Book Description
A much-needed cultural study of parasitic people in Roman drama, politics, and society
Author : Cynthia Damon
Publisher : University of Michigan Press
Page : 326 pages
File Size : 24,21 MB
Release : 1997
Category : History
ISBN : 9780472107605
A much-needed cultural study of parasitic people in Roman drama, politics, and society
Author : David Wiles
Publisher : Cambridge University Press
Page : 308 pages
File Size : 31,88 MB
Release : 2004-06-03
Category : Crafts & Hobbies
ISBN : 9780521543521
An examination of the conventions and techniques of the Greek theatre of Menander and subsequent Roman theatre.
Author : Antonis K. Petrides
Publisher : Cambridge University Press
Page : 335 pages
File Size : 24,60 MB
Release : 2014-11-06
Category : History
ISBN : 1316195090
This book argues that New Comedy has a far richer performance texture than has previously been recognised. Offering close readings of all the major plays of Menander, it shows how intertextuality - the sustained dialogue of New Comedy performance with the diverse ideological, philosophical, literary and theatrical discourses of contemporary polis culture - is crucial in creating semantic depth and thus offsetting the impression that the plots are simplistic love stories with no political or ideological resonances. It also explores how the visual aspect of the plays ('opsis') is just as important as any verbal means of signification - a phenomenon termed 'intervisuality', examining in particular depth the ways in which the mask can infuse various systems of reference into the play. Masks like the panchrēstos neaniskos (the 'all-perfect youth'), for example, are now full of meaning; thus, with their ideologically marked physiognomies, they can be strong instigators of literary and cultural allusion.
Author : Sebastian Williams
Publisher : Rowman & Littlefield
Page : 209 pages
File Size : 43,47 MB
Release : 2023-08-22
Category : Literary Criticism
ISBN : 1666921300
Modernist Parasites: Bioethics, Dependency, and Literature, Post-1900 analyzes biological and social parasites in the political, scientific, and literary imagination. With the rise of Darwinism, eugenics, and parasitology in the late nineteenth century, Sebastian Williams posits that the “parasite” came to be humanity’s ultimate other—a dangerous antagonist. But many authors such as Isaac Rosenberg, John Steinbeck, Franz Kafka, Clarice Lispector, Nella Larsen, and George Orwell reconsider parasitism. Ultimately, parasites inherently depend on others for their survival, illustrating the limits of ethical models that privilege the discrete individual above interdependent communities.
Author : Sean Braune
Publisher : punctum books
Page : 138 pages
File Size : 47,97 MB
Release : 2017-05-04
Category : Literary Criticism
ISBN : 0998531863
"What we call "Being" infects us and speaks through us - it treats us as a host to a linguistic and experiential parasite. Ontology - the study of Being - has primarily dealt with human questions regarding Being at the expense of the non-human, inhuman, and posthuman. Language Parasites works against this tendency by offering a "phorontology": a theory of Being inspired by "phoronts," which are tiny organisms that engage in parasitic migration (lice, mites, ticks, fleas, etc.). What is the Being of a parasite and how can that complicated non-human ontology influence human definitions of Being? Gradually, the anthropocentric distinction of subject and object fades away in favor of the emergence of a strange new philosophical entity called the transject, a being that is thrown far afield from the more normative notions of the subject that can be found in Hegel, Kant, Lacan, or even Foucault, Nietzsche, and Deleuze. A 'pataphysical excursion into the intricate world of philosophical ontology, Language Parasites presents the initial discoveries of a much larger project that seeks to redefine the boundaries of Being. This book is the result of a parasitic infection of continental philosophy in which the various parasites of German and French philosophy all meet at one locale for one express purpose: to eat together, feed together, and think together."--Back cover.
Author : Daniel Tutt
Publisher : Watkins Media Limited
Page : 302 pages
File Size : 21,6 MB
Release : 2024-01-02
Category : Philosophy
ISBN : 1915672260
A how-to guide for the left on how to overcome Nietzsche's divisive and damaging influence. "Beautifully written and bursting with spirit, How to Read Like a Parasite is destined to be vital reading." - Matthew McManus, author of Nietzsche and the Politics of Reaction How to Read Like a Parasite overturns the whitewashed and defanged version of Nietzsche that has been made popular by generations of translators and academic philosophers who have presented his work as apolitical and without a core reactionary agenda. The central argument of the book is that Nietzsche’s philosophy does have a center, and that the left learns a great deal from Nietzsche when we read him as driven by a highly sophisticated reactionary political vision that informs all his major concepts and ideas. The most important Nietzschean concepts — from perspectivism, ressentiment, eternal return to the pathos of distance — are analyzed in the historical context in which Nietzsche lived and wrote, and several case-studies of prominent left-Nietzscheans from Jack London, Gilles Deleuze, Wendy Brown to Huey Newton are discussed. How to Read Like a Parasite makes a persuasive case for how we can overcome Nietzsche’s damaging influence on the left, showing us how to read and understand his work without becoming victims of it.
