The Lake Gun and Other Stories


Book Description

James Fenimore Cooper was a prolific and popular American writer of the first half of the 19th century. "The Lake Gun" is a satirical short story named after the mysterious loud exploding sound coming from Seneca Lake, called The Lake Gun by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.




The Lake Gun and other Stories


Book Description

The Lake Gun is a satirical short story by James Fenimore Cooper fi rst published in 1850. The title of the story comes from a mysterious loud exploding sound coming from Seneca Lake, called “The Lake Gun” by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.




The Spy + The Lake Gun and other Stories


Book Description

James Fenimore Cooper was a prolific and popular American writer of the first half of the 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature. This volume contains Cooper’s novel and some of his short stories. "The Spy" was Cooper's second novel, published in 1821. The action takes place during the American Revolution. Garvey Birch is a modest American who pretends to be a regular peddler, but in fact collecting military information for the Continental Army in territory controlled by British army. "The Lake Gun" is a satirical short story named after the mysterious loud exploding sound coming from Seneca Lake, called The Lake Gun by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.




The Lake Gun


Book Description

The Lake Gun by James Fenimore Cooper. "'The Lake Gun" is a satirical short story by James Fenimore Cooper first published in 1850. The short story was commission by George E. Wood for $100, and published in a miscellany titled The Parthenon. The short story satirizes political demagoguery, focused on William Henry Seward. The title of the story comes from a mysterious loud exploding sound coming from Seneca Lake, called "The Lake Gun" by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.




The Lake Gun


Book Description

"The Lake Gun" by James Fenimore Cooper. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.




The Lake Gun


Book Description

The Lake Gun by James Fenimore Cooper. "'The Lake Gun" is a satirical short story by James Fenimore Cooper first published in 1850. The short story was commission by George E. Wood for $100, and published in a miscellany titled The Parthenon. The short story satirizes political demagoguery, focused on William Henry Seward. The title of the story comes from a mysterious loud exploding sound coming from Seneca Lake, called "The Lake Gun" by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.




The Lake Gun (Illustrated)


Book Description

"'The Lake Gun" is a satiricall short story by James Fenimore Cooper first published in 1850. The short story was commission by George E. Wood for $100, and published in a miscellany titled The Parthenon. The short story satirizes political demagoguery, focused on William Henry Seward.




Son of a Gun


Book Description

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY In the tradition of Tobias Wolff, James Ellroy, and Mary Karr, a stunning memoir of a mother-son relationship that is also the searing, unflinching account of a murder and its aftermath Tombstone, Arizona, September 2001. Debbie St. Germain’s death, apparently at the hands of her fifth husband, is a passing curiosity. “A real-life old West murder mystery,” the local TV announcers intone, while barroom gossips snicker cruelly. But for her twenty-year-old son, Justin St. Germain, the tragedy marks the line that separates his world into before and after. Distancing himself from the legendary town of his childhood, Justin makes another life a world away in San Francisco and achieves all the surface successes that would have filled his mother with pride. Yet years later he’s still sleeping with a loaded rifle under his bed. Ultimately, he is pulled back to the desert landscape of his childhood on a search to make sense of the unfathomable. What made his mother, a onetime army paratrooper, the type of woman who would stand up to any man except the men she was in love with? What led her to move from place to place, man to man, job to job, until finally she found herself in a desperate and deteriorating situation, living on an isolated patch of desert with an unstable ex-cop? Justin’s journey takes him back to the ghost town of Wyatt Earp, to the trailers he and Debbie shared, to the string of stepfathers who were a constant, sometimes threatening presence in his life, to a harsh world on the margins full of men and women all struggling to define what family means. He decides to confront people from his past and delve into the police records in an attempt to make sense of his mother’s life and death. All the while he tries to be the type of man she would have wanted him to be. Praise for Son of a Gun “[A] spectacular memoir . . . calls to mind two others of the past decade: J. R. Moehringer’s Tender Bar and Nick Flynn’s Another Bull____ Night in Suck City. All three are about boys becoming men in a broken world. . . . [What] might have been . . . in the hands of a lesser writer, the book’s main point . . . [is] amplified from a tale of personal loss and grief into a parable for our time and our nation. . . . If the brilliance of Son of a Gun lies in its restraint, its importance lies in the generosity of the author’s insights.”—Alexandra Fuller, The New York Times Book Review “[A] gritty, enthralling new memoir . . . St. Germain has created a work of austere, luminous beauty. . . . In his understated, eloquent way, St. Germain makes you feel the heat, taste the dust, see those shimmering streets. By the end of the book, you know his mother, even though you never met her. And like the author, you will mourn her forever.”—NPR “If St. Germain had stopped at examining his mother’s psycho-social risk factors and how her murder affected him, this would still be a fine, moving memoir. But it’s his further probing—into the culture of guns, violence, and manhood that informed their lives in his hometown, Tombstone, Ariz.—that transforms the book, elevating the stakes from personal pain to larger, important questions of what ails our society.”—The Boston Globe “A visceral, compelling portrait of [St. Germain’s] mother and the violent culture that claimed her.”—Entertainment Weekly




The Lake Gun Annotated


Book Description

"'The Lake Gun" may be a satiricall story by James Fenimore Cooper first published in 1850. The story was commission by George E. Wood for $100, and published during a miscellany titled The Parthenon. The story satirizes political demagoguery, focused on Henry Seward.




The Night of the Gun


Book Description

David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.