The Loneliness of Hira Barua


Book Description

An extraordinary, ever-relevant collection of stories from one of Assam’s greatest living writers. Hira Barua, an ageing widow living in a conflict-ridden region of Assam with her beloved Tibetan spaniel fears she is beginning to resemble a lonely Englishwoman from her past. A vicious sexual assault by the invading military drives a group of women into a shelter home. On a fateful night, a group of prostitutes make an extraordinary sacrifice for the safety of their companions. In these, and thirteen other piercing, intimate portraits, women navigate family, violence, trauma, ambition and domesticity with caution, grace and quiet resilience. Originally published as Mariam Austin othoba Hira Barua, this remarkable collection by one of Assam’s finest living writers won the Sahitya Akademi Award in 2014. In this brilliant English translation, Arupa Patangia Kalita’s powerful voice is brought to fresh and vivid life. Written in a variety of styles, from gritty social realism, folklore to magical realism, The Loneliness of Hira Barua is a modern classic of Indian literature. ‘Patangia’s fiction, over the last two decades, has repeatedly knocked on the doors of [our] conscience’ — Open




The Loneliness of Hira Barua


Book Description




Written in Tears


Book Description

A half-burnt bus passes through a city charring everything alive and beautiful in its wake. The newly wed Arunima watches helplessly as the aftermath of her insurgent brother-in-law's absence engulfs her husband's large, loving family. Ayengla secretly supplies food to the insurgents until, one day, a horrible act of violence changes her life irrevocably. A bold and sensitive witness to her times, Arupa Patangia Kalita is one of the most powerful voices in contemporary Assamese literature. Written in Tears brings together some of her best novellas and stories set against a surreally beautiful landscape torn and scarred by conflict. This is a mighty chronicle of the disturbing and searing history of aggression and hate that has plagued Assam for decades.




The Story of Felanee


Book Description

The Story of Felanee is based on real life events. It is a story of courage, of survival, of ethnic conflict and violence that tears people and communities apart in the most brutal, savage way. Set in Assam, which has seen two major agitations that have crippled the economy, this is a story that will shock the reader by its sheer passion, and its brutal honesty. The callousness and utter disregard for human life, the ugly play for power, for electoral gain, the sham and petty hypocrisies, the bloody horror of ethnic violence all lie exposed in this powerful novel written by one of Assam’s leading fiction writers. The story revolves around the experiences of one woman: Felanee. Her name means ‘thrown away’—so called because as her mother lay dying in the burning riot-torn village, Felanee was thrown into a swamp and left to die. But against all odds, Felanee—and thousands like her—survived. Like the reeds that grow in such profusion along the bank of Assam’s rivers, the rootless inhabitants of the refugee camps and makeshift shanties, whose stories form the core of Felanee, are swept along by the wind and thrown onto new hostile terrain but they cling on with tenacity to take root again and again. Published by Zubaan.




Interpreting Literature from Northeast India


Book Description

This book reflects the nascent sensibilities at work in literature emanating from Northeast India. It takes into account the generic diversity in works derived from the region and discusses fiction, poetry, drama, folk narratives, film adaptations as well as early missionary narratives. It covers a wide spectrum of themes such as landscape, partition, World War, history, nationalism, violence and territoriality, memory and identity. The book looks at works in English and vernacular from Northeast India states. It contextualizes developments within intellectual history and display aspects that relate to the continuing force in the ongoing study of the relationship between literature and culture studies, within a broader framework.




So Near, Yet So Far


Book Description

This is the first-ever, full-length study of Badal Sircar's Third Theatre. Sircar was a very prominent playwright of modern Bengali Theatre. It challenges some of the well-established notions of the Third Theatre. It brings to the fore the lost voices of some members of the Third Theatre. It has some rare photographs of Shatabdi, Sircar's Theatre group.




Beneath the Simolu Tree


Book Description

In a village in rural Assam, quiet, unassuming Paridhi grows up witnessing domestic violence at close quarters. The conservative society she inhabits, shapes and befuddles her. Her rebellion is silent—she submerges herself in a world of colour. Pebbles turn into objects of art in her hands. She writes and reads extensively to escape her cloistered life. But to what end? Is it really ever possible to escape one’s confines? The house she’s lived in ever since her childhood, now infested with termites, is her responsibility now. With an ageing mother, an ailing uncle and an absentee brother, Paridhi feels like she has no one to depend on. Except perhaps Bondeep. But with passing time, there are growing concerns—will Bondeep’s family ever be able to accept her? She could always confide in the vivacious Juroni, her best friend, neighbour and confidant. But Juroni has secrets of her own, which she keeps close to her heart until the inevitable, devastating end. Peopled with characters great and small, Beneath the Simolu Tree follows Paridhi as she navigates life, confronts injustices and comes out stronger but not embittered. Stories and realities are brought into sharp conflict in this tale of human yearning, as Pritam explores the depths of her innermost desires. At the heart of this novel lies the one question we spend our entire lives searching an answer for—what is it to love and be loved?







Mgombato


Book Description




Handbook of Twentieth-Century Literatures of India


Book Description

India has a rich literary assemblage produced by its many different regional traditions, religious faiths, ethnic subcultures and linguistic groups. The published literature of the 20th century is a particularly interesting subject and is the focus of this book, as it represents the provocative conjuncture of the transitions of Indian modernity. This reference book surveys the major regional literatures of contemporary India in the context of the country's diversity and heterogeneity. Chapters are devoted to particular regions, and the arrangement of the work invites comparisons of literary traditions. Chapters provide extensive bibliographies of primary works, thus documenting the creative achievement of numerous contemporary Indian authors. Some chapters cite secondary works as well, and the volume concludes with a list of general works providing further information. An introductory essay overviews theoretical concerns, ideological and aesthetic considerations, developments in various genres, and the history of publishing in regional literatures. The introduction provides a context for approaching the chapters that follow, each of which is devoted to the literature of a particular region. Each chapter begins with a concise introductory section. The body of each chapter is structured according to social and historical events, literary forms, or broad descriptive or analytic trends, depending on the particular subject matter. Each chapter then closes with an extensive bibliography of primary works, thus documenting the rich literary tradition of the region. Some chapters also cite secondary sources as an aid to the reader. The final chapters of the book address special topics, such as sub-cultural literatures, or the interplay between literature and film. A list of additional sources of general information concludes the volume.