The Master's Muse


Book Description

A fictional account of the marriage of ballet master George Balanchine and Tanaquil Le Clercq describes how polio ended Tanny's dancing career, the rehabilitation that deepened their relationship, and how Balanchine's return to ballet tested their marriage.




The Master's Muse


Book Description

“We set our sights on each other almost from the beginning.” So begins The Master’s Muse, an exquisite, deeply affecting novel about the true love affair between two artistic legends: George Balanchine, the Russian émigré to America who is widely considered the Shakespeare of dance, and his wife and muse, Tanaquil Le Clercq. Copenhagen, 1956: Tanaquil Le Clercq, known as Tanny, is a gorgeous, talented, and spirited young ballerina whose dreams are coming true. She is married to the love of her life, George Balanchine— the famous mercurial director of New York City Ballet. She dances the best roles in his newest creations, has been featured in fashion magazines and television dramas, socializes with the country’s most renowned artists and intellectuals, and has become a star around the world. But one fateful evening, only hours after performing, Tanny falls suddenly and gravely ill; she awakens from a feverous sleep to find that she can no longer move her legs. Tanny is diagnosed with polio and Balanchine quits the ballet to devote himself to caring for his wife. He crafts exercises to help her regain her strength, deepening their partnership and love for each other. But in the ensuing years, after Tanny discovers she will never walk again, their relationship is challenged as she endeavors to create a new identity for herself and George returns to the company, choreographing ballets inspired by the ever-younger, more beautiful and talented dancers. Their marriage is put to the ultimate test as Tanny battles to redefine her dreams and George throws himself into his art. The Master’s Muse is an evocative imagining of the deep yet complicated love between a smart, beautiful woman and her charismatic, ambitious husband; it is the story of an extraordinary collaboration in art and in life.




MASTERS OF PHOTOGRAPHY Vol 51 The Muse


Book Description

From the moment artists decided to sketch a pretty female face rather than a buffalo on a cave wall, they needed muses. From ancient Greece—when the nine goddess daughters of Zeus motivated artistic achievement—to today, the muse’s face or fashion or innate grace or mystery has come to inhabit the minds of some of the greatest artists of all time, and whose inspiration has seen some of the greatest art created. In this edition of the Masters of Photography series Vol 51 we look at the Muses of the greatest photographers and artists of all time. MASTERS OF PHOTOGRAPHY Vol 51 The Muse features: • Andy Warhol • Terry Richardson • Francis Bacon • Robert Mapplethorpe • Salvadore Dali • Guy Bourdain • Richard Avedon • Man Ray • Corrine Day • David Bailey • Mario Sorrenti • Pablo Picasso Fashion Industry Broadcast’s “MASTERS OF PHOTOGRAPHY” is a series: MASTERS OF PHOTOGRAPHY – Vol 9 Living Legends MASTERS OF PHOTOGRAPHY – Vol 10 Living Legends MASTERS OF PHOTOGRAPHY – Vol 11 Immortals MASTERS OF PHOTOGRAPHY – Vol 12 Immortals MASTERS OF PHOTOGRAPHY – Vol 13 Australians MASTERS OF PHOTOGRAPHY – Vol 50 Living Legends MASTERS OF PHOTOGRAPHY – Vol 51 The Muse MASTERS OF PHOTOGRAPHY – Vol 52 New Gen Fashion Industry Broadcast is the number one destination on the web for the latest in fashion, style, creative arts, creative media, models, celebrity biographies and much more. Our site is available globally in 13 languages and is updated daily. Not a minute goes by without our passionate team scouring the globe for the latest breaking news and insider gossip. Fashion Industry Broadcast publishes on a vast array of media platforms art books, eBooks, apps for mobiles and television documentaries. We cover all the key areas of popular culture, style and media arts. Our products are sold globally in over 100 countries through our partnerships with people like Amazon, Apple, Google and many more. You can purchase all of our products directly from the FIB site, please have a browse. www.fashionindustrybroadcast.com A very special video rich multimedia App version with hundreds of original videos, interviews, behind the scenes at fashion shoots and advertisements, is available through Apple’s iTunes App store for just $4.99 per edition. Look for “MASTERS OF PHOTOGRAPHY” on the Apple App store. Contact [email protected]




Masters of the Big House


Book Description

William Kauffman Scarborough has produced a work of incomparable scope and depth, offering the challenge to see afresh one of the most powerful groups in American history—the wealthiest southern planters who owned 250 or more slaves in the census years of 1850 and 1860. The identification and tabulation in every slaveholding state of these lords of economic, social, and political influence reveals a highly learned class of men who set the tone for southern society while also involving themselves in the wider world of capitalism. Scarborough examines the demographics of elite families, the educational philosophy and religiosity of the nabobs, gender relations in the Big House, slave management methods, responses to secession, and adjustment to the travails of Reconstruction and an alien postwar world.




