Wordsworth and Coleridge


Book Description

An updated reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets.




Biographia Literaria


Book Description







The Language of Wordsworth and Coleridge


Book Description

This is a discussion of the ballads of Coleridge and Wordsworth, notably those which appear in the work Lyrical Ballads (1798) which contains 4 poems by Coleridge and 19 by Wordsworth. This present volume assesses and contrasts their likenesses, their individual excellences and sometimes their weaknesses.




Coleridge, Wordsworth, and the Language of Allusion


Book Description

In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of "creative" misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's "private language" of allusion that these differences are most clearly seen, the book concludes that this "private language" spoken by artists amongst themselves may in fact be the most aggressive of literary forms.




Wordsworth & Coleridge: Lyrical Ballads and Other Poems


Book Description

Wordsworth & Coleridge: Lyrical Ballads and Other Poems represents a seminal watershed in English literature, marking the dawn of Romanticism with its fervent embrace of nature, emotion, and the individual's interior world. This collection masterfully demonstrates a wide array of literary styles, from the simplicity and directness of the rural ballad to complex meditations on human and natural worlds. It pulses with the radical energy of its time, challenging Enlightenment rationalism and foreshadowing a century deeply concerned with personal and social liberation. The standout pieces defy traditional poetic norms of the era, making the anthology a historic pivot towards modern poetic sensibility. The diverse backgrounds of William Wordsworth and Samuel Taylor Coleridge, though both pivotal figures of the Romantic movement, bring a rich interplay of themes and stylistic approaches to the anthology. Their joint effort not only signifies a close intellectual and artistic collaboration but also reflects the broader historical, cultural, and literary currents of late 18th and early 19th centuries. The melding of Wordsworth's profound connection with nature and Coleridge's innovative symbolic imagination creates a multidimensional exploration of the human condition and our relationship with the natural world. This anthology is an indispensable treasure for readers seeking to immerse themselves in the genesis of Romanticism. It offers a unique lens through which to explore pivotal literary innovations and themes of the era. As such, it beckons not only students and scholars of English literature but anyone intrigued by the transformative power of poetry and its ability to wrestle with timeless questions through the beauty of language. The collection stands as a testament to the enduring relevance and dynamism of Wordsworth and Coleridge's visionary work.




The Making of Poetry


Book Description

Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.




Coleridge's Spiritual Language


Book Description




Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth (Also contains Their Thoughts On Poetry Principles and Secrets)


Book Description

This carefully crafted ebook: "Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth (Also contains Their Thoughts On Poetry Principles and Secrets)" is formatted for your eReader with a functional and detailed table of contents. Lyrical Ballads, two collections of poems by William Wordsworth and Samuel Taylor Coleridge are generally considered to have marked the beginning of the English Romantic movement in literature. The immediate effect on critics was modest, but they became and remain a landmark, changing the course of English literature and poetry. Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only five poems to the collection, including one of his most famous works, "The Rime of the Ancient Mariner". A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pair's avowed poetical principles. Samuel Taylor Coleridge (1772 - 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. William Wordsworth (1770 -1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). Table of Contents: Anima Poetae (By Samuel Taylor Coleridge) Essays, Letters, and Notes about the Principles of Poetry (By William Wordsworth) LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798) LYRICAL BALLADS, WITH OTHER POEMS (1800) This carefully crafted ebook: "Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth (Also contains Their Thoughts On Poetry Principles and Secrets)" is formatted for your eReader with a functional and detailed table of contents. Lyrical Ballads, two collections of poems by William Wordsworth and Samuel Taylor Coleridge are generally considered to have marked the beginning of the English Romantic movement in literature. The immediate effect on critics was modest, but they became and remain a landmark, changing the course of English literature and poetry. Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only five poems to the collection, including one of his most famous works, "The Rime of the Ancient Mariner". A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pair's avowed poetical principles. Samuel Taylor Coleridge (1772 - 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. William Wordsworth (1770 -1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). Table of Contents: Anima Poetae (By Samuel Taylor Coleridge) Essays, Letters, and Notes about the Principles of Poetry (By William Wordsworth) LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798) LYRICAL BALLADS, WITH OTHER POEMS (1800) This carefully crafted ebook: "Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth (Also contains Their ...




Wordsworth, Coleridge, and 'the language of the heavens'


Book Description

Thomas Owens explores some of the exultant visions inspired by Wordsworth's and Coleridge's close scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns drawn from natural, geometric, celestial, and astronomical sources which Wordsworth and Coleridge used to express their ideas about poetry, religion, literary criticism, and philosophy, and establishes the central importance of analogy in their creative thinking. Analogies prompted the poets' imaginings in geometry and cartography, in nature (representations of the moon) and natural history (studies of spider-webs, streams, and dew), in calculus and conical refraction, and in the discovery of infra-red and ultraviolet light. Although this is primarily a study of the patterns which inspired their writing, the findings overturn the prevalent critical consensus that Wordsworth and Coleridge did not have the access, interest, or capacity to understand the latest developments in nineteenth-century astronomy and mathematics, which they did in fact possess. Wordsworth, Coleridge, and 'the language of the heavens' reinstates many relationships which the poets had with scientists and their sources. Most significantly, the book illustrates that these sources are not simply another context or historical lens through which to engage with Wordsworth's and Coleridge's work but are instead a controlling device of the symbolic imagination. Exploring the structures behind Wordsworth's and Coleridge's poems and metaphysics stakes out a return to the evidence of the Romantic imagination, not for its own sake, but in order to reveal that their analogical configuration of the world provided them with a scaffold for thinking, an intellectual orrery which ordered artistic consciousness and which they never abandoned.