Author : Georges Massinelli
Publisher : Walter de Gruyter GmbH & Co KG
Page : 527 pages
File Size : 19,11 MB
Release : 2021-04-19
Category : Religion
ISBN : 3110724006
The Pauline collection for the poor in Jerusalem is the most famous example of financial support for geographically distant groups in early Christianity. Recent assessments of the Pauline collection have focused on patronage to explain the social relations between Jerusalem and the Pauline groups and the strategies adopted by Paul. Through a comparison with the Greco-Roman world and a close reading of the texts, this study challenges the recent approach and proposes that other factors shaped Paul’s stance. Paul was interested in reassuring the Corinthians about the financial outcome of the collection and dispelling doubts that he might take advantage of them. The collection was an action modeled on divine generosity and an exchange within a reciprocal relationship between Christian groups. This study also surveys intergroup support between Christian groups in the first three centuries CE. This practice involved churches from most of the Mediterranean Basin and was known even outside of Christian circles. Transfers of money were organized according to a consistent pattern modeled on local charitable practices. The Pauline collection had similar characteristics and can be seen as part of this widespread economic practice.
Author : L. L. Welborn
Publisher : Walter de Gruyter
Page : 599 pages
File Size : 17,26 MB
Release : 2011-10-27
Category : Religion
ISBN : 3110263300
“An End to Enmity” casts light upon the shadowy figure of the “wrongdoer” of Second Corinthians by exploring the social and rhetorical conventions that governed friendship, enmity and reconciliation in the Greco-Roman world. The book puts forward a novel hypothesis regarding the identity of the “wrongdoer” and the nature of his offence against Paul. Drawing upon the prosopographic data of Paul’s Corinthian epistles and the epigraphic and archaeological record of Roman Corinth, the author shapes a robust image of the kind of individual who did Paul “wrong” and caused “pain” to both Paul and the Corinthians. The concluding chapter reconstructs the history of Paul’s relationship with an influential convert to Christianity at Corinth.
Author : Anna Watkins Fisher
Publisher : Duke University Press
Page : 201 pages
File Size : 16,24 MB
Release : 2020-09-21
Category : Art
ISBN : 1478012323
What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism—tactics of complicity that effect subversion from within hegemonic structures. Fisher tracks the ways in which artists on the margins—from hacker collectives like Ubermorgen to feminist writers and performers like Chris Kraus—have willfully abandoned the radical scripts of opposition and refusal long identified with anticapitalism and feminism. Space for resistance is found instead in the mutually, if unevenly, exploitative relations between dominant hosts giving only as much as required to appear generous and parasitical actors taking only as much as they can get away with. The irreverent and often troubling works that result raise necessary and difficult questions about the conditions for resistance and critique under neoliberalism today.
Author : Alexa Piqueux
Publisher : Oxford University Press
Page : 435 pages
File Size : 30,89 MB
Release : 2022-06-16
Category : Literary Collections
ISBN : 0192660330
Using both textual and iconographic sources, this richly illustrated book examines the representations of the body in Greek Old and Middle Comedy, how it was staged, perceived, and imagined, particularly in Athens, Magna Graecia, and Sicily. The study also aims to refine knowledge of the various connections between Attic comedy and comic vases from South Italy and Sicily (the so-called 'phlyax vases'). After introducing comic texts and comedy-related vase-paintings in the regional contexts, The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE considers the generic features of the comic body, characterized as it is by a specific ugliness and a constant motion. It also explores how costumes —masks, padding, phallus, clothing, accessories— and gestures contribute to the characters' visual identity in relation with speech : it analyzes the cultural, social, aesthetic, and theatrical conventions by which spectators decipher the body. This study thus leads to a re-examination of the modalities of comic mimesis, in particular when addressing sexual codes in cross-dressing scenes which reveal the artifice of the fictional body. It also sheds light on how comic poets make use of the scenic or imaginary representations of the bodies of those who are targets of political, social, or intellectual satire. There is a particular emphasis on body movements, where the book not only deals with body language and the dramatic function of comic gesture, but also with how words confer a kind of poetic and unreal motion to the body.