The Lizard Princess


Book Description

“Complex and gripping. . . . Newcomers to Arcadia will be captivated by the rich history, while those familiar with it will find that Sophia’s legend grants them a new perspective on the earlier tales.” —Publishers Weekly (starred review) “[The Lizard Princess] encourages big-picture thinking. . . . The combination of a straightforward quest complicated by hindsight, with magic, science, and meditations on the building of myths and the role of stories, makes for a book not like much else out there. . . . Gorgeously written and complex.” —New York Journal of Books “This fantasy quest lends a hand toward making our contemporary world a little better.”—Foreword Reviews “The impressive The Lizard Princess continues Tod Davies' imaginative History of Arcadia series with her trademark brilliant storytelling.”—Largehearted Boy "Look inside this world and find wonder."—Kate Bernheimer, editor of Fairy Tale Review "Blending the magic of fairy tales with the great existential mysteries, Tod Davies leads us into a phantasmagorical world that resurrects the complex lore of times past with vibrant narrative energy."—Maria Tatar, editor of The Cambridge Companion to Fairy Tales "Imaginative."—Jack Zipes, author of The Irresistible Fairy Tale "Innovative form and spellbinding content . . . Stories, as Tod Davies's History of Arcadia novels ultimately suggest, serve as a civilization's backbone, and it is therefore in stories too that we can discover the potential for fundamental change and a better society."—Marvels & Tales Bittersweet. Lush. Human. The Lizard Princess crosses mountains, oceans, deserts, and the Moon Itself to meet her fate and the fate of Arcadia on the Road of the Dead. Her reward is the Key that opens the door to the Domain of Life where wisdom trumps knowledge, as it should in all good tales about the world, whether Arcadia's, or our own. Tod Davies is the author of Snotty Saves the Day and Lily the Silent, the first two books in The History of Arcadia series, as well as the cooking memoirs Jam Today: A Diary of Cooking With What You've Got and Jam Today Too: The Revolution Will Not Be Catered. Unsurprisingly, her attitude toward literature is the same as her attitude toward cooking—it's all about working with what you have to find new ways of looking and new ways of being.




The Princess and the Lizard


Book Description

The Princess and the Lizard is the story of an unconventional and inquisitive princess. She is a young explorer who prefers outdoor explorations to proper manners and High Tea. In poetry rather than prose, her adventures, determination, and strong spirit come to life. Page by page we learn about her daring discoveries and meet her outdoor friends, most notably a lizard who would prefer to be left alone. Underneath the make-believe story of a princess befriending a lizard are themes that encourage a child's imagination, and embolden the natural curiosity of an innocent soul. In it are combined traditional elements of a medieval kingdom, with the spunk of a 21st century, wild and free, nature-loving girl. This sets the stage for the main character to challenge the norms of what might be expected of her, in order to embrace a life full of excitement and discovery. She is strengthened by the freedom that comes from being allowed to be herself, and with this freedom she gains boldness and bravery, and even a new friend.




A Princess Can't Catch a Lizard


Book Description

Grandpa called and needed help catching a lizard. Teddy, Charlie, and Lily run to his house to help. The boys try to catch the lizard, but Lily is the one who figures it out.




Ananse and the Lizard


Book Description

Ananse the spider thinks he will marry the daughter of the village chief, but instead he is outsmarted by Lizard.




The Dark Princess


Book Description

Evil can be a corrosive force. especially when you grow up within it. The Dark Princess is a fifteen-year-old who realizes the evil reign of her uncle, the Dark King, must be stopped before the land of Taintis falls into turmoil.That to her is known, but her name is not. The journey she takes gives her a new outlook on her country and its inhabitants. The Dark Princess meets magical creatures, unusual circumstances and complicated, secretive people. Who is an ally, who is an enemy? Her adventure leads her to see who she really is and who she has yet to become. Is the Dark Princess on her way to defeating Darkness, or are her actions and choices only going to pull Taintis further under her uncle's influence? She knows the Dark King and his force of Darkness are evil, merciless and blood thirsty. but can the Dark Princess wash that all away to find freedom and peace for the citizens of Taintis? And for herself? Amanda Kostro, now fourteen, began The Dark Princess when she was twelve. She had such an urge to write, that she would take advantage of any opportunity, often writing through the night in lieu of sleep. The idea for The Dark Princess came suddenly while riding in the car. The story unfolded around the central idea of a girl, born into evil, who eventually realizes she must escape the maleficent bonds of her childhood in order to change the future for herself and the citizens of Taintis. Amanda lives in Riverside, Illinois. An only child, she shares her life with a menagerie of animals including a dog, cats, birds and her horse Micki. She recently graduated from Hauser Junior High School and will be an incoming freshman at Riverside Brookfield High School in the fall. When asked if there will be a continuation of The Dark Princess, Amanda reports, "I think there is more to the story. I just have to write it." For updates, check out: www.thedarkprincess.net




Jet Black and the Ebony Knights


Book Description

Come sail the Seven Seas of Madagaskaa with Princess Jet-Black And The Ebony Knights. Put on your thinking cap as you take a surprising journey through Wazobia and Zoombiland as you discover the place they call Otumba.




