THE LONDON SCENE: The Essays


Book Description

These six essential essays capture Woolf at her best, exploring modern consciousness through the prism of 1930s London while simultaneously painting an intimate, touching portrait of this sprawling metropolis and its fascinating inhabitants. Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals.




The London Scene


Book Description

The London Scene covers five essays which capture the essence of London, the docks, Oxford Street, great houses, abbeys and cathedrals and the House of Commons - a blend of information and imagination.




The London Scene: Six Essays on London


Book Description

In 'The London Scene: Six Essays on London' by Virginia Woolf, the reader is treated to a collection of insightful essays that capture the essence of London in the early 20th century. Woolf's lyrical prose and keen observation bring the bustling city to life, as she explores its streets, neighborhoods, and inhabitants with unparalleled depth and precision. Each essay offers a unique perspective on London, shedding light on both its beauty and complexity, making it a must-read for anyone interested in urban studies or English literature. Woolf's distinctive style, characterized by its fluidity and sophistication, adds an extra layer of richness to the text, elevating it to a classic work of non-fiction. Virginia Woolf, a prominent figure in the Bloomsbury Group, drew inspiration from her own experiences in London to write these essays. Her deep connection to the city and her talent for introspection allowed her to create a vivid and authentic portrayal of urban life. Woolf's status as a leading modernist writer further enhances the credibility and significance of 'The London Scene,' solidifying its place in literary history. For readers who appreciate elegant prose, insightful commentary, and a nuanced exploration of city life, 'The London Scene: Six Essays on London' offers a captivating journey through one of the world's most iconic cities. Woolf's masterful storytelling and acute observations make this book a timeless gem that continues to inspire and delight readers to this day.




The London Scene


Book Description




THE LONDON SCENE: The Essays


Book Description

In 'The London Scene: The Essays' by Virginia Woolf, readers are taken on a literary journey through the bustling streets of London. Woolf masterfully combines her keen observational skills with her unique and eloquent writing style to paint a vivid picture of the cityscape and its inhabitants. These essays provide a glimpse into the everyday life of Londoners in the early 20th century, capturing both the charm and the challenges of urban living. Woolf's prose is both poetic and thought-provoking, making this collection a timeless exploration of the city's essence. Virginia Woolf, a prominent figure in the Bloomsbury Group, was known for her feminist perspectives and modernist approach to literature. Her personal experiences living in London undoubtedly influenced her writing, giving her a deep understanding of the city's nuances and complexities. Woolf's attention to detail and her ability to evoke emotions through her words make 'The London Scene' a captivating read for anyone interested in both literature and urban history. I highly recommend 'The London Scene: The Essays' to readers who appreciate rich descriptions, insightful commentary, and an intimate portrayal of city life. Virginia Woolf's eloquent prose and poignant reflections make this collection a must-read for anyone seeking to delve into the heart of London.




The London Scene


Book Description







Virginia Woolf’s Good Housekeeping Essays


Book Description

In the mid-twentieth century, Virginia Woolf published ‘Six Articles on London Life’ in Good Housekeeping magazine, a popular magazine where fashion, cookery and house decoration is largely featured. This first book-length study of what Woolf calls ‘little articles’ proposes to reassess the commissioned essays and read them in a chronological sequence in their original context as well as in the larger context of Woolf’s work. Drawing primarily on literary theory, intermedial studies, periodical studies and philosophy, this volume argues the essays which provided an original guided tour of London are creative and innovative works, combining several art forms while developing a photographic method. Further investigation examines the construct of Woolf’s essays as intermedial and as partaking both of theory and praxis; intermediality is closely connected here with her defense of a democratic ideal, itself grounded in a dialogue with her forebears. Far from being second-rate, the Good Housekeeping essays bring together aesthetic and political concerns and come out as playing a pivotal role: they redefine the essay as intermedial, signal Woolf’s turn to a more openly committed form of writing, and fit perfectly within Woolf’s essayistic and fictional oeuvre which they in turn illuminate.




Plotting Early Modern London


Book Description

With the publication of Brian Gibbons's Jacobean City Comedy thirty-five years ago, the urban satires by Ben Jonson, John Marston and Thomas Middleton attained their 'official status as a Renaissance subgenre' that was distinct, by its farcical humour and ironic tone, from 'citizen comedy' or 'London drama' more generally. This retrospective genre-building has proved immensely fruitful in the study of early modern English drama; and although city comedies may not yet rival Shakespeare's plays in the amount of editorial work and critical acclaim they receive, both the theatrical contexts and the dramatic complexity of the genre itself, and its interrelations with Shakespearean drama justly command an increasing level of attention. Looking at a broad range of plays written between the 1590s and the 1630s - master-pieces of the genre like Eastward Ho, A Trick to Catch the Old One, The Dutch Courtesan and The Devil is an Ass, blends of romance and satire like The Shoemaker's Holiday and The Knight of the Burning Pestle, and bourgeois oddities in the Shakespearean manner like The London Prodigal - the twelve essays in this volume re-examine city comedy in the light of recently foregrounded historical contexts such as early modern capitalism, urban culture, the Protestant Reformation, and playhouse politics. Further, they explore the interrelations between city comedy and Shakespearean comedy both from the perspective of author rivalry and in terms of modern adaptations: the twenty-first-century concept of 'popular Shakespeare' (above all in the movie sector) seems to realign the comparatively time- and placeless Shakespearean drama with the gritty, noisy and bustling urban scene that has been city comedy's traditional preserve.




The Scenes of the Street and Other Essays


Book Description

Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable “Scenes of the Street”—into one volume.Scenes of the Street and Other Essaysshowcases Vidler’s engaging and accessible expertise on both contemporary and historic subjects that are relevant to today's concerns. “Scenes of the Street,” a multi-faceted analysis of city planning is one such example; other essays in this volume include “Unknown Lands: Guy Debord and the Cartographies of a Landscape to be Invented,” “Transparency and Utopia: Constructing the Void from Pascal to Foucault,” and “The Modern Acropolis: Tony Garnier from La Cité Antique to the Cité Industrielle.” Vidler writes in his introduction: In the following essays, I have interrogated the struggle for an urban architecture in the modern period, its critiques and aspirations, in the belief that understanding the historical dimensions of the debate will lead to a renewal of interest in an architecture calculated to redeem, if only partially, our “planet of slums” and its deteriorating environment; an interest that will not simply reject “utopia” out of hand or fall back into the complacencies of nostalgia. Written during a period in which the debates themselves were actively engaged by critics and supporters of modernism, they reflect contemporary issues as they search for their prehistory. As historical inquiries, they inevitably also engage the transformations in history writing itself since 1970, intellectual responses to the social and political conditions of postwar modernity. This fascinating series of essays on issues and figures is an invaluable resource for architects and art historians and enthusiasts of structure and substance alike.