Piero di Cosimo


Book Description

The study of Piero di Cosimo belongs no less to the history of the imagination than to the history of art. As was true for Giorgio Vasari five centuries ago, Piero’s intensely personal visual language remains a moving target for modern scholars. Yet, as surprising and strange as his pictorial solutions appear, we have never known as much about Piero as we do today. Freed from the powerful spell of Vasari’s biography-cum-cautionary tale, the Piero that emerges is not solely a conjurer of the uncanny, but a sensitive observer of the emotions, the natural and manmade worlds, humans and beasts, surfaces and coloristic effects, phenomena material and ephemeral. The conference from which the thirteen essays in this volume spring provided a forum for international scholars to continue the ongoing conversation and to ask new questions. The latter address Piero’s relationship to his artistic contemporaries, north and south of the Alps; the master’s Marian imagery; his intellectual engagement with classical traditions; the dual themes of naturalism and exoticism; and the latest technical findings. Topics of investigation thus range as broadly as Piero’s own versatile production, uniting diverse fields and methods, traversing regional boundaries, and often venturing far beyond Florence’s city walls, into the wild. Contributors are Ianthi Assimakopoulou, Marina Belozerskaya, Jean Cadogan, Elena Capretti, Alessandra Galizzi Kroegel, Dennis Geronimus, Guy Hedreen, Sarah Blake McHam, Anna Teresa Monti, Paula Nuttall, Roberta J.M. Olson, Lesley Stevenson, Lisa Venerosi Pesciolini, and Elizabeth Walmsley.




The Manuscripts Club


Book Description

* A New York Times Book Review Editors' Choice * The acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of history The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. However, we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence. This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years: a monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America—all of them members of what Christopher de Hamel calls the Manuscripts Club. This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel’s unexpected connections and discoveries reveal a passion that crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been. In 1850 (or thereabouts) John Ruskin bought his first manuscript “at a bookseller’s in a back alley.” This was his reaction: “The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold—as many of them were—cannot be told.” The members of de Hamel’s club share many such wonders, which he brings to us with scholarship, style and a lifetime’s experience.




The Books of Grand Duke Cosimo I De' Medici


Book Description

To celebrate the 500 years from the birth of Cosimo I de? Medici, the Biblioteca Medicea Laurenziana shows the grand duke?s collection of books, that were partly owned in his private library and partly gathered by him in order to enlarge the collection of the Public Library planned by Michelangelo. Among the manuscripts, all preserved in Biblioteca Laurenziana, are the Vite of the grand duke, texts of polyphonic music as well as scientific works, translations of ancient texts and a Geographia by Ptolemy from which have been extracted the maps created by Egnazio Danti and now posted upon the wardrobes? shutters in the Sala della Guardaroba inside Palazzo Vecchio.0Lots of the volumes shown in the second section of the exhibit come from the Biblioteca della basilica di San Lorenzo. By Cosimo?s will, other volumes were moved from the Biblioteca di San Marco, from San Gimignano and from the Biblioteca della Badia di San Salvatore a Settimo. All the exhibition catalogue is splendidly illustrated. Furthermore, to go with each manuscript shown is a detailed data sheet.00Exhibition: Biblioteca Medicea Laurenziana, Florence, Italy (08.03-18.10.2019).




Lorenzo De' Medici at Home


Book Description

"An inventory of the private possessions of Lorenzo il Magnifico de' Medici, head of the ruling Medici family during the apogee of the Florentine Renaissance"--Provided by publisher.




The Mapping of Power in Renaissance Italy


Book Description

This well-illustrated study investigates the symbolic dimensions of painted maps as products of ambitious early modern European courts.







Saints as Intercessors between the Wealthy and the Divine


Book Description

Offering snapshots of mercantile devotion to saints in different regions, this volume is the first to ask explicitly how merchants invoked saints, and why. Despite medieval and modern stereotypes of merchants as godless and avaricious, medieval traders were highly devout – and rightly so. Overseas trade was dangerous, and merchants’ commercial activities were seen as jeopardizing their souls. Merchants turned to saints for protection and succor, identifying those most likely to preserve their goods, families, reputations, and souls. The essays in this collection, written from diverse angles, range across later medieval western Europe, from Spain to Italy to England and the Hanseatic League. They offer a multi-disciplinary examination of the ways that medieval merchants, from petty traders to influential overseas wholesalers, deployed the cults of saints. Three primary themes are addressed: danger, community, and the unity of spiritual and cultural capital. Each of these themes allows the international panel of contributors to demonstrate the significant role of saints in mercantile life. This book is unique in its exploration of saints and commerce, shedding light on the everyday role religion played in medieval life. As such, it will be of keen interest to scholars of religious history, medieval history, art history, and literature.