The Langloz Manuscript


Book Description

What sorts of processes were going through the mind of J.S. Bach as he improvised a fugue in three, four, or even six parts? And what sort of training equipped an organist of the early eighteenth century to practice the art of accompaniment and improvisation successfully? The practical method which linked keyboard technique, improvisation, performance, and composition in a continuum was the thoroughbass, the center of the Baroque musicians art. The Langloz Manuscript, originating in the era and proximity of Bach's region of activity, and containing the largest extant collection of figured bass fugues, provides a window into this very process, and demonstrates more clearly than any words can the method by which the art of thoroughbass provided a foundation for extemporised fugue. The present edition is the first publication of this manuscript.




Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music


Book Description

Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the eighteenth century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. Lundberg demonstrates that the succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform.




Continuo Playing According to Handel


Book Description

This book is an edition, with commentary, of Handel's exercises for continuo playing, which he wrote for the daughters of George II. The exercises, which until now have not been readily available, are supplemented by clear and concise commentary. Remaining faithful to his source, Ledbetter, who lectures in keyboard studies, has prepared an edition that will prove invaluable to students and performers of the music of Handel and his contemporaries.




Analyzing Fugue


Book Description

The analytical techniques that Heinrich Schenker developed have become increasingly dominant in the analysis of tonal music, and have provided a rich and powerful means of understanding the complexities of great masterworks of the Western tradition. Schenker's method is based on two cardinal concepts-a hierarchy of tones grouped into structural levels, and a recognition of the importance of strict voice-leading at all structural levels. In Analyzing Fugue-A Schenkerian Approach, author William Renwick utilizes Schenkerian techniques to explore the relationship between imitative counterpoint and voice-leading in fugue. He shows that the art of fugal composition as practiced by masters such as Bach and Handel involves a remarkable degree of systematic structural patterning that is not evident on the surface of the music. Reviews-...Renwick's book offers a penetrating theory of fugue, with telling observations for theorists and composers alike. Heather Platt Notes Sept. 1996...clearly the fruit of deep study and sophisticated knowledge of fugues (particularly those of bach) and the literature about them. ...many will find it a fount of wisdom and knowledge. Lionel Pike, Music and Letters vol. 77 no. 1...consummate and meticulous scholarship. Robert Gauldin, Intégral vol. 9




The Atonal Music of Arnold Schoenberg, 1908-1923


Book Description

Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.




Keys to Play


Book Description

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.




The Art of Partimento


Book Description

At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency. Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation. In The Art of Partimento, performer and music-historian Giorgio Sanguinetti chronicles the history of this long-forgotten Neapolitan art. Sanguinetti has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe. Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, The Art of Partimento gives a glimpse into the daily life and work of an eighteenth century composer. The Art of the Partimento is also a complete practical handbook to reviving the tradition today. Step by step, Sanguinetti guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence. Based on the teachings of the original masters, Sanguinetti challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace. As both history and practical guide, The Art of Partimento presents a new and innovative way of thinking about music theory. Sanguinetti's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.




Twentieth-century piano classics


Book Description

Includes Stravinsky's 3 Movements from Petrushka, Rag Time, Piano-Rag-Music, more; Schoenberg's Symphony, Op. 9, 3 Piano Pieces, Op. 11, more; and Hindemith's 1922: Suite for Piano, Op. 26. Authoritative editions.




The Music of J. S. Bach


Book Description

This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach?s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. ø Part 1 includes Alfred Mann?s introduction to Bach?s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach?s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach?s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.




Bach's Works for Solo Violin


Book Description

J.S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-18th century. This engaging introduction to these works is the first comprehensive exploration of their place within Bach's music, focusing on their structural and stylistic features as they have been perceived since their creation. Combining an analytical study, a historical guide, and an insightful introduction to Bach's style, this book will help violinists, scholars, and other listeners develop a deeper personal involvement with many aspects of these wonderful pieces.