The Lusiad of Camoens Translated Into English Spencerian Verse
Author : Luís de Camões
Publisher :
Page : 594 pages
File Size : 16,47 MB
Release : 1880
Category : Portuguese poetry
ISBN :
Author : Luís de Camões
Publisher :
Page : 594 pages
File Size : 16,47 MB
Release : 1880
Category : Portuguese poetry
ISBN :
Author : O. Classe
Publisher : Taylor & Francis
Page : 930 pages
File Size : 12,83 MB
Release : 2000
Category : Authors
ISBN : 9781884964367
Author : Luis De Camoes
Publisher : Franklin Classics
Page : 598 pages
File Size : 29,79 MB
Release : 2018-10-10
Category :
ISBN : 9780342136797
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Library of Congress
Publisher :
Page : 790 pages
File Size : 16,39 MB
Release : 1970
Category : Catalogs, Union
ISBN :
Author : E. Cobham Brewer
Publisher : BoD – Books on Demand
Page : 582 pages
File Size : 29,36 MB
Release : 2019-09-25
Category : Fiction
ISBN : 3734093228
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
Author : Anne Mette Hansen
Publisher : Rodopi
Page : 391 pages
File Size : 41,18 MB
Release : 2005
Category : Language Arts & Disciplines
ISBN : 9042018887
Books do not just contain texts: books themselves are cultural artefacts, which convey many meanings in their own right, meanings which interact with the texts they contain. Awareness of the many significances of books as cultural and textual objects reshapes the traditional disciplines of textual theory, analytic bibliography, codicology and palaeography, while the advent of electronic books, and digital methods for representing print books, is introducing a new dimension to our understanding. Seven essays in this volume, ranging over medieval Portuguese and Swedish manuscripts, eighteenth-century Icelandic editions, Australian playtexts, Thackeray and Anita Brookner, and Stefan George, consider these questions from the broad perspective of textual scholarship. Texts may exist on the borderland of word and not-word; or they may spring from borderlands of nation or culture; or they may be considered from the margins of neighbouring disciplines. So readers must set the texts within contexts, to see the play of text against border. Essays in this volume explore different texts against varying backgrounds -- Pound's Cantos, Joyce's Ulysses, Trollope's An Eye for an Eye, Woolf's The Waves -- while essays by McGann and Lernout argue the dimensionality of text on the intersection of print and digital media. Implicit in all these essays is the contention, that textual scholarship must influence literary interpretation. Two final essays focus directly on this, in the cases of Melville's Moby-Dick and Emily Dickinson's late fragments. An extensive reviews section completes this volume.
Author : P. Th. M. G. Liebregts
Publisher : Fairleigh Dickinson Univ Press
Page : 470 pages
File Size : 50,96 MB
Release : 2004
Category : Literary Criticism
ISBN : 9780838640111
This book is a detailed study of Ezra Pound's explicit and implicit use of elements of the Neoplatonic tradition in his prose and poetry, and of the way it informed his poetics as well as his political and social-economic views. The book not only discusses the ideas of those Pound considered to be leading figures in the development of Neoplatonism (such as Plotinus, Dionysus the Areopagite, Eriugena, Dante, Gernisthus Plethon, and Thomas Taylor), but, more importantly, it shows how and why Pound adapted and appropriated their notions to develop his interpretation of what he saw as an ongoing Neoplatonic tradition. Through this adaptation of Neoplatonism, Pound's work may be seen as an insightful commentary upon this religio-philosophical tradition as well as a contribution to it.
Author : Sandy Hall
Publisher : Macmillan
Page : 236 pages
File Size : 41,93 MB
Release : 2019-07-09
Category : Young Adult Fiction
ISBN : 1250119111
A teen girl starting at a new school is torn between long-held loyalties and a bright new love in this irresistible new YA contemporary romance from the author of A Little Something Different. Paisley is really looking forward to college. She is ready to take charge of her destiny and embrace some new experiences! Finding a hot guy to make out with at her first ever college party seems like a great start...until her best friend informs her that mystery guy is actually Carter Schmitt, Paisley's sworn enemy who basically ruined their lives in middle school. So much for new people and exciting new experiences. Oh well. Paisley will just pretend he doesn't exist. Of course that would be easier if Carter, AKA her super-hot-sworn-enemy, hadn't ended up in three of her classes AND the same work study. Is it too late to rethink this college thing? Sandy Hall, author of A Little Something Different and A Prom to Remember, is heading back to college in this sweet and quirky contemporary romance. Praise for Sandy Hall: "If you need a cute romance to end your summer with, read this. It’s sweet. It’s adorable. It’s full of emotions. It’s one of the best romances I’ve ever read, and I’ll be reading this one again multiple times." —Here's to Happy Endings on Been Here All Along “Romance with a twist.” —Booklist on A Little Something Different
Author : Anthony F. D’Elia
Publisher : Harvard University Press
Page : 368 pages
File Size : 34,49 MB
Release : 2016-01-04
Category : History
ISBN : 0674088549
In 1462 Pope Pius II performed the only reverse canonization in history, publicly damning a living man. The target was Sigismondo Malatesta, Lord of Rimini and a patron of the arts with ties to the Florentine Renaissance. Condemned to an afterlife of torment, he was burned in effigy in several places in Rome. What had this cultivated nobleman done to merit such a fate? Pagan Virtue in a Christian World examines anew the contributions and contradictions of the Italian Renaissance, and in particular how the recovery of Greek and Roman literature and art led to a revival of pagan culture and morality in fifteenth-century Italy. The court of Sigismondo Malatesta (1417–1468), Anthony D’Elia shows, provides a case study in the Renaissance clash of pagan and Christian values, for Sigismondo was nothing if not flagrant in his embrace of the classical past. Poets likened him to Odysseus, hailed him as a new Jupiter, and proclaimed his immortal destiny. Sigismondo incorporated into a Christian church an unprecedented number of zodiac symbols and images of the Olympian gods and goddesses and had the body of the Greek pagan theologian Plethon buried there. In the literature and art that Sigismondo commissioned, pagan virtues conflicted directly with Christian doctrine. Ambition was celebrated over humility, sexual pleasure over chastity, muscular athleticism over saintly asceticism, and astrological fortune over providence. In the pagan themes so prominent in Sigismondo’s court, D’Elia reveals new fault lines in the domains of culture, life, and religion in Renaissance Italy.
Author : I. Amano
Publisher : Springer
Page : 415 pages
File Size : 43,49 MB
Release : 2013-12-17
Category : Literary Criticism
ISBN : 1137377437
Decadence is a concept that designates a given historical moment as a phase of decay and valorizes the past as an irretrievable golden age. This study offers an innovative examination of a century of Japanese fiction through the analytical prism of decadence.