The Maclise Portrait-Gallery of Illustrious Literary Characters, with Memoirs Biographical, Critical, Bibliographical and Anecdotal, Illustrative of the Literature of the Former Half of the Present Century


Book Description

Hardcover reprint of the original 1883 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Maclise, Daniel. The Maclise Portrait-Gallery of Illustrious Literary Characters, With Memoirs Biographical, Critical, Bibliographical & Anecdotal, Illustrative of The Literature of The Former Half of The Present Century. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Maclise, Daniel. The Maclise Portrait-Gallery of Illustrious Literary Characters, With Memoirs Biographical, Critical, Bibliographical & Anecdotal, Illustrative of The Literature of The Former Half of The Present Century, . London: Chatto And Windus, 1883. Subject: Authors













MACLISE PORTRAIT-GALLERY OF IL


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The Maclise Portrait Gallery Illustrious Literary Characters


Book Description

Excerpt from The Maclise Portrait Gallery Illustrious Literary Characters: With Memoirs Biographical, Critical, Bibliographical, and Anecdotal Illustrative of the Literature of the Former Half of the Present Century This volume consists of a reproduction, on slightly reduced scale, but with no impairment of their effect and truth, of the eighty-one Portraits and Groups originally published in Fraser's Magazine, 1830 - 38, under the title of "A Gallery of Illustrious Literary Characters." To these, four portraits, not forming part of the original series, have been added, for the sake of completeness; and the whole, it is hoped, will be found to derive elucidation and value from the copious illustrative "Memoirs," for which I am responsible. It is well to record, in the interests of bibliography, that there has been a previous republication, both in part and in entirety, of this interesting series. So far back as 1833, the portraits of which the "Gallery" then consisted, to the number of thirty-four, were reissued by the proprietors in a handsome quarto volume. A very limited number of the edition was printed at two guineas each, "plain proofs"; with twenty-four copies on "Indian paper," at three guineas. The publication was announced with the statement that "the Drawings were destroyed immediately after their first appearance, and not one had been suffered to get abroad detached from the Magazine." However this may have been, the collection, good as far as it went, contained little more than a third of the entire series as given in this volume; it was unaccompanied by explanatory text; and has become, from its restricted issue, and the destruction of numerous copies by the "Grangerites" of the day, in booksellers' lingo, "difficult of procuration." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










Homes and Haunts


Book Description

This is the first full-length study of literary tourism in North America as well as Britain and a unique exploration of popular response to writers, literary house museums, and the landscapes or "countries" associated with their lives and works. An interdisciplinary study ranging from 1820-1940, Homes and Haunts: Touring Writers' Shrines and Countries unites museum and tourism studies, book history, narrative theory, theories of gender, space, and things, and other approaches to depict and interpret the haunting experiences of exhibited houses and the curious history of topo-biographical writing about famous authors. In illustrated chapters that blend Victorian and recent first-person encounters that range from literary shrines and plaques to guidebooks, memoirs, portraits, and monuments, Alison Booth discusses pilgrims such as William and Mary Howitt, Anna Maria and Samuel Hall, and Elbert Hubbard, and magnetic hosts and guests as Washington Irving, Wordsworth, Martineau, Longfellow, Hawthorne, James, and Dickens. Virginia Woolf's feminist response to homes and haunts shapes a chapter on Mary Russell Mitford, Gaskell, and the Brontes, and another on the Carlyles' house and Monk's House. Booth rediscovers collections of personalities, haunted shrines, and imaginative re-enactments that have been submerged by a century of academic literary criticism.