Plays and Poems


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Congressional Record


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Garner's Modern English Usage


Book Description

With more than a thousand new entries and more than 2,300 word-frequency ratios, the magisterial fourth edition of this book-now renamed Garner's Modern English Usage (GMEU)-reflects usage lexicography at its finest. Garner explains the nuances of grammar and vocabulary with thoroughness, finesse, and wit. He discourages whatever is slovenly, pretentious, or pedantic. GMEU is the liveliest and most compulsively readable reference work for writers of our time. It delights while providing instruction on skillful, persuasive, and vivid writing. Garner liberates English from two extremes: both from the hidebound "purists" who mistakenly believe that split infinitives and sentence-ending prepositions are malfeasances and from the linguistic relativists who believe that whatever people say or write must necessarily be accepted. The judgments here are backed up not just by a lifetime of study but also by an empirical grounding in the largest linguistic corpus ever available. In this fourth edition, Garner has made extensive use of corpus linguistics to include ratios of standard terms as compared against variants in modern print sources. No other resource provides as comprehensive, reliable, and empirical a guide to current English usage. For all concerned with writing and editing, GMEU will prove invaluable as a desk reference. Garner illustrates with actual examples, cited with chapter and verse, all the linguistic blunders that modern writers and speakers are prone to, whether in word choice, syntax, phrasing, punctuation, or pronunciation. No matter how knowledgeable you may already be, you're sure to learn from every single page of this book.




The Afterlife of Ophelia


Book Description

This collection of new essays is the first to explore the rich afterlife of one of Shakespeare's most recognizable characters. With contributions from an international group of established and emerging scholars, The Afterlife of Ophelia moves beyond the confines of existing scholarship and forges new lines of inquiry beyond Shakespeare studies.




His Billion Dollar Baby


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Burned by love and grieving over his brother's death, sexy billionaire CEO Carter Anderson wants nothing more than to protect his family. So when beautiful and unassuming physical therapist Gwen Radley shows up at the funeral, pregnant with his brother's baby, Carter's certain she wants an interest in the Anderson empire—and both his suspicion and attraction grow when circumstances force Gwen to move into his family's mansion. An orphan, Gwen's never wanted anything more than a family, and she finds in the Andersons a place she and her baby might belong. When Gwen's therapy expertise leads to long hours of intense, late-night collaboration on a lucrative project, the attraction between her and Carter leads to a night of white-hot passion. But Carter's distrust remains, leading them both to wonder if he will ever embrace his brother's baby—or the love that's blooming between them.




Familiar Quotations


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Tabloid Dreams


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"An unrepeatable feat, a tour de force." --The Washington Post Book World In Tabloid Dreams, Pulitzer Prize-winning author Robert Olen Butler dazzles with his mastery of the short story and his empathy for eccentric and ostracized characters. Using tabloid headlines as inspiration--"Boy Born with Tattoo of Elvis," "Woman Struck by Car Turns into Nymphomaniac," and "JFK Secretly Attends Jackie Auction"--Butler moves from the fantastic to the realistic, exploring enduring concepts of exile, loss, aspiration, and the search for self. Along the way, the cast includes a woman who can see through her glass eye when it's removed from the socket, a widow who sets herself on fire after losing a baking competition, a nine-year-old hit man, and a woman who dates an extraterrestrial she met in a Walmart parking lot. Tabloid Dreams weaves a seamless tapestry of high and low culture, of the surreal, sordid, and humorously sad.




A Woman's Life


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'The novel is a reflection of the characters' lives - vivid, dramatic and sometimes chaotic, with emotional volume turned up to full blast . . . a narrative of striking exuberance and generosity - THE TIMES Connie is the youngest member of a large Irish family and Ireland's too small to contain her. She is beautiful and impulsive. Men love her, while she roars through life, never looking before she leaps - sometimes onto rocks. Nina is English and middle-class, the shy, thoughtful, daughter of an army officer. She marries her boyhood love and has two children before realising how unfulfilled she is, and that painting is her true passion. Fay is American and Jewish, the granddaughter of a holocaust survivor. She's the ambitious one, who fulfils her dream of becoming a doctor before admitting a darker, more complex side to her nature. 'The female characters are so superbly drawn, so real, that you are reminded of the skill of the female novelists of the 19th century ... [the novel's] brilliance lies in a combination of the author's subtle observations - how jealous men can be of their wives' friends, for example - and the absence of sentimentality' - DAILY TELEGRAPH




The Laurringtons


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Pastiche


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Writing with his customary wit and style, Richard Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works. Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.