The Medieval Saga


Book Description

Written in the thirteenth century, the Icelandic prose sagas, chronicling the lives of kings and commoners, give a dramatic account of the first century after the settlement of Iceland—the period from about 930 to 1050. To some extent these elaborate tales are written versions of traditional sagas passed down by word of mouth. How did they become the long and polished literary works that are still read today? The evolution of the written sagas is commonly regarded as an anomalous phenomenon, distinct from contemporary developments in European literature. In this groundbreaking study, Carol J. Clover challenges this view and relates the rise of imaginative prose in Iceland directly to the rise of imaginative prose on the Continent. Analyzing the narrative structure and composition of the sagas and comparing them with other medieval works, Clover shows that the Icelandic authors, using Continental models, owe the prose form of their writings, as well as some basic narrative strategies, to Latin historiography and to French romance.




The Routledge Research Companion to the Medieval Icelandic Sagas


Book Description

The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.




The Growth of the Medieval Icelandic Sagas (1180-1280)


Book Description

Andersson introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of politics and history.




The Medieval Icelandic Saga and Oral Tradition


Book Description

This work explores the role of orality in shaping and evaluating medieval Icelandic literature. Applying field studies of oral cultures in modern times to this distinguished medieval literature, G sli Sigur sson asks how it would alter our reading of medieval Icelandic sagas if it were assumed they had grown out of a tradition of oral storytelling, similar to that observed in living cultures. Sigur sson examines how orally trained lawspeakers regarded the emergent written culture, especially in light of the fact that the writing down of the law in the early twelfth century undermined their social status. Part II considers characters, genealogies, and events common to several sagas from the east of Iceland between which a written link cannot be established. Part III explores the immanent or mental map provided to the listening audience of the location of Vinland by the sagas about the Vinland voyages. Finally, this volume focuses on how accepted foundations for research on medieval texts are affected if an underlying oral tradition (of the kind we know from the modern field work) is assumed as part of their cultural background. This point is emphasized through the examination of parallel passages from two sagas and from mythological overlays in an otherwise secular text.




Medieval Epics and Sagas


Book Description

"The thousand year gap between the fall of Rome and the dawn of the Renaissance is sometimes dismissed as a cultural wasteland, a benighted period aptly called the Dark Ages. While it's true the arts and sciences didn't ... thrive during this time, the gift of literacy brought by Christian missionaries to the various tribes of Europe kept one literary form alive: the epic. Part poetry, part adventure story, the epic celebrated the deeds of heroes and dramatized a nation's cultural and religious ideals..."--Preface.




The Cambridge Introduction to the Old Norse-Icelandic Saga


Book Description

The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages.




The Saga of Olaf Tryggvason


Book Description

Oddr Snorrason, a Benedictine monk in northern Iceland in the late twelfth century, composed a landmark Latin biography of the legendary Norwegian king Olaf Tryggvason (died 1000 C.E.). This biography was soon translated into Icelandic, and the translation (though not the Latin original) is preserved in two somewhat differing versions and a small fragment of a third. The Saga of Olaf Tryggvason is the first English translation of this text, augmented by an introduction and notes to guide the reader. There is a strong possibility that Oddr's biography was the first full-length saga of the Icelandic Middle Ages. It ushered in a century of saga writing that assured Iceland a unique place in medieval literature and in the history of prose writing. Aside from being a harbinger of the saga tradition, and indeed of the modern novel, The Saga of Olaf Tryggvason has its own literary merits, including an epic description of the great Battle of Svoldr, in which King Olaf succumbed. In significant ways the narrative of this battle anticipates the mature style of the classical sagas in the thirteenth century.




An Introduction to the Sagas of Icelanders


Book Description

Combining an accessible approach with innovative scholarship, Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island's early history.




Medieval Iceland


Book Description

Gift of Joan Wall. Includes index. Includes bibliographical references (p. 227-248) and index. * glr 20090610.




Heroic Sagas and Ballads


Book Description

In Heroic Sagas and Ballads, Stephen A. Mitchell examines the world of the medieval Icelandic legendary sagas and their legacy in Scandinavia. Central to his argument is the view that these heroic texts should be studied in the light of the later Icelandic Middle Ages rather than that of the Viking age, although the stories, the tellers, and the audiences are clearly concerned with exactly this period of Scandinavian history. Viewing these sagas as the products of highly diverse forms of inspiration and creation—some oral, some written—Mitchell explores their aesthetic and social dimensions, demonstrating their function both as entertainment and as a literature with a more serious purpose, one with deep roots in Nordic literary consciousness. The traditions that these sagas relate possessed an importance beyond the temporal and geographical confines of medieval Iceland, and Heroic Sagas and Ballads considers the process by which these heroic materials were subsequently recast as metrical romances in Iceland and as ballads throughout the rest of Scandinavia. It is ultimately concerned with much more than just those stories that inspired such modern writers as Richard Wagner and H. Rider Haggard; its anthropological and folkloric approach to the legendary sagas shows how the extraliterary dimensions of medieval texts can be explored. Heroic Sagas and Ballads addresses issues of central importance to medievalists, folklorists, comparatists, Scandinavianists, and students of the ballad.