Legendary Sources of Flaubert's Saint Julien


Book Description

Bart and Cook establish definitely what legendary sources were and show how Flaubert came into contact with them. Their extensive commentary compares the sources and the Legende in detail, explains the circumstances under which Flaubert used his materials, and analyses how they were woven into the texture of his own tale."




The Legendary Sources of Flaubert's Saint Julien


Book Description

The sources for La Légende de Saint Julien l’Hospitalier, one of Flaubert’s finest literary works, have long been the subject of numerous conflicting theories. The implications of the controversy are broad and important, not only for Flaubert’s work but also for our understanding of how writers generally use traditional material. Superficial resemblances have led critics to conclude that Flaubert relied heavily on a medieval tale of Saint Julian and that he borrowed details and specific phrases from his medieval predecessor. This book, by a world renowned specialist in Flaubert studies and a medieval philologist, demonstrates that the Légende is not medieval in structure or in spirit, and that its conception is distinctly modern; where Flaubert borrowed at all he used contemporary sources to recast the Julian legend in Romantic style. Bart and Cook establish definitely what legendary sources were and show how Flaubert came into contact with them. Their extensive commentary compares the sources and the Légende in detail, explains the circumstances under which Flaubert used his materials, and analyses how they were woven into the texture of his own tale. The book makes available source material scattered throughout obscure periodicals, reproduces accurately and dates correctly important segments of Flaubert’s drafts and scenarios, and provides the first modern printed edition of the Alençon life of Saint Julian which Lecointre-Dupont adapted in 1838, thereby giving Flaubert indirect access to the old tale. An introductory chapter explores the broader question of the development of legends and how a particular legendary sequence, embodying powerful themes, was amplified and made explicit from the twelfth century to Flaubert’s time.




Saint/Oedipus


Book Description

A few years before his death, Gustave Flaubert finally returned to the adaptation of a legend that had fascinated him since adolescence. The result was The Legend of Saint Julian the Hospitaler, one of his celebrated Three Tales. According to tradition, Julian was a nobleman who turned to a life of self-denial after unwittingly fulfilling a prophecy that he would kill his parents. In Flaubert's hands the legend takes on astonishing complexity and depth. He portrays Julian as a man bound, like Oedipus, by an inexorable fate; a man capable of great cruelty and great piety who both dreads and desires that fate. In Saint/Oedipus, three practitioners of psychocriticism take a close look at Flaubert's powerful and problematic story. Focusing on recurrent patterns of the text, their essays not only shed light on the work itself but constitute an expert introduction to the methods of psychoanalytic criticism. Each contributor approaches The Legend of Saint Julian from a different perspective, drawing on the systems of Freud, Jung, Sartre, and the Chicago school of psychoanalysis. The book includes William Berg's translation of an essay on Saint Julian by Sartre—drawn from his biography of Flaubert, L'Idiot de la famille—which offers compelling insights into the psychological makeup of Flaubert. Two noteworthy features of the book are a fluent and faithful new translation of Saint Julian by Michel Grimaud, and a comprehensive reader's guide to the literature treating psychoanalytic theory and its application to literary texts.




Saints' Lives in Middle English Collections


Book Description

This volume is conceived as a complement to another Middle English Texts series text, Sherry Reames' Middle English Legends of Women Saints. This selection is intended to be broadly representative of saints' lives in Middle English and of the classic types of hagiographic legend as these were presented to the lay public and less-literate clergy of late medieval England.




A Gustave Flaubert Encyclopedia


Book Description

Gustave Flaubert is probably the most famous novelist of nineteenth-century France, and his best known work, Madame Bovary, is read in numerous comparative literature and French courses. His fiction set the standard to which other authors turned to learn their craft, and his cult of art and his unrelenting search for stylistic perfection inspired many later writers, such as Maupassant, Proust, Conrad, Faulkner, and Joyce. His denunciation of materialistic, corrupt society; his fascination with altered states of consciousness; his oscillation between metaphysical longings and a radical nihilism; and his deep-seated mistrust of the adequacy of words themselves anticipate the works of contemporary authors. This reference is a convenient guide to his life and writings. Included in this volume are several hundred alphabetically arranged entries on Flaubert's individual works and major characters; historical persons and events that shaped his life; the themes that run throughout his writings; the critical approaches employed by scholars studying his works; and related topics of interest. Each entry is written by an expert contributor and most close with a brief bibliography. All of his major works are treated at length, and the volume mentions nearly every unpublished project of his that has a title. The book concludes with a selected, general bibliography of major studies.




Flaubert's Straight and Suspect Saints


Book Description

Israel Pelletier argues that "Trois contes" demands a different kind of reading which distinguishes it from "Madame Bovary" and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of "Un Coeur," an assessment of "Saint Julien" as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of "Herodias" as an autobiography of the writing process.




The Letters of Gustave Flaubert


Book Description

“If there is one article of faith that dominates the Credo of Gustave Flaubert’s correspondence,” Francis Steegmuller writes in the introduction to this selection of Flaubert’s letters, “it is that the function of great art is not to provide ‘answers.’” The Letters of Gustave Flaubert is above all a record of the intransigent questions—personal, political, artistic—with which Flaubert struggled throughout his life. Here we have Flaubert’s youthful, sensual outpourings to his mistress, the poet Louise Colet, and, as he advances, still unknown, into his thirties, the wrestle to write Madame Bovary. We hear, too, of his life-changing trip to Egypt, as described to family and friends, and then there are lively exchanges with Baudelaire, with the influential critic Sainte-Beuve, and with Guy de Maupassant, his young protégé. Flaubert’s letters to George Sand reveal her as the great confidante of his later years. Steegmuller’s book, a classic in its own right, is both a splendid life of Flaubert in his own words and the ars poetica of the master who laid the foundations for modern writers from James Joyce to Lydia Davis. Originally issued in two volumes, the book appears here for the first time under a single cover.




The French Short Story


Book Description




Literature and the Metaphoric Universe in the Mind


Book Description

Nicolae Babuts believes that the study of metaphoric thought and literature can be enriched by the application of recent discoveries from neuroscientific c experiments. He maintains that metaphors are neither linguistic formations nor conceptual formations, but instead the product of association of images and language. They are a matter of vision.Memory is an essential component in the creation of meaning and is the way the mind receives messages from the outside world. In this process of transferring data from the outside world, the mind's overriding tendency is to integrate and interpret. Thus, incoming messages are recognized and given meaning whether they are in harmony with the inner world of the mind or in confl ict with it.Babuts argues that the literature we read is related to our perception of reality. And reality has two identities: the physical identity of the outside world and its symbolic identity within memory. The symbolic identity of the outside world is represented internally by the metaphoric universe in the mind.