The Madwoman's Reason


Book Description

Most people want to be able to make valid moral judgments and to respect the ethical values of other cultural groups. Taking Jean Giraudoux's play THE MADWOMAN OF CHAILLOT as a starting point, philosopher Nancy Holland draws on the work of Heidegger and Derrida in an effort to find a middle way in ethics between relativism and foundationalism.




The Madwoman's Reason


Book Description

Most people want to be able to make valid moral judgments and to respect the ethical values of other cultural groups. Taking Jean Giraudoux's play THE MADWOMAN OF CHAILLOT as a starting point, philosopher Nancy Holland draws on the work of Heidegger and Derrida in an effort to find a middle way in ethics between relativism and foundationalism.




The Madwoman in the Attic


Book Description

Called "a feminist classic" by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. "Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again."--Carolyn G. Heilbrun, Washington Post Book World




The Madwoman Can't Speak


Book Description

In this work, the subversive madwoman first appropriated by feminist theorists and critics is re-evaluated. How, the author asks, can such a figure be subversive if she's effectively imprisoned, silent and unseen? Taking issue with a prominent strand of current feminist literary criticism, Caminero-Santangelo identifies a counternarrative in writing by women in the last half of the 20th century, one which rejects madness, even as a symbolic resolution.




The Madwoman's Reason


Book Description

Taking Jean Giraudoux's play The Madwoman of Chaillot as its starting point, this book seeks a way out of the dilemma that confronts those who feel that any nonrelativistic moral theory requires some metaphysical foundation but cannot see how a foundations position can be persuasively defended. Nancy Holland draws on the work of Heidegger and Derrida to formulate a concept of appropriate action that can address both extraordinary ethical problems within a particular cultural tradition and moral conflict between different cultures. Her feminist reappropriations of the concept of the appropriate is then further developed by reference to Aristotle and Kant, whose ethical theories, she argues, are independent of their metaphysics, thus suggesting that moral evaluations can rely on a deep understanding of what it is to be human within a cultural tradition rather than on foundations premises. As an example of the application of her theory, Holland examines the problem of ordaining women women in the Roman Catholic Church and then goes on to compare her approach with that of other philosophers working in virtue theory, postmodern ethics, and feminism. We all want to be able to make valid moral judgments and to respect the ethical values of other cultural groups. By suggesting that a culture's sense of the human and a correlated sense of appropriate action, might provide a purely formal but still critical perspective on any community's current beliefs and practices without invoking any substantive external criteria, the concept of the appropriate is offered as one way in which we can satisfy both our moral wants and our intellectual needs.




The Madwoman


Book Description




Musings of a Madwoman


Book Description

Traci Reason writes for her life, literally, in this collection of her mental morsels that span more than a decade. Join her as she talks candidly about marriage, divorce, addiction and single motherhood, all while struggling with crippling dark depression and anxiety. You will laugh, maybe you'll cry, but you might see something of yourself in her writing. Musings of a Madwoman is an amalgamation of insightful, humorous, and candid posts that readers have called, powerful and engrossing. "Writing is a sane way to discard the insane brain," she says, "it's good medicine."




The Madwoman as Antagonist in English Gothic Fiction


Book Description

This thesis aims to investigate the portrayal of madwoman characters as antagonists in English literature, in order to contribute to ongoing critical discussions on the subject of the madwoman in feminist literary criticism. The thesis performs a close reading of the characters of Bertha Mason in Charlotte Brontë's Jane Eyre (1847), Mrs. Danvers in Daphne du Maurier's Rebecca (1938) and its film adaptations, and Adeline March in Diane Setterfield's The Thirteenth Tale (2006). The selection of texts from three different centuries demonstrates historical continuity in the representation of madwoman antagonist literary characters. Furthermore, this thesis refers to these fictional texts as well as critical commentary in order to demonstrate that the terms "madness" and "madwoman" have an inherent connection to the term "mental illness" and thus to real-world perceptions of mental disorder. For this reason, the representation of madwoman characters as antagonists is particularly notable, in that it suggests an association between madness, and by extension mental illness, and the villainous actions of the characters. This thesis demonstrates that in each of the three texts in question, the madwoman antagonist is associated with violent and destructive actions. This results in the implication that madness makes these women inherently dangerous and destructive. Given that they are not the protagonists or viewpoint characters of the novels, these madwoman antagonists are also unable to tell their own stories, meaning the novels provide no counter-narrative to their negative portrayals.




The Mad Women's Ball


Book Description

A New York Times best historical novel of the year, adapted as a major film for Amazon Prime, this feminist literary thriller is set in Paris's infamous Salpêtrière asylum—now in paperback The Salpêtrière Asylum: Paris, 1885. Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Mad Women’s Ball—when the great and good come to gawk at the patients of the Salpêtrière dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugénie, the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugénie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugénie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .




Feminisms


Book Description

"Everything you might want to know about the history and practice of feminist criticism in North America". -Feminist Bookstore News