The Metaphysics of Media


Book Description

"Why do we believe what we believe, and ignore what we don't believe? Why do we believe some things that have no foundation in reality, and refuse to believe in things that are firmly supported by scientific research? Why does it seem that many people believe in nothing