The Lost Treasures of R&B (A D Hunter Mystery)


Book Description

Nominated for the Brooklyn Public Library's Brooklyn Eagles Literary Prize for Fiction "This is a fine mystery and [protagonist] D Hunter is as world weary, yet steadfast, as Philip Marloew, Spenser, Dave Robicheaux, or Easy Rawlins. A definite yes to purchase for both mystery and African American collections." --Library Journal (Starred Review, Pick of the Month) "George covers a lot of ground with style: the rhythm-and-blues music scene past and present, the sometimes startling evolution of Brooklyn and its environs, and the multitude of hangers-on, wannabes, and grifters who want a piece of the action." --Publishers Weekly "Real relationships and real talk frame the mashup of mysteries in George's street-framed series." --Kirkus Reviews "The wonderful sing-song street slang dialogue and esoteric industry knowledge make The Lost Treasures of R&B a richly entertaining addition to George's evolving series." --Shelf Awareness "George uses The Lost Treasures of R&B to tackle the hot-button issue of the gentrification of Brooklyn (and elsewhere) as protagonist D struggles to come to terms with the ghosts of his childhood in 'old Brooklyn.'" --Philadelphia Tribune "Written in the spirit of authors such as Walter Mosley and Donald Goines...The book blends music from the past with thug appeal of the present to appeal to young and old alike." --Baltimore Times "George is a historian of his culture." --The Stranger "Hunter is back in Brooklyn solving a mystery that has a backdrop firmly on the R&B scene." --NBCBLK, 14 Books to Read This Black History Month "Like its predecessor this installment of D's story fuses music, history, and crime on the streets of New York." --Flavorpill NYC "Nelson George delivers an entertaining and hard-boiled look at the music scene, and raises the question of proprietary rights and black culture." --MysteryPeople, One of Three Picks for February "As a huge R&B fan, when I ran across the title, The Lost Treasures of R&B, I just had to read it...and I'm glad I did." --Underrated Reads Professional bodyguard D Hunter takes a gig protecting rapper Asya Roc at an underground fight club in poverty-stricken Brownsville, Brooklyn. Unknown to D, the rapper has arranged to purchase illegal guns at the event. An acquaintance of D from the streets (and from the novel The Plot Against Hip Hop) named Ice turns out to be the courier. During the exchange a robbery is attempted. Ice is wounded. D gets Asya Roc to safety but is then chased by two gunmen because he has the bag containing the guns. This lethal chase ends under the elevated subway where D and the two gunmen run into a corrupt detective named Rivera. A bloody shootout ensues. D, who has just moved back to Brooklyn after decades in Manhattan, finds himself involved in multiple mysteries. Who were the gunmen? Why were they after the guns? Who was being set up--Asya Roc or Ice? Meanwhile, he gets a much-needed paying assignment to track down the rarest soul music single ever recorded. With gentrifying Brooklyn as the backdrop, D works to unravel various mysteries--both criminal and musical--while coming to terms with the failure of his security company and the ghosts of his childhood in "old Brooklyn." Like its predecessors The Accidental Hunter and The Plot Against Hip Hop, The Lost Treasures of R&B uses pop music as the backdrop for a noir-flavored big-city tale.




The Plot Against Hip Hop


Book Description

A “wickedly entertaining” crime thriller from a renowned chronicler of the world of rap music (Kirkus Reviews). Finalist for the NAACP Image Award in Literature The stabbing murder of esteemed music critic Dwayne Robinson in a Soho office building has been dismissed by the NYPD as a gang initiation. But his old friend, bodyguard and security expert D Hunter, suspects there are larger forces at work. D Hunter’s investigation into his mentor’s murder leads into a parallel history of hip hop, a place where renegade government agents, behind-the-scenes power brokers, and paranoid journalists know a truth that only a few hardcore fans suspect. This rewrite of hip hop history mixes real-life figures with characters pulled from the culture’s hidden world, including Jay-Z, Kanye West, and Russell Simmons. “This hard-boiled tale is jazzed up with authentic street slang and name-dropping (Biggie, Mary J. Blige, Lil Wayne, and Chuck D) . . . George’s tightly packaged mystery pivots on a believable conspiracy . . . and his street cred shines in his descriptions of Harlem and Brownsville’s mean streets.” —Library Journal “George is a well-known, respected hip-hop chronicler . . . Now he adds crime fiction to his resume with a carefully plotted crime novel peopled by believable characters and real-life hip-hop personalities.” —Booklist “Reads almost like Thomas Pynchon's Inherent Vice, but in the world of rap music . . . If you love crime fiction and you love hip hop, this book is a must read.” —BookRiot “Part procedural murder mystery, part conspiracy-theory manifesto . . . .The writing is as New York as ‘Empire State of Mind,’ and D is a detective compelling enough to anchor a series.” —Time Out New York




