history. First ladies are some of the most scrutinized public figures in the country, praised or criticized on everything from their fashion to their level of political involvement. There's no better way to explore their visibility and lasting impact than with First Ladies of the United States, which places remarkable portraits alongside an insightful essay and lively entries that illuminate the history of the women who have shaped the White House.







The Ladies' Repository


Book Description

The idea of this women's magazine originated with Samuel Williams, a Cincinnati Methodist, who thought that Christian women needed a magazine less worldly than Godey's Lady's Book and Snowden's Lady's Companion. Written largely by ministers, this exceptionally well-printed little magazine contained well-written essays of a moral character, plenty of poetry, articles on historical and scientific matters, and book reviews. Among western writers were Alice Cary, who contributed over a hundred sketches and poems, her sister Phoebe Cary, Otway Curry, Moncure D. Conway, and Joshua R. Giddings; and New England contributors included Mrs. Lydia Sigourney, Hannah F. Gould, and Julia C.R Dorr. By 1851, each issue published a peice of music and two steel plates, usually landscapes or portraits. When Davis E. Clark took over the editorship in 1853, the magazine became brighter and attained a circulation of 40,000. Unlike his predecessors, Clark included fictional pieces and made the Repository a magazine for the whole family. After the war it began to decline and in 1876 was replaced by the National Repository. The Ladies' Repository was an excellent representative of the Methodist mind and heart. Its essays, sketches, and poems, its good steel engravings, and its moral tone gave it a charm all its own. -- Cf. American periodicals, 1741-1900.




Ladies of the Lakes


Book Description

Jim Clary's unquestionable marine art talent is traced to his early days as a schoolboy. He remembers vividly having his ears boxed while drawing in his arithmetic. But his love for the sea and ships no doubt began during the years he lived near the Detroit River, fishing and playing amidst the sea gulls and the beckoning whistles of passing vessels. This he believes established his strong desire to paint ships. When the family moved to the rural town of Richmond, Michigan, Jim spent much of his time in nearby St. Clair, a small town along the St. Clair River, which deepened his interest in ships' lore, and led him to devote his full talents to painting ships and collecting bits and pieces on maritime history. Like most of the famous marine artists of the past, Clary is self-taught. His natural talent gradually came alive through the combined effort of drawing and the love and knowledge of ships. Thus having relied on extensive reading, research, and experience, he brings to his work the most accurate possible interpretation of each subject. During his endless search for data and detail he finds such hidden treasures as century-old newspaper accounts of sinkings or rescues that he might link with his paintings. Searching through libraries, museums, or private collections, he often comes across a detail that has been forgotten. Much of his knowledge comes from personal experience. Trips on Great Lakes ore carriers have provided him with the opportunity to witness, first-hand, the saga of today's behemoths and the chill of a November storm. His staging of a battle on Old Ironsides in which U.S. Navy men assisted in re-enacting a deck fighting scene gave his invaluable reference material for his painting of the only pictorial record of how it might have appeared on board the Constitution in the heat of battle. His ""cracker barrel"" conversations with old-timers have uncovered many fascinating anecdotes and his interviews with survivors of the Titanic or the Andrea Doria have often provided him inside information unattainable through normal sources.




The Ladies-in-Waiting


Book Description

In 1656, Diego Velázquez, leading figure in the Spanish Golden Age of painting, created one of the most enigmatic works in the history of art: Las Meninas (The Ladies-in-Waiting). This graphic novel, written and drawn by two of Spain’s most sophisticated comics creators, examines its legacy as one of the first paintings to explore the relationship among the viewer, reality, and unreality. (It guest stars Cano, Salvador Dalí, Zurbarán, and many others.) Olivares’s art moves from clear line to expressionistic; from pen nib to brush stokes; from one color palette to another, as The Ladies-in-Waiting uses fiction to explore the ties among artists and patrons, the past and the present, institutions and audiences, creators and creativity. Their combined efforts have garnered not only international comics prizes, but the equivalent of the National Book Award in Spain, where the book has been a commercial and critical sensation.




Ladies of Letterpress


Book Description

The revival of traditional printing methods has been afoot for the last decade, and the tactile charm of letterpress has ensured that its popularity is on the rise. Ladies of Letterpress is an organization that champions the craft, and in particular seeks to showcase and promote the work of women printers. A gallery of art by its members, the work in Ladies of Letterpress ranges from greetings cards to broadsides and posters, and is offered in a cornucopia of type and illustration styles. What comes through clearly, though, is the quality of the work: every one of these pieces is worthy of display on your wall, and with 80 detachable pages, you can create an instant and beautiful gallery of your own.




Report


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The Ladies' Companion


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