The Mélodies of Francis Poulenc


Book Description

An acknowledged master of mélodie, Francis Poulenc’s prolific song œuvre exceeds the collections of all other French composers who wrote in this genre. Yet despite Poulenc’s prolific output and its significance to art song repertoire, few volumes dedicated to study of Poulenc’s works have appeared in print. This text offers a theory on the marginalized popularity of Poulenc’s songs and strategies for their study that can assist performers in their appreciation and interpretation of his work. The Mélodies of Francis Poulenc is the first work to contain the complete collection of Poulenc’s song compositions, providing IPA transcriptions and word-for-word translations in an easy reference format. Also included are the highly regarded poetic translations of Winifred Radford. In their introduction to the songs, Deeter and Peavler formulate a methodology for the proper interpretation and study of the Poulenc’s works. Finally, this work features a musical terms index, select discography of downloadable sound files, and a song title index. Teachers of singing, vocal coaches, professional singers, accompanists, and students of art song will find the The Mélodies of Francis Poulenc an invaluable tool for the study and instruction of Poulenc’s songs.




The Music of Francis Poulenc (1899-1963)


Book Description

The name of Francis Poulenc (1899-1963) was first brought to prominence in the 1920s as a member of Les Six, a group of young French composers encouraged by Satie and Cocteau. His subsequent fame spread well beyond France, and he is coming to be regarded as one of this century's most significant composers. His compositions are heard constantly in concert halls the world over, and numerous recordings, including complete sets of songs and piano music, have been released. Books, articles and more than a dozen doctoral dissertations have discussed his music. Carl Schmidt's catalogue of Poulenc's works represents the first comprehensive attempt to list an oeuvre which numbers approximately 185 compositions written from his teenage years until his death at the age of 63. The Catalogue indentifies a number of unpublished works, and adds a small group of compositions to his musical canon for the first time. Each work, whether complete or unfinished, published or unpublished, is described fully. Catalogue entries list and describe all known printed editions (including reprints) and manuscript copies of each work. In addition, they provide detailed compositional histories based on numerous letters, documents, and press accounts, many of which have not been published previously. Russian interest in Poulenc's music, manifested in press runs exceeding one million copies, is also revealed for the first time.




Francis Poulenc


Book Description

The work of Poulenc in the context of his colourful personal life.




Poulenc


Book Description

An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music "An assured overview of Poulenc's life and work."--Alex Ross, New Yorker "Essential reading for anyone interested in the French musical culture of Poulenc's time. This is the biography the composer deserves."--Christopher Dingle, BBC Music Magazine, Named one of the Best Books on Classical Music in 2020 by BBC Music Magazine Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called "Les Six", Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire--opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.




Entrancing Muse


Book Description

Lavishly illustrated, the volume includes a complete discography, and an exhaustive summary of Poulenc's concert tours, as well as a list of portraits and drawings."--Jacket.




Francis Poulenc, the Man and His Songs


Book Description

As the first duo of singer and pianist to be perceived as equals in the music world, French baritone Pierre Bernac and pianist composer Francis Poulenc became a legend, working together for more than 25 years. The majority of Poulenc's pieces were created specifically for Bernac to sing. Within this context, Bernac pays tribute to his friend by providing a detailed discussion of all the songs he composed specifically for piano accompaniment. Each song, its description, and the corresponding biographical note on the poet have been translated into English.




Listening to Mendelssohn


Book Description

The greatest musical prodigy since Mozart (some would say he was even greater), Felix Mendelssohn (1809–1847) excelled in everything he did, musical or otherwise, and during his brief life became Europe’s most respected and beloved composer. Yet no musician suffered more drastic swings in his posthumous reputation, and as a result Mendelssohn’s music was obscured by a host of extra-musical factors: changes in taste, the rise of nationalism, anti-Semitism, and contempt for Victorian culture. This “owner’s manual” offers a guide to Mendelssohn’s musical output, major and minor, providing points of entry into a large body of work, much of which remains far too little known. There’s much more to Mendelssohn than the “Italian” Symphony and the “Midsummer Night’s Dream” Overture, and a whole creative world of vivid, expressive, and fantastical music is ready for exploration.




The Musical Legacy of Wartime France


Book Description

For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy’s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen’s Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Duruflé’s Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky’s Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell—in textbooks, program notes, liner notes, historical monographs, and biographies—about music, France, and World War II.




Diary of My Songs


Book Description

Features songs that documents the twenties and thirties from within. The original French text is published alongside its English translation.




Francis Poulenc


Book Description

"This collection of essays provides vivid new insights into Poulenc?s world, his particular rapport with painters, writers and fellow musicians, and with the social ?te who promoted his music through their salons. Contributions from international Poulenc scholars include the influence of various artists on his music, the nature of his affinity for Eluard?s poetry, his response to texts by Cocteau and Bernanos, and his constant search for suitable libretti. New light is thrown on two friendships, the first with his childhood friend Raymonde Linossier who introduced him to the world of books, the second to his teacher Charles Koechlin who greatly influenced his choral style. A detailed study is also provided of Poulenc?s four choral works with orchestra. Finally, the reader is allowed a rare view of Poulenc at the microphone, not as interviewee but as radio presenter, in his 1947-1949 series of programmes ?A bâtons rompus?."--Provided by publisher.