The Making of an Exhibit Hall


Book Description

The curator of a major museum tells about the creation of an exhibition, from beginning to end. Never before has the design and installation of anthropology exhibit been described in such detail. Not only are technical matters discussed, such as how to simulate a tropical rainforest in miniature and how the noxious fumes of urea formaldehyde are blocked from harming the specimens on exhibit, but there is also an endless recounting of stories about the various exhibits: Thus we read of a mother who is engaged in funerary endocannibalism, sifting through the shed of her cremated infant daughter, looking for every bit of bone and tooth which she will grind up, mix with banna drink, and ingest... we see shaman blowing tobacco onto a straw doll to bring it to life and help him in drawing a missing soul away from the evil spirit who stole it...the curator tells how he came to have in his office enough curare to kill ten thousand monkeys...then there too is Ogomigi, the dreaded double-headed vulture who devours the souls of dead Kuikuru Indians. And there is a lot more...




Unfolding Practice


Book Description

Unfolding Practice: Reflections on Learning and Teaching is a conversation between two artist-educators. Flowing across five chapters, the double sided accordion book has been curated from ten years of recorded conversations, field notes, planning, sketches, reflection, and teaching. The front of the book weaves text, illustration, cutouts, and screen prints, journeying through artistic process and educational practice. The back of the book is a guide, expanding on the practice of using accordion books as a tool for capturing, visualizing, and building upon reflective thinking. The brown paper alludes to the craft paper that is ubiquitous in schools and captures process more than the preciousness of a final product.







Domestic Engineering


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The Hub


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Channeling the Past


Book Description

After the turmoil of the Great Depression and World War II, Americans looked to the nation’s more distant past for lessons to inform its uncertain future. By applying recent and emerging techniques in mass communication—including radio and television programs and commercial book clubs—American elites working in media, commerce, and government used history to confer authority on their respective messages. With insight and wit, Erik Christiansen uncovers in Channeling the Past the ways that powerful corporations rewrote history to strengthen the postwar corporate state, while progressives, communists, and other leftists vied to make their own versions of the past more popular. Christiansen looks closely at several notable initiatives—CBS’s flashback You Are There program; the Smithsonian Museum of American History, constructed in the late 1950s; the Cavalcade of America program sponsored by the Du Pont Company; the History Book Club; and the Freedom Train, a museum on rails that traveled the country from 1947 to 1949 exhibiting historic documents and flags, including original copies of the U.S. Constitution and the Magna Carta. It is often said that history is written by the victors, but Christiansen offers a more nuanced perspective: history is constantly remade to suit the objectives of those with the resources to do it. He provides dramatic evidence of sophisticated calculations that influenced both public opinion and historical memory, and shows that Americans’ relationships with the past changed as a result.




Making of Inside the Wright Brothers in


Book Description

This journal, a companion book to the novel, Inside the Wright Brothers: Flight is Possible, is a record of the thoughts that occur to a writer while in the process of writing a novel. In recording these thoughts, the journal provides an exploration of a number of topics: the working out of a pattern, in novel form, to reflect the author's conception of the meaning of the Wright Brothers' experience; a consideration of the achievement of the Wright Brothers as an example of the creative process at work; and a step-by-step record of the writing process, which includes the planning, writing, editing and polishing of a novel about the Wright Brothers. In addition, the journal presents the challenge of matching form and meaning in the novel genre as a response to the complexities of life, and a discussion of the possibilities of the novel as an art form. This journal is the seventh in a series of companion books pairing novel and journal which explore the concept of form and meaning in the novel.







The Canning Trade


Book Description