The ‘Malleus Maleficarum‘ and the construction of witchcraft


Book Description

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Malleus is an important text and is frequently quoted by authors across a wide range of scholarly disciplines. Yet it also presents serious difficulties: it is difficult to understand out of context, and is not generally representative of late medieval learned thinking. This, the first book-length study of the original text in English, provides students and scholars with an introduction to this controversial work and to the conceptual word of its authors. Like all witch-theorists, Institoris and Sprenger constructed their witch out of a constellation of pre-existing popular beliefs and learned traditions. Therefore, to understand the Malleus, one must also understand the contemporary and subsequent debates over the reality and nature of witches. This book argues that although the Malleus was a highly idiosyncratic text, its arguments were powerfully compelling and therefore remained influential long after alternatives were forgotten. Consequently, although focused on a single text, this study has important implications for fifteenth-century witchcraft theory. This is a fascinating work on the Malleus Maleficarum and will be essential to students and academics of late medieval and early modern history, religion and witchcraft studies.




The Malleus Maleficarum and the Construction of Witchcraft


Book Description

What was witchcraft? Were witches real? How should witches be identified? How should they be judged? Towards the end of the middle ages these were new questions, without answers hallowed by time and authority. Between 1430 and 1500, a number of learned "witch-theorists" attempted to provide the answers, and of these perhaps the most famous are the Dominican inquisitors Heinrich Institoris and Jacob Sprenger, the authors of the Malleus Maleficarum, The Hammer of Witches. This, the first book-length study of the Malleus in English, provides students and scholars with an introduction to this text and to the conceptual world of its authors. Ultimately, this book argues that although the Malleus was a highly idiosyncratic text, with a view of witches very different from that of competing authors, its arguments were powerfully compelling and so remained influential long after alternatives were forgotten.




The Hammer of Witches


Book Description

The Malleus Maleficarum, first published in 1486–7, is the standard medieval text on witchcraft and it remained in print throughout the early modern period. Its descriptions of the evil acts of witches and the ways to exterminate them continue to contribute to our knowledge of early modern law, religion and society. Mackay's highly acclaimed translation, based on his extensive research and detailed analysis of the Latin text, is the only complete English version available, and the most reliable. Now available in a single volume, this key text is at last accessible to students and scholars of medieval history and literature. With detailed explanatory notes and a guide to further reading, this volume offers a unique insight into the fifteenth-century mind and its sense of sin, punishment and retribution.




Magic and Magicians in the Middle Ages and the Early Modern Time


Book Description

There are no clear demarcation lines between magic, astrology, necromancy, medicine, and even sciences in the pre-modern world. Under the umbrella term 'magic,' the contributors to this volume examine a wide range of texts, both literary and religious, both medical and philosophical, in which the topic is discussed from many different perspectives. The fundamental concerns address issue such as how people perceived magic, whether they accepted it and utilized it for their own purposes, and what impact magic might have had on the mental structures of that time. While some papers examine the specific appearance of magicians in literary texts, others analyze the practical application of magic in medical contexts. In addition, this volume includes studies that deal with the rise of the witch craze in the late fifteenth century and then also investigate whether the Weberian notion of disenchantment pertaining to the modern world can be maintained. Magic is, oddly but significantly, still around us and exerts its influence. Focusing on magic in the medieval world thus helps us to shed light on human culture at large.




Male witches in early modern Europe


Book Description

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This is the first ever full book on the subject of male witches addressing incidents of witch-hunting in both Britain and Europe. Uses feminist categories of gender analysis to critique the feminist agenda that mars many studies. Advances a more bal. Critiques historians’ assumptions about witch-hunting, challenging the marginalisation of male witches by feminist and other historians. Shows that large numbers of men were accused of witchcraft in their own right, in some regions, more men were accused than women. It uses feminist categories of gender analysis to challenge recent arguments and current orthodoxies providing a more balanced and complex view of witch-hunting and ideas about witches in their gendered forms than has hitherto been available.




The Witchcraft Reader


Book Description

The excellent reader offers a selection of the best historical writing on witchcraft, exploring how belief in witchcraft began, and the social and context in which this belief flourished.




