The Liber Studiorum of J.M.W. Turner, R.A., in the Victoria and Albert Museum


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










Catalogue of Prints


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Turner's Liber Studiorum


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Turner


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Few British artists have ever achieved such a wide range of style in oil painting, watercolour, drawing and engraving as J. M. W. Turner. He had a precocious gift that was developed over a lifetime of experiment and innovation. This classic book in the World of Art series traces the artists career from youthful pictureseque views and watercolours of Gothic ruins to the romantic landscape and historical compositions of his maturity, and the astonishing art of his later years. In these late paintings Turners tragic sense of life is stated most profoundly and the work was unintelligible to his contemporaries but his reputation as the greatest British painter now rests on our understanding of these as pioneering explorations of abstraction, prefiguring the art of the 20th century. Graham Reynolds weaves together the artists biography with sensitive criticism of his work, through all phases of his career, in this classic work first published in 1969 that has long served as an outstanding introduction to Turners life and art. It has now been revised and updated by the curator of the Turner Bequest at Tate, David Blayney Brown, to reflect recent discoveries and interpretations, and the illustrations are in full colour for the first time. It will serve as the best available study of this perennially popular artist for a new generation of readers.







The Victoria and Albert Museum


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A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.