The Lovesick Cure


Book Description

After finding herself single again and without a job, Jesse Winsloe heads to Onery Cabin to stay with her elderly aunt Will, but Jesse soon finds herself mixed up in local remedies and a new romance.




Writing the Talking Cure


Book Description

Explores Yalom’s profound contributions to psychotherapy and literature. A distinguished psychiatrist and psychotherapist, Irvin D. Yalom is also the United States’ most well-known author of psychotherapy tales. His first volume of essays, Love’s Executioner, became an immediate best seller, and his first novel, When Nietzsche Wept, continues to enjoy critical and popular success. Yalom has created a subgenre of literature, the “therapy story,” where the therapist learns as much as, if not more than, the patient; where therapy never proceeds as expected; and where the therapist’s apparent failure proves ultimately to be a success. Writing the Talking Cure is the first book to explore all of Yalom’s major writings. Taking an interdisciplinary approach, Jeffrey Berman comments on Yalom’s profound contributions to psychotherapy and literature and emphasizes the recurrent ideas that unify his writings: the importance of the therapeutic relationship, therapist transparency, here-and-now therapy, the prevalence of death anxiety, reciprocal healing, and the idea of the wounded healer. Throughout, Berman discusses what Yalom can teach therapists in particular and the common (and uncommon) reader in general. “As a psychiatrist who has benefitted enormously not only from Yalom’s writings but also from his mentorship, I admire Berman’s relationship to his subject. They both write lucidly and imaginatively, inviting the reader to accompany them on a personal journey that is intriguing but intellectually rigorous. Reading this book helps me to better understand Yalom’s dual roles—as brilliant psychotherapist/teacher and compelling novelist. Berman’s book-by-book examination of Yalom’s work illustrates how good therapy involves facing reality, and good fiction involves making stories come alive by resonating with the hard truths of life. He is the perfect guide to Yalom, capturing his wisdom and creativity with respect and clarity.” — David Spiegel, author of Living Beyond Limits: New Hope and Help for Facing Life-Threatening Illness “This is a convincing celebration of and commentary on one of the most prominent psychotherapists of the last century. For anyone interested in the popularization of an idiosyncratic form of existential psychotherapy for individuals and groups, this will be an important book.” — Murray Schwartz, Emerson College “In this richly textured book, Berman takes us backstage in a warm and skillful exploration of Irvin Yalom’s unmatched contributions as a psychotherapist, author, and educator. We are provided a transparent view of how human healing emerges from our talking, writing, and reading. Berman reminds us eloquently that psychotherapy is, at its essence, the process of human connection and the joint attribution of meaning to experience.” — Molyn Leszcz, The University of Toronto




Marrying Stone


Book Description

The national bestselling author of Runabout offers a charming new novel about Meggie, who has long dreamed of her prince. She finds him in the Harvard-educated man who comes to her Ozark town to research folk songs. Even though he is consumed by his studies, Meggie proves an invaluable help, and he soon learns the value of true love.




Lovesickness and Gender in Early Modern English Literature


Book Description

In early modern medical texts, intense unfulfilled erotic desire is held to be a real and virulent disease: it is classified as a species of melancholy, with physical etiologies and cures. Lesel Dawson analyzes literary representations of lovesickness in relation to medical ideas about desire and wider questions about gender and identity, exploring the different ways that desire is believed to take root in the body, how gender roles are encoded and contested in courtship, and the psychic pains and pleasures of frustrated passion. She explores the relationship between women's lovesickness and other female maladies (such as hysteria and greensickness), and asks whether women can suffer from intellectual forms of melancholy generally thought to be exclusively male. Finally, she examines the ways in which Neoplatonism offers an alternative construction of love to that found in natural philosophy and considers how anxieties concerning love's ability to emasculate the male lover emerge indirectly in remedies for lovesickness. With reference to the works of Shakespeare, Beaumont and Fletcher, Middleton, Ford, and Davenant, Lovesickness and Gender in Early Modern English Literature investigates how early modern representations of lovesickness expose contemporary cultural constructions of love, revealing the relation of sexuality to spirituality and the creation and shattering of the impassioned subject. It offers an important contribution to the history of romantic love and will be of interest to students and scholars of literature, gender, and medical history.