The Darkest Hearts


Book Description

A P.I.-turned-talent manger’s new client leads him into dangerous territory in this hard-boiled novel by the author of To Funk and Die in L.A. Former bodyguard D Hunter has moved to Los Angeles to become a talent manager, and business is good. He has signed a hot Atlanta rapper named Lil Daye and negotiated a lucrative endorsement with a liquor band. However, the liquor CEO’s unsavory sexual habits and reactionary political views lead D to wonder if he’s sold his soul. Back in Brooklyn, a body has been found in the waters near the Canarsie Pier. It connects D and retired hit man Ice to incidents from back in The Plot Against Hip Hop, the second book in the series. Now, an FBI agent wants to speak to D, which makes Ice nervous. And Ice is not a man you want worrying about you. Meanwhile Serene Powers, a vigilante and D’s sometime collaborator, breaks up a human trafficking ring in London. When she returns to the States, D asks her for assistance with a sensitive and volatile matter in Atlanta involving Lil Daye, his wife, his mistress, and a thug on his payroll named Ant . . . The Darkest Hearts reflects the challenges of being a Black businessperson in an era when the rules of entrepreneurship are constantly shifting beneath an increasingly polarized political environment. Praise for The Darkest Hearts “Once again, my brother Nelson George comes through in the clutch like he’s batting clean-up. I’ve known Nelson over thirty years and he has been our cultural storyteller for that length of time. Keep telling. Keep writing our stories. I know I will keep reading them too.” —Spike Lee, filmmaker “George’s passion for, and encyclopedic knowledge of, hip-hop suffuses every word of this smart, stylish novel. Although the author deftly deals with issues of predatory capitalism, government corruption, and the senseless murder of Black men by America’s cops, it’s his handling of the tale’s sex trafficking and #MeToo subplots that deserves special acclaim.” —Mystery Scene Magazine “Smart . . . This action-packed crime novel both educates and entertains.” —Publishers Weekly “We’re big fans of music mysteries here at CrimeReads, so I'm psyched for the new Nelson George . . . A complex mystery that should serve as the perfect quarantine distraction.” —CrimeReads, One of CrimeReads’ 10 Novels You Should Read This August and One of the Most Anticipated Crime Books of 2020 “This dark, rollicking mystery is the fifth in George's D Hunter series . . . D’s point of view, his self-confessed vulnerability, and his deep appreciation for music, from R&B on, make this thoroughly satisfying reading.” —Booklist




To Funk and Die in LA


Book Description

In this hard-boiled mystery, a Brooklyn bodyguard-turned-P.I. investigates a case involving funk, R&B, and his grandfather’s murder. Ex-bodyguard D Hunter heads to the City of Angels on a very dark mission when his grandfather, businessman Daniel “Big Danny” Hunter, is shot dead in a drive-by. Why would someone execute a grocery store owner? D soon finds there was more to Big Danny’s life than selling loaves of bread. The old man was deeply involved with Dr. Funk, a legendary musical innovator who has become a mysterious recluse. To Funk and Die in L.A. is set largely in the Los Angeles neighborhoods of Crenshaw, Koreatown, and Pico-Union—areas where Black, Asian, and Latino cultures intersect away from the glamour of Hollywood—and echoes of the 1992 riots play a significant role in D’s investigation. In the tradition of Raymond Chandler and Walter Mosley, D Hunter rides through the mean streets of Los Angeles seeking truth and not always finding justice. Praise for To Funk and Die in L.A. “A supercharged spin through the dynamic, ever-changing neighborhoods of urban LA. Nelson George’s new book is full of music, secrets, heart, and more than a little heartbreak.” —Nina Revoyr, author of A Student of History “Inventive and well-written . . . I really enjoyed To Funk and Die in LA.” —Don Winslow, New York Times–bestselling author of City on Fire “George explores funk in his fine fourth novel featuring D Hunter, New York bodyguard and, by virtue of his jobs and interests, music historian . . . . As usual, George writes with knowledge and passion about the evolution of Black music.” —Publishers Weekly “Critic and journalist George knows the streets and his work has a gritty feel that will hold readers’ attention. Name-dropping of 1970s and 1980s performers such as the Dazz Band, Shalamar, and Chaka Khan adds spice to this well-crafted mystery.” —Library Journal




The Secret


Book Description

The tale begins over three-hundred years ago, when the Fair People—the goblins, fairies, dragons, and other fabled and fantastic creatures of a dozen lands—fled the Old World for the New, seeking haven from the ways of Man. With them came their precious jewels: diamonds, rubies, emeralds, pearls... But then the Fair People vanished, taking with them their twelve fabulous treasures. And they remained hidden until now... Across North America, these twelve treasures, over ten-thousand dollars in precious jewels, are buried. The key to finding each can be found within the twelve full color paintings and verses of The Secret. Yet The Secret is much more than that. At long last, you can learn not only the whereabouts of the Fair People's treasure, but also the modern forms and hiding places of their descendants: the Toll Trolls, Maitre D'eamons, Elf Alphas, Tupperwerewolves, Freudian Sylphs, Culture Vultures, West Ghosts and other delightful creatures in the world around us. The Secret is a field guide to them all. Many "armchair treasure hunt" books have been published over the years, most notably Masquerade (1979) by British artist Kit Williams. Masquerade promised a jewel-encrusted golden hare to the first person to unravel the riddle that Williams cleverly hid in his art. In 1982, while everyone in Britain was still madly digging up hedgerows and pastures in search of the golden hare, The Secret: A Treasure Hunt was published in America. The previous year, author and publisher Byron Preiss had traveled to 12 locations in the continental U.S. (and possibly Canada) to secretly bury a dozen ceramic casques. Each casque contained a small key that could be redeemed for one of 12 jewels Preiss kept in a safe deposit box in New York. The key to finding the casques was to match one of 12 paintings to one of 12 poetic verses, solve the resulting riddle, and start digging. Since 1982, only two of the 12 casques have been recovered. The first was located in Grant Park, Chicago, in 1984 by a group of students. The second was unearthed in 2004 in Cleveland by two members of the Quest4Treasure forum. Preiss was killed in an auto accident in the summer of 2005, but the hunt for his casques continues.







Hollywood and Africa


Book Description

Hollywood and Africa - recycling the ‘Dark Continent’ myth from 1908–2020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the ‘colonial mastertext’ of the Dark Continent mythos by providing a historiographic genealogy and context for the term’s development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of Hollywood–Africa film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave Hollywood–Africa phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate — and even critique — these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywood’s whitewashing of African history.




Catalog of Copyright Entries. Third Series


Book Description

Includes Part 1A: Books




Catalog of Copyright Entries


Book Description