St George's Chapel, Windsor, in the Fourteenth Century


Book Description

A definitive look at the early history of St George's Chapel, one of the most important medieval buildings in England. Developed and improved by Edward III, the Chapel became the spiritual home of his newly-instigated Order of theGarter and, in the process, a new Camelot for the English monarchy. St George's Chapel, Windsor, is one of the most famous ecclesiastical foundations in Britain. Established in 1348, its origins are closely bound up with those of the Order of the Garter, which was founded by Edward III at the sametime. The collection of essays in this volume sets Windsor in its context, at the forefront of the political and cultural developments of mid-fourteenth-century England. They examine the early history of the Chapel, its tieswith Edward III's chivalric ambitions, the community of canons who served it, and its place in the institutional development of the English Church. Major themes are the role of the Chapel in the early history of the Order and itsinfluence on other collegiate foundations of the late middle ages; and much attention is devoted to the mighty building campaign at the Castle started by Edward III which made Windsor the grandest royal residence of its day.



















Report of the Royal Commission on Historical Manuscripts


Book Description

First to ninth reports, 1870-1883/84, with appendices giving reports on unpublished manuscripts in private collections; Appendices after v. [15a] pt. 10 issued without general title.




Purcell Manuscripts


Book Description

Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.