Gender Scripts in Medicine and Narrative


Book Description

Gender is an exciting area of current research in the medical humanities, and by combining the study of medical narratives with theories of gender and sexuality, the essays in Gender Scripts in Medicine and Narrative illustrate the power of gender stereotypes to shape the way medicine is practiced and perceived. The chapters of Gender Scripts in Medicine and Narrative investigate gendered perceptions and representations of healers and patients in fiction, memoir, popular literature, poetry, film, television, the history of science, new media, and visual art. The fourteen chapters of Gender Scripts in Medicine and Narrative are organized into four cohesive sections. These chapters investigate the impact of gender stereotypes on medical narratives from a variety of points of view, considering narratives from diverse languages, time periods, genres, and media. Each section addresses some of the most pressing and provocative issues in theories of gender and the medical humanities: I. Gendering the Medical Gaze and Pathology; II. Monitoring Race through Reproduction; III. Rescripting Trauma and Healing; and IV. Medical Masculinities. Along with these sections, Gender Scripts Medicine and Narrative features a preface by Rita Charon, MD, PhD, Director and Founder, The Program in Narrative Medicine, Columbia University, a foreword by Marcelline Block, and an introduction by Angela Laflen. This collection takes a truly interdisciplinary look at the topic of gender and medicine, and the impressive group of contributors to the anthology represent a wide range of academic fields of inquiry, including medical humanities, bioethics, English, modern languages, women’s studies, film theory, postcolonial theory, art history, the history of science and medicine, new media studies, theories of trauma, among others. This approach of crossing boundaries of genre and discipline makes the volume accessible to scholars who are concerned with narrative, gender, and/or medical ethics. Click here for a recent review of this title.




Seventeenth Summer


Book Description

Seventeen-year-old Angie, who lives with her family in Fond du Lac, Wisconsin, finds herself in love for the first time the summer after high school graduation.




Lovesickness in the Middle Ages


Book Description

According to medieval physicians, lovesickness was an illness of mind and body caused by sexual desire and the sight of beauty. The notorious agony of an unhappy lover was treated as an ailment closely related to melancholia and potentially fatal if not treated. In Lovesickness in the Middle Ages, Mary F. Wack uses newly discovered texts and takes a fresh look at primary sources to offer the first comprehensive analysis of the forms and meanings of the lover's malady in medieval culture. She examines its importance in medieval literature and its role in the transformation of courtly love from literary convention to social practice. Drawing extensively from the Viaticum and its commentaries, studied for centuries in medical schools, Wack also addresses wider questions about the cultural construction of illness, the conflict between medicine and Church morality, the relations between lovesickness and gender, and the lover's malady as a form of behavior in late medieval society. The second part of the book contains annotated editions and translations of six important texts on lovesickness—the Viaticum and four commentaries on it. Forty-six black-and-white illustrations provide a striking visual perspective on medieval love and medicine. Lovesickness in the Middle Ages will interest literary scholars and students as well as historians of medicine, sexuality, psychology, and women's studies.




Love Cures


Book Description

What is love? Popular culture bombards us with notions of the intoxicating capacities of love or of beguiling women who can bewitch or heal—to the point that it is easy to believe that such images are timeless and universal. Not so, argues Laine Doggett in Love Cures. Aspects of love that are expressed in popular music—such as “love is a drug,” “sexual healing,” and “love potion number nine”—trace deep roots to Old French romance of the high Middle Ages. A young woman heals a poisoned knight. A mother prepares a love potion for a daughter who will marry a stranger in a faraway land. How can readers interpret such events? In contrast to scholars who have dismissed these women as fantasy figures or labeled them “witches,” Doggett looks at them in the light of medical and magical practices of the high Middle Ages. Love Cures argues that these practitioners, as represented in romance, have shaped modern notions of love. Love Cures seeks to engage scholars of love, marriage, and magic in disciplines as diverse as literature, history, anthropology, and philosophy.




Lovesick


Book Description

Beth is an absolute wreck. She is certain that she has some kind of disease, a fatal one, most likely. She is also very single and quite keen on her boss colleague, Dr Brendan Roberts. Beth knows it's time to sort out her messy life, but she has no idea where to start. Enter Shane, a slightly dishevelled forklift driver. He may not be suave or wealthy, but he does laugh at Beth's jokes and remember how she likes her coffee. But when Shane suddenly cuts off all communication, Beth starts to think there's no such thing as The One, and she decides to stop being slapdash and move on. Only life is never that simple, and Beth must take a chance if she hopes to find the cure to her ills.




The Cotton Queen


Book Description

Spanning 50 years, this novel chronicles the cycles, the joys, and the animosity that make up the relationship between a mother and daughter. Each woman, a product of her generation, is influenced, and sometimes limited, by the expectations of the era in which she lives. Original.