The Life of Handel


Book Description

Victor Schoelcher (1804-1893) was a French writer chiefly remembered for his part in the fight for the abolition of slavery. In America on business in 1829-1830, he was so appalled by the conditions he found that he became an abolitionist campaigner, concentrating his writings on conditions in the French Caribbean islands. He became President of the French commission for abolition and achieved his goal when in 1848 the French government abolished slavery in all its colonies. Schoelcher went into political exile for nearly twenty years after the coup d'etat of Louis Napoleon, and during this time he pursued his other great interest, music. His Life of Handel, translated into English by James Lowe, was published in 1857. It was regarded as one of the finest biographies ever written, and it was ahead of its time in the amount of research into primary sources which the author had undertaken.




The Life of Handel


Book Description

Victor Schoelcher (1804-93) was a French writer chiefly remembered for his part in the fight for the abolition of slavery. In America on business in 1829-30, he was so appalled by the conditions he found that he became an abolitionist campaigner, concentrating his writings on conditions in the French Caribbean islands. He became President of the French commission for abolition and achieved his goal when in 1848 the French government abolished slavery in all its colonies. Schoelcher went into political exile for nearly twenty years after the coup d'etat of Louis Napoleon, and during this time he pursued his other great interest, music. His Life of Handel, translated into English by James Lowe, was published in 1857. It was regarded as one of the finest biographies ever written, and it was ahead of its time in the amount of research into primary sources which the author had undertaken.
















Musical Encounters at the 1889 Paris World's Fair


Book Description

The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.




Notes


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“The” Athenaeum


Book Description