Demon Lovers


Book Description

On September 20, 1587, Walpurga Hausmännin of Dillingen in southern Germany was burned at the stake as a witch. Although she had confessed to committing a long list of maleficia (deeds of harmful magic), including killing forty—one infants and two mothers in labor, her evil career allegedly began with just one heinous act—sex with a demon. Fornication with demons was a major theme of her trial record, which detailed an almost continuous orgy of sexual excess with her diabolical paramour Federlin "in many divers places, . . . even in the street by night." As Walter Stephens demonstrates in Demon Lovers, it was not Hausmännin or other so-called witches who were obsessive about sex with demons—instead, a number of devout Christians, including trained theologians, displayed an uncanny preoccupation with the topic during the centuries of the "witch craze." Why? To find out, Stephens conducts a detailed investigation of the first and most influential treatises on witchcraft (written between 1430 and 1530), including the infamous Malleus Maleficarum (Hammer of Witches). Far from being credulous fools or mindless misogynists, early writers on witchcraft emerge in Stephens's account as rational but reluctant skeptics, trying desperately to resolve contradictions in Christian thought on God, spirits, and sacraments that had bedeviled theologians for centuries. Proof of the physical existence of demons—for instance, through evidence of their intercourse with mortal witches—would provide strong evidence for the reality of the supernatural, the truth of the Bible, and the existence of God. Early modern witchcraft theory reflected a crisis of belief—a crisis that continues to be expressed today in popular debates over angels, Satanic ritual child abuse, and alien abduction.




Fearless Wives and Frightened Shrews


Book Description

Brauner shows that the modern notion of the witch as a willful, conniving, promiscuous woman was first established by German Inquisitors in the Malleus maleficarum (1487). In subsequent works by Martin Luther and the sixteenth-century playwrights Paul Rebhun and Hans Sachs, the witch emerged as the counterpart to the new feminine ideal of the urban housewife. By demonstrating how the binary concepts of "good" housewife and "bad wife" (or witch) were propagated among the educated urban elite who presided over witch trials, Brauner suggests that the witch hunts functioned to discipline women who failed to display the docility and subservience expected of the new urban housewife.




The Witch as Muse


Book Description

Occult topics have long fascinated artists, and the subject of witches—their imagined bodies and fantastic rituals—was a popular one for painters and printmakers in early modern Europe. Focusing on several artists in depth, Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions. While studying the work of such artists as Dürer, Baldung, Jacques de Gheyn II, and Goya, Hults discerns patterns suggesting that the imagery of witchcraft served both as an expression of artistic license and as a tool of self-promotion for the artists. These imagined images of witches were designed to catch the attention of powerful and important patrons as witchcraft was being debated in political and intellectual centers. Dürer's early engravings of witnesses made in the wake of the Malleus maleficarum of 1487 were crucial in linking the seductive or aged female form with the dangers of witchcraft. The polarized idea of gender pervaded many aspects of early modern culture, including art theory. As the deluded female witch embodied the abuse of imagination and fantasy, so the male artist presented himself as putting those faculties to productive and reasoned use.




A History of Magic and Witchcraft


Book Description

The author of Magic and Masculinity explores the history and development of magic and witchcraft in Western society. Broomsticks, cauldrons, familiars, and spells—magic and witchcraft conjure a vivid picture in our modern-day imagination. While much of our understanding is rooted in superstition and myth, the history of magic and witchcraft offers a window into the past. It illuminates the lives of ordinary people in the past and elucidates the fascinating pop culture of the premodern world. Blowing away folkloric cobwebs, this enlightening new history dispels many misconceptions surrounding witchcraft and magic that we still hold today. From Ancient Greece and Rome to the Middle Ages and the Early Modern Era, historian Frances Timbers details the impact of Christianity and popular culture in the construction of the figure of the “witch.” The development of demonology and ceremonial magic is combined with the West’s troubled past with magic and witchcraft to chart the birth of modern Wiccan and Neopagan movements in England and North America. Witchcraft is a metaphor for oppression in an age in which persecution is an everyday occurrence somewhere in the world. Fanaticism, intolerance, prejudice, authoritarianism, and religious and political ideologies are never attractive. Beware the witch hunter!