The Many Lives of Mangalampalli Balamuralikrishna


Book Description

Mangalampalli Balamuralikrishna, an internationally renowned Carnatic musician from the illustrious musical lineage of composer Saint Tyagaraja, wore many hats in his lifetime. Having made a stage debut at the age of seven, he was hailed as a child prodigy. From then till the time he passed away, at age eighty-six in 2016, he continued to be in the spotlight, not just for his extraordinary talent and versatility as a vocalist and multi-instrumentalist, but as a composer, playback singer and even, briefly, as a character actor. He was a primary school dropout, a teenage poet and composer, a restless mind, a polyglot, a legacy upholder, a wordsmith, an ice cream lover and a pathbreaker. This is a story of the many lives of Dr Mangalampalli Balamuralikrishna. Veejay Sai's in-depth research into his life and work led him deep into unseen archival material and across the Carnatic musical landscape of erstwhile Andhra Pradesh, Karnataka and Tamil Nadu. Fortified by interviews with his family members, disciples and peers, The Many Lives of Mangalampalli Balamuralikrishna, a definitive biography of the musical genius, is not only a revealing account of the personal traits and facets of an unparallelled genius, but is also a portrait of India's classical music world, a place as much of beauty as of untrammelled egos.




The Many Lives of Mangalampalli Balamuralikrishna


Book Description

Mangalampalli Balamuralikrishna, the internationally renowned Carnatic vocalist, was a child prodigy and proficient at a number of musical instruments. He was a school dropout, a teenage poet and composer, a restless mind, a versatile musician, a polyglot, wordsmith, pioneer and an unparalleled musical genius, and this is the story of the many lives of the iconic maestro. With in-depth research into archival material, fortified by interviews with his family, disciples and peers, Veejay Sai's definitive biography of Balamuralikrishna traces his journey in the world of music, a place of beauty as well as egos.




The Life of Music in South India


Book Description

This book offers an account of Carnatic music culture drawing on the knowledge of T. Sankaran, a musician raised in an illustrious non-Brahmin devadasi family, and his long affiliation with cultural institutions including All India Radio (AIR) and the Tamil Isai Sangam (Tamil Music Academy). Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. The memoir provides insight into the way AIR worked as a modern, bureaucratic institution, and how the opening of government music colleges interacted with caste politics and shifted women's participation in public performance. The book is polyvocal, as Sankaran's writing is interwoven with passages from Daniel M. Neuman's book The Life of Music in North India, which inspired Sankaran's project, as well as transcripts from interviews with Sankaran by Matthew Allen. Includes rare archival photos.




Indian Art Music: A Computational Perspective


Book Description

This monograph presents a diverse collection of articles on Indian Art Music based on analytical work aided by computational tools. The book focuses mainly on the current practices in music and its representation in audio recordings, a perspective that is particularly relevant to oral traditions. It presents a rare and unique example of collaboration between musicians, musicologists, scientists, and engineers. The presentation brings together various aspects of research on Indian art music that benefits from audio processing or computing, ranging from musicology to information retrieval to instrument modeling. It is hoped that the monograph will serve as an accessible introduction to computational approaches for Indian art music in particular, and ethnomusicology more generally.




The Journey to Adi Kailash


Book Description

Bestselling author M.K. Ramachandran is well-known for his unique travelogues. Not only does he beautifully recount his journey but he also delves into history and culture, tying in various threads to show the reader the many elements that make India what it is. The Journey to Adi Kailash is no different. While detailing his trek to one of the most revered mountains of India, Ramachandran includes interpretations of our history, culture, traditions, the Puranas and the Upanishads, as well as contributions by great sadhus, sages and rishis. He weaves in interesting stories—of how the Asuras came to India, the ancient technology of turning metal to gold, the ninety-five-year-old woman who is well-versed in the 144 courses of Kriya Yoga, the yogi who acquires the power to fly into the sky . . . The Journey to Adi Kailash is compelling reading, and a book that holds a mirror to the greatness of India.







World Music Pedagogy, Volume V: Choral Music Education


Book Description

World Music Pedagogy, Volume V: Choral Music Education explores specific applications of the World Music Pedagogy process to choral music education in elementary, middle, and high school contexts, as well as within community settings. The text provides clear and accessible information to help choral music educators select, rehearse, and perform a diverse global repertoire. It also guides directors in creating a rich cultural context for learners, emphasizing listening, moving, and playing activities as meaningful music-making experiences. Commentary on quality, commercially available world music repertoire bridges the gap between the philosophy of World Music Pedagogy and the realities of the performance-based choral classroom. All chapters open with a series of vignettes that illuminate the variety of possibilities within multiple K-12 contexts, providing the reader with a sense of how the ideas presented might look "on the ground." Ready-to-integrate activities serve as concrete and pedagogically sound examples to guide directors as they develop their own instructional materials according to the needs of their choir. Content features choral and vocal music-making traditions from South and West Africa; Latin America; Southeast, East, and South Asia; the Pacific Islands; Australia; New Zealand; Scandinavia; and the Baltics.




AKASHVANI


Book Description

"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 12-01-1958 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXIII, No. 2. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 5, 6, 12-46 ARTICLE: 1. The Romance of Betel 2. Birth and Early Years of the Urdu Stage 3. Children's Tales Rhymes & Riddle 4. Lucknow-Byword For Leisureliness AUTHOR: 1. Charulal Mukherji 2. Dr. A. A. Nami 3. Justice A. S. P. Ayyar 4. S. K. Narain KEYWORDS: Hitopadesha Experiences Supari Pan Region India Urdu Governor Panchantra Literature India Cultural Development Lucknow Gomati Residency Urdu Document ID: APE-1958-(Jan-Jun)-VOL-I-02




AKASHVANI


Book Description

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 23 MARCH, 1980 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 60 VOLUME NUMBER: Vol. XLV. No. 12 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 4-24, 35-56 ARTICLE: 1. Hidden Treasures of The Himalaya 2. Sentinels of The Seas -Lighthouses And Lightships 3. Educational Radio 4. Social Change In Haryana 5. Harvesting Water Resources 6. Rhythms In Our Body 7. Pepper, The Spice That Turned The Course of History AUTHOR: 1. Dr. P. S. Saklani 2. Dipak Bysack 3. M. R. Bhiday 4. Prof. V. N. Dutta 5. Prof. B. S. R. Rao 6. Dr. Amaresh Chose Dastidar 7. K. C. Nair Document ID : APE-1980 (J-M) Vol-I-11 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.




A Discography of Hindustani and Karnatic Music


Book Description

This exhaustive and complete discography of Indian music issued on microgroove discs and cassettes provides information on over 2,700 recordings of classical and semiclassical music of the Indian subcontinent. It covers the period from the early 1950s to the end of 1983 and also contains information on recordings from the early 1930s onward that were originally issued at 78 RPM and have been reissued on microgroove discs. The main text of the discography is divided into five sections: Hindustani Instrumental, Hindustani Vocal, Karnatic Instrumental, Karnatic Vocal, and Anthologies. Artists are listed alphabetically and brief biographical information is provided when possible. The recordings are indexed by Raga and Tala (the melody and the rhythm), thus allowing comparison between different recordings of the same piece. An instrumental index is included as are indexes to several styles of vocal performance.