A Collection of Writings Related to Occult, Esoteric, Rosicrucian and Hermetic Literature, Including Freemasonry, the Kabbalah, the Tarot, Alchemy and Theosophy Volume 4


Book Description

This is an illustrated collection of 14 essays on a variety of occult-themed topics, covering the full spectrum of classic esoteric and related subjects, which include hermeticism, alchemy, magic, the Kabbalah, ancient wisdom and philosophy, the Tarot, Rosicrucianism, Freemasonry, Theosophy and spiritualism, by some of the most notable and prominent names in the history of those subjects. Compiled specifically with the student in mind. Part of a series. Writers include Manly P. Hall, Paul Foster Case, Helena P. Blavatsky, Eliphas Levi, William Wynn Westcott, William Q. Judge, Franz Hartmann, Seth Pancoast, Sarah F. Gordon, Albert G. Mackey, J. D. Buck, C. Jinarajadasa, Bernard Fielding and Frank C. Higgins.




The Lost Words


Book Description

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.




The Great Work


Book Description

Medieval alchemists called the search for immortality, "The Great Work." To achieve the Great Work, they said, one needed to possess the Philosopher's Stone. Eldon Racozi, a mysterious businessman with a large bankroll knows what it is like to own a piece of the Stone and then run out of it. Born in Maine during the American Revolution, Racozi has used a piece he obtained through Masonic contacts to keep him alive, until today. Afraid he is dying without his stone, he becomes convinced there is still one more piece buried deep beneath a gothic cathedral in France. To retrieve it, however, he must design and dig a 250-foot tunnel under the cathedral. With the help of New York architect Brenda MacKenna, he pursues his last chance for everlasting life against final death and danger.







The Dictionary of Lost Words


Book Description

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD







The Lost Word of Freemasonry


Book Description

1967 the hidden secrets of masonry. Rare, unusual symbolic illustrations seldom found in books. Many say this is one of the most unusual books they have ever read. Content: Mystery, Symbolism, in the Beginning, Ancient Zodiac, 12 Labors of Hercules,.




The Lost Word Found


Book Description

This Is A New Release Of The Original 1922 Edition.




The Greatest Work in the World


Book Description

This volume of correspondence contains exchanges written between Lloyd Cline Sears (1895-1986) and Pattie Hathaway Armstrong (1899-1977), two influential leaders in early educational efforts of the Churches of Christ. Spanning the years 1915 to 1921, the letters document their writers' romance, but they are more than simply love letters. They also express an educational philosophy and an understanding of Christian purpose as inspired by the Stone-Campbell Movement and held in tension with the intellectual and social ferment of the times. Posts from family members J. N. and Ida Woodson (Harding) Armstrong as well as from Pattie Cobb Harding, wife of James A. Harding, augment those of the principle authors. Their correspondence allows rare access to privately expressed thoughts of men and women attempting to live as Christian educators at the outset of an uncertain and rapidly changing twentieth century. The letters also offer lessons for contemporary American Christians in these even more volatile times.