The Lost Films of John Wayne


Book Description

Hollywood icon John Wayne created a personal treasure trove of films during a fifty-year career, spanning 1926-1976. Today, over twenty years after his death, scarcely an hour goes by without one of them appearing somewhere in the world's TV listings. Thankfully for the fans, only a handful remain unobtainable in an era of re-mastered miracles, and out of all the movies he made post 1939, just two are retained; the last remaining prints of both apparently damaged. For whatever reason, neither one has been made available since soon after their original 1950's distribution. ISLAND IN THE SKY and THE HIGH AND THE MIGHTY are an unusual 'pair' of aerial films, shot and screened when Wayne's westerner and war hero image were reaching their zenith. This book looks at both films in some depth and includes many fascinating photographs and production details. Director William A Wellman, a Hollywood legend in his own right; the rich array of stars of both movies; Ernie Gann, the writer of both the novels on which the films are based, and of course John Wayne's dual roles as producer and star of both movies are all investigated thoroughly. This is McGivern's second book concentrating on John Wayne. The first, A GIANT SHADOW (0954003101), looked at the man, this one at two films that most of his fans may treasure in their memories, but certainly won't have seen for many years. Gone, but not forgotten! It attempts to uncover the murky history of the films since the 1950's and takes a hopeful peak at a prospective future as more and more 'lost' films are re-discovered in Hollywood. Early next year John Wayne's two lost films, "Island in the Sky" and "The High and the Mighty", are being released on DVD. Leonard Maltin has called these two films "The Holy Grails of Hollywood" to be seen again for the first time in over 40 years.




Lone Pine and the Movies


Book Description

With this issue of Lone Pine and the Movies we are diverging from our normal policy of presenting a variety of articles on Western films and personalities or Lone Pine as a major location for filming these Westerns, to devote the entire issue to one film, Republic Pictures' The Oregon Trail. Why this particular film, a B Western, not even a "stand-alone" but number four in a series of eight pictures scheduled for release in Republic's 1935-1936 season of Saturday matinee double features?




The Films of Clint Eastwood


Book Description

Film and cinema.




John Wayne: The Life and Legend


Book Description

This revelatory biography shows how both the facts and fictions about John Wayne illuminate his singular life.




Killing John Wayne


Book Description

Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.




Lost Films


Book Description

In Lost Films, Frank Thompson examines twenty-seven classic movies made between 1911 and the end of the silent era, including such works of genius as Ernst Lubitsch's The Patriot, Raoul Walsh's The Conquerer, Victor Seastrom's Garbo vehicle The Divine Woman, and F.W. Murnau's Four Devils.




Wayne and Ford


Book Description

John Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John “Duke” Wayne was a mere stagehand and bit player in “B” Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in Stagecoach, and from there the two men established a close, often turbulent relationship. Their most productive years saw the release of one iconic film after another: Rio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance. But by 1960 the bond of their friendship had frayed, and Wayne felt he could move beyond his mentor with his first solo project, The Alamo. Few of Wayne’s subsequent films would have the brilliance or the cachet of a John Ford Western, but viewed together the careers of these two men changed moviemaking in ways that endure to this day. Despite the decline of the Western in contemporary cinema, its cultural legacy, particularly the type of hero codified by Ford and Wayne—tough, self-reliant, and unafraid to fight but also honorable, trustworthy, and kind—resonates in everything from Star Wars to today’s superhero franchises. Drawing on previously untapped caches of letters and personal documents, Nancy Schoenberger dramatically narrates a complicated, poignant, and iconic friendship and the lasting legacy of that friendship on American culture.




Duke


Book Description

Almost two decades after his death, John Wayne is still America’s favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne’s human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength. Davis traces Wayne’s story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his performance in John Ford’s 1939 film Stagecoach. From that point on, his skills and popularity grew as he appeared in such classics as Fort Apache, Red River, She Wore a Yellow Ribbon, The Quiet Man, The Searches, The Man who Shot Liberty Valance, and True Grit. A man’s ideal more than a woman’s, Wayne earned his popularity without becoming either a great actor or a sex symbol. In all his films, whatever the character, John Wayne portrayed John Wayne, a persona he created for himself: the tough, gritty loner whose mission was to uphold the frontier’s--and the nation’s--traditional values. To depict the different facets of Wayne’s life and career, Davis draws on a range of primary and secondary sources, most notably exclusive interviews with the people who knew Wayne well, including the actor’s costar Maureen O’Hara and his widow, Pilar Wayne. The result is a well-balanced, highly engaging portrait of a man whose private identity was eventually overshadowed by his screen persona--until he came to represent America itself.




DUKE: The Official John Wayne Movie Book


Book Description

This extraordinary coffee table book details every film John Wayne ever made, along with behind the scenes stories, gorgeous photos, family memories and more.




Pappy


Book Description

Here is an overview of Ford's life & work, by his grandson.