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Book Description




Bildungsroman and the Amazon Princess


Book Description

A thick white mist hangs over the Eastern Sea, covering all of the ships that are attempting to navigate the grey waters. The pirates sit on the bottom of their sleek ship, huddled amongst their chests of gold, shivering in fear despite the warmth of the night. Humfard the one-eyed hobgoblin jumps lithely up onto the aft castle towards Elkira, who steers the ship. "It's unnatural, this fog," he grumbles, "at this time of year it is." "Aye, Humfard," responds the pirate woman, "I sense the work of a spell caster. Look, I cannot even see the bottom of the ship from up here." Through the fog on the forecastle, two pirates stand and look over the side, trying to peer through the deep forbidding wall of whiteness. "Did you hear something?" one of them asks. "It was like a splashing on the water." "It is just the ship." "Actually, it was me," says a feminine voice from the gloom. They jump up, startled, as a soaking wet Mora steps from the ship's wooden railing onto the top of the forecastle. The water on her cape and hood is evaporating, turning into steam as she moves. "I am looking for a band of travellers who stole the cargo of a ship called the Peregrine." "How?" stammers one of the pirates. The other draws his falchion and jumps at the cloaked figure. The scythe spins around and the man falls back, his arm severed. The second pirate jumps to the back of the forecastle and yells for help. Mora's scythe slices across and cuts off his cry in mid-yell. His head falls down from the forecastle amongst his comrades. The second pirate is pulling himself away from Mora, dragging himself with his left hand. She is almost nonchalant in her execution of him, the point of her scythe stabbing down as she investigates the remainder of the forecastle. She walks to the edge of the forecastle and looks into the mist-filled hull of the ship. She can hear the shouts and yells of the pirates and she smiles to herself. She readies her scythe and jumps down from the forecastle, amongst the confused pirates. Humfard stares intently into the mist. "What is happening?" he growls. "I cannot see a thing." Behind him, Elkira ties the steering in place and draws her falchion. "We must investigate," she says. "Our dog-brothers need our help." "No," he mutters. "If we go down into the mist, we will be ambushed. We will wait up here and catch them if they come up the ladder." They wait, standing at the top of the ladder that leads from the hull. They can hear the sounds: of cries and shrieks, of muffled movements and the swish of sword and scythe strikes. A head flies out of the mist and crashes against the side of the forecastle, before dropping back into the hull. Two pirates run out of the mist towards the forecastle, screaming in fright. One appears to trip over and his body falls forward. Elkira notices that his legs are severed below the knee. The second pirate jumps up onto the ladder and Humfard reaches down a hand to help him up. He grabs the pirate by the hand and pulls him upwards, dragging him towards the top. The pirate shrieks in pain and Humfard grunts, unable to drag any further. Then the pirate is free and Humfard falls backwards; the body of the pirate falls onto him. Elkira gasps in fright; there is a huge hole in the pirate's back. Elkira turns back to the ladder and looks into the depths of the fog, her falchion ready. Humfard pushes the body from him and staggers to his feet. Humfard backs away from the edge with fear in his eyes. He hears a creaking sound behind him, like a door opening, and he turns around slowly. Mora is standing behind him, next to the trapdoor that leads from the cabin below, inside the aft castle. There are cuts on her cloak and blood splattered over it. Elkira notices that, although most of the blood is red, some of appears to be white and actually burns the cloak where it drips onto




Western Theatre in Global Contexts


Book Description

Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.




The Seven Princesses of Jewel and Jem


Book Description

The Seven Princesses of Jewel and Jem Lake Kelley’s fairy tale The Seven Princesses of Jewel and Jem is an amazing story centered around seven fabulous multicultural princesses who constantly fight about who is the most beautiful and the most talented. Discover what happens and what causes an unbelievable princess fight so terrible that the furious King Jem banishes them all. Accompany them and find out what happens to these gems as they are forced to go seven separate and difficult journeys. Will these sisters compromise their integrity for the treasures of the world? Or do obstacles during their travels enable them to learn of the richness of their culture? Girls and boys of all ages and heritage will fall in love with this adventure and learn poignant life lessons about majestic attributes, love between siblings, the preciousness of every child, and the value of every culture. Lake Kelley’s witty humor and colorful imagery will ignite the imaginations of kids around the world, sending the message that every child is, indeed, a prince or princess. Will the sisters compromise their integrity for the treasures of the world?