The Marquis of Putney - Primary Source Edition


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Dark Mirror


Book Description

Lady Victoria Mansfield, youngest daughter of the earl and countess of Fairmount, is destined for a charmed life. Soon she will be presented during the London season, where she can choose a mate worthy of her status. Yet Tory has a shameful secret—a secret so powerful that, if exposed, it could strip her of her position and disgrace her family forever. Tory's blood is tainted . . . by magic. When a shocking accident forces Tory to demonstrate her despised skill, the secret she's fought so hard to hide is revealed for all to see. She is immediately exiled to Lackland Abbey, a reform school for young men and women in her position. There she will learn to suppress her deplorable talents and maybe, if she's one of the lucky ones, be able to return to society. But Tory's life is about to change forever. All that she's ever known or considered important will be challenged. What lies ahead is only the beginning of a strange and wonderful journey into a world where destiny and magic come together, where true love and friendship find her, and where courage and strength of character are the only things that determine a young girl's worth. Dark Mirror is M.J. Putney's first young adult novel, and it's enthralling—an historical fantasy that's both fast-paced and deeply moving.




The Athenaeum


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The Wedding of the Century & Other Stories


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The Wedding of the Century by Mary Jo Putney Stunningly beautiful and extraordinarily wealthy, Sarah Vangelder had always wanted more for herself than to be sold into marriage for the price of a dukedom. But marriage to Justin Aubrey might be the adventure she's always dreamed of…. Jesse's Wife by Kristin James When a late-night walk on her father's ranch inadvertently destroys her reputation, Amy McCallister finds herself married off to Jesse, a sinfully handsome farmhand. But can he convince her to give him her heart, despite their rocky beginning? Seduced by Starlight by Charlotte Featherstone Jase Markham, London's most dashing—and notorious—rake, has loved his brother's fiancée for as long as he can remember. When his brother casts Blossom aside, Jase is determined to finally make her his—if she's willing to overlook his scandalous reputation!




The Bookseller


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Official organ of the book trade of the United Kingdom.




The Athenaeum


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The History of Mary I, Queen of England


Book Description

At a time when prejudiced historical verdicts are being largely revised, and when it is universally admitted that history must be studied on broader and more discriminating lines than heretofore, the restatement of the case for our first Queen Regnant scarcely needs an apology. Two books, one The Privy Purse Expenses of the Princess Mary, with an Introductory Memoir by Sir Frederick Madden, some time Keeper of the Manuscripts in the British Museum, and the other, The Life of Jane Dormer, Duchess of Feria, edited by the Rev. Joseph Stevenson, from the original manuscript in the possession of Lord Dormer, first revealed Queen Mary to me as an attractive and sympathetic personality. Subsequent diligent examination of documents relating to her life and reign, scattered about the various archives of Europe, has not belied that impression, but has further shown that more interest attaches to her dire struggle with the difficulties which beset her than has generally been supposed. This material has proved to be extremely rich and abundant, especially as regards the archives of Venice, Austria, Belgium and England. The valuable papers formerly at Brussels have, it is true, disappeared, but fortunately we are provided with transcripts of them in the Record Office. And where the despatches of ambassadors, those of Giustinian, Chapuys, Renard, Michiel, de Noailles, Surian and others, drop the thread of the story, our own chroniclers, Stowe, Holinshed, Machyn, Wriothesley, Foxe, etc., take it up, so that an almost continuous narrative is formed, reaching from Mary’s earliest childhood to her death. I have endeavoured, where possible, to give the story in the words of each individual ambassador or annalist, in order to preserve, if it might be, the atmosphere of the times, in a manner unattainable by our modern phraseology. In most instances, I have been careful to reproduce even the eccentricities of the spelling in the English documents quoted, but in others, where I have given somewhat lengthy extracts from our chroniclers, the spelling has been modernised to avoid tedium. It has not come within the scope of the present work to deal exhaustively with Mary’s correspondence, and many of her most interesting letters have been unavoidably omitted, preference being given to those which relate to the more crucial points in her history. One word may not be out of place here, as to the now fully recognised necessity of bringing historical imagination to bear upon any period under consideration; for unless we throw ourselves into the spirit, the views, the interests of that period, we shall utterly fail to form a correct notion of its merits and its short-comings. The thoughts and opinions, the virtues and vices of the sixteenth century are not those of our own day, and the only way in which we can form a just estimate of them is by divesting ourselves of every preconceived notion, and by judging each individual case according to the standard which then prevailed. Whether, bearing this necessity in mind, and with the colours at my disposal, I have succeeded in painting a picture vivid enough to supersede the old traditional, but generally spurious, portraits of Queen Mary, I must leave to the kind judgment of my readers.