Library Journal


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W. S. Merwin


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Library Journal Book Review, 1979


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The Devils of D-Day


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Unsealing the hatch of a rusty old WWII tank will unleash a demonic nightmare in this novel by “the master of modern horror” (Library Journal). Thirty-five years have passed since the Allied invasion of Normandy on D-Day turned the tide of World War II against Adolf Hitler and the Nazi Reich, and it’s been more than three decades since the residents of the tiny French village of Le Vey witnessed the horrific slaughter of hundreds of German soldiers by thirteen black tanks. One of the tanks remains on the outskirts of town—its hatch mysteriously sealed, trapping its controller inside—only to be discovered by American surveyor and cartographer Dan McCook. Driven by curiosity and an inexplicable compulsion, McCook is about to do the unthinkable and release what lives within the tank upon an unsuspecting world. And once the monstrous occupant reunites with others of its demonic kind, a new world war will begin, one that threatens to wash the earth in blood and drag every man, woman, and child through the fiery gates of hell. A chilling and ingeniously original tale of demonic possession and apocalyptic possibilities, The Devils of D-Day is classic horror at its best, from the award-winning author of The Manitou.




Avi


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A 2003 Newbery Award winner for his book Crispin : The Cross of Lead, Avi is one of the foremost children's and young adults' authors read in the classroom today.




Politics as Sound


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Uncompromising and innovative, hardcore punk in Washington, DC, birthed a new sound and nurtured a vibrant subculture aimed at a specific segment of the city's youth. Shayna L. Maskell explores DC's hardcore scene during its short but storied peak. Led by bands like Bad Brains and Minor Threat, hardcore in the nation's capital unleashed music as angry and loud as it was fast and minimalistic. Maskell examines the music's aesthetics and the unique impact of DC's sociopolitical realities on the sound and the scene that emerged. As she shows, aspects of the music's structure merged with how bands performed it to put across distinctive representations of race, class, and gender. But those representations could be as complicated and contradictory as they were explicit. A fascinating analysis of a punk rock hotbed, Politics as Sound tells the story of how a generation created music that produced--and resisted--politics and power.




Willie Morris


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William Weaks Morris was a writer defined in large measure by his Southern roots. A seventh generation Mississippian, he grew up in Yazoo City frequently reminded of his heritage. Spending his college years at the University of Texas and at Oxford University in England gave Morris a taste of the world and, at the very least, something to write home about. This volume is a comprehensive reference work dealing with Willie Morris' life and works. It is also a literary biography based on hundreds of primary sources such as letters, newspaper articles and interviews. The principal focus is on Morris' literary legacy, which includes works such as North Toward Home, New York Days and My Dog Skip.




Appalachian Children's Literature


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This comprehensive bibliography includes books written about or set in Appalachia from the 18th century to the present. Titles represent the entire region as defined by the Appalachian Regional Commission, including portions of 13 states stretching from southern New York to northern Mississippi. The bibliography is arranged in alphabetical order by author, and each title is accompanied by an annotation, most of which include composite reviews and critical analyses of the work. All classic genres of children's literature are represented.




The Poetry of James Wright


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In The Poetry of James Wright the author traces Wright's formal evolution and concentrates on his consistent themes: the artist's role in society, the artist's search for poetic and personal identities, the power of poetry as fortification against the onslaughts of time, and the definition of a good and humane action. Charting the poet's evolution from his first book, The Green Wall, to the last collections, This Journey, Elkins discusses one major book I each chapter, explicating the more important poems in detail and explaining how each volume is part of a progression from youthful imitator to mature innovator. Wright's individual struggle, taking place as it did in the last half of the 20th century in America, dramatizes the central problems of the creative individual in a late industrial society who is trying to turn a life into are. Wright worked in the great tradition of the adamant individualists in our literary heritage, and, like all of his formidable ancestors, he refused to trust the socialized self he found attached to his soul, refused to be diminished or circumscribed by any society's definition of himself. The effect of reading and studying his complete work is the recognition that Wright is a major 20th century American poet whose apparent simplicity and occasional sentimentality can obscure the complexity and maturity of his courageous confrontation with the problems of living and writhing in contemporary America.