Fear and the Muse Kept Watch


Book Description

In this dazzling exploration of one of the most contradictory periods of literary and artistic achievement in modern history, journalist Andy McSmith evokes the lives of more than a dozen of the most brilliant artists and writers of the twentieth century. Taking us deep into Stalin's Russia, Fear and the Muse Kept Watch asks the question: can great art be produced in a police state? For although Josif Stalin ran one of the most oppressive regimes in world history, under him Russia also produced an outpouring of artistic works of immense and lasting power—from the poems of Anna Akhmatova and Osip Mandelstam to the opera Peter and the Wolf, the film Alexander Nevsky, and the novels The Master and Margarita and Doctor Zhivago. For those artists visible enough for Stalin to take an interest in them, it was Stalin himself who decided whether they lived in luxury or were sent to the Lubyanka, the headquarters of the secret police, to be tortured and sometimes even executed. McSmith brings together the stories of these artists—including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others—revealing how they pursued their art under Stalin's regime and often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich's career veered wildly between public disgrace and wealth and acclaim. In the tradition of Eileen Simpson's Poets in Their Youth and Phyllis Rose's Parallel Lives, Fear and the Muse Kept Watch is an extraordinary work of historical recovery. It is also a bold exploration of the triumph of art during terrible times and a book that will stay with its readers for a long, long while.




Masters of Violence


Book Description

From trusted to tainted, an examination of the shifting perceived reputation of overseers of enslaved people during the eighteenth century. In the antebellum southern United States, major landowners typically hired overseers to manage their plantations. In addition to cultivating crops, managing slaves, and dispensing punishment, overseers were expected to maximize profits through increased productivity—often achieved through violence and cruelty. In Masters of Violence, Tristan Stubbs offers the first book-length examination of the overseers—from recruitment and dismissal to their relationships with landowners and enslaved people, as well as their changing reputations, which devolved from reliable to untrustworthy and incompetent. At the beginning of the eighteenth century, slave owners regarded overseers as reliable enforcers of authority; by the end of the century, particularly after the American Revolution, plantation owners viewed them as incompetent and morally degenerate, as well as a threat to their power. Through a careful reading of plantation records, diaries, contemporary newspaper articles, and many other sources, Stubbs uncovers the ideological shift responsible for tarnishing overseers’ reputations. In this book, Stubbs argues that this shift in opinion grew out of far-reaching ideological and structural transformations to slave societies in Virginia, South Carolina, and Georgia throughout the Revolutionary era. Seeking to portray slavery as positive and yet simultaneously distance themselves from it, plantation owners blamed overseers as incompetent managers and vilified them as violent brutalizers of enslaved people. “A solid work of scholarship, and even specialists in the field of colonial slavery will derive considerable benefit from reading it.” —Journal of Southern History “A major achievement, restoring the issue of class to societies riven by racial conflict.” —Trevor Burnard, University of Melbourne “Based on a detailed reading of overseers’ letters and diaries, plantation journals, employer’s letters, and newspapers, Tristan Stubbs has traced the evolution of the position of the overseer from the colonial planter’s partner to his most despised employee. This deeply researched volume helps to reframe our understanding of class in the colonial and antebellum South.” —Tim Lockley, University of Warwick




Domestic Enemies


Book Description

Originally published in 1983. This book cuts across the class boundaries of traditionally separate fields of social history. It investigates the social origins of servants, their incomes, their marriage and family patterns, their career patterns, their possibilities for social mobility, their political activities, and their criminality. But it also investigates the history of the family and domestic life in France in the sixteenth, seventeenth, and eighteenth centuries, for servants were, at least until the rise of the affectionate nuclear family in the middle of the eighteenth century, considered part of the families of those they served. Finally, this book is also an essay on the history of social relationships in the ancien régime, not only those between masters and servants but also the broader relationships between the ruling elite and the lower classes. The introduction gives basic facts about the composition of households during the Old Regime and explores the attitudes and assumptions that underlay the employment of servants. It also shows how both these attitudes and the households themselves changed dramatically in the last decades before the French Revolution. Part 1 is devoted to the servants themselves. One chapter deals with their lives within their employers' households: their work, their living conditions, their socializing and leisure-time activities. A second examines their private lives: their social origins, marriage and family patterns, their moneymaking and their criminality. And a third explores their relationships with and attitudes toward their masters. In part 2, the focus shifts to an examination of master–servant relationships from the masters' point of view. The first chapter deals with master–servant relationships in general by discussing the factors that determined how employers treated their domestics. The second and third chapters explore two special relationships: masters' sexual relationships with their servants and their relationships with the servants who cared for them in childhood. The epilogue traces the impact of the French Revolution on domestic service and sketches some of the changes in the household that were to come in the nineteenth century.




Masters of the Sabar


Book Description

A fascinating study of Senegalese masters of the sabar drum.




The New Masters of Capital


Book Description

In The New Masters of Capital, Timothy J. Sinclair examines a key aspect of the global economy—the rating agencies. In the global economy, trust is formalized in the daily operations of such firms as Moody's and Standard & Poor's, which continuously monitor the financial health of bond-issuers ranging from private corporations to local and national governments. Their judgments affect unimaginably large sums, approximately $30 trillion in outstanding debt issues, according to a recent Moody's estimate. The difference between an AA and a BB rating may cost millions of dollars in interest payments or determine if a corporation or government can even issue bonds Without bond rating agencies, there would be no standard means to compare risks in the global economy, and international investment would be problematic. Most observers assume that the agencies are neutral and scientific, and that they interpret their role in narrowly economic terms. But these agencies, by their nature, wield extraordinary power and exert massive influence over public policy. Sinclair offers a highly accessible account of these institutions, their origins, and the rating processes they use to judge creditworthiness. Illustrated with a wide range of cases, this book offers a fresh assessment of the role of an often-overlooked institution in the dynamics of modern global capitalism.




The Crowd, the Critic, and the Muse


Book Description

Our creativity is inextricably entwined with our humanity. So what shall we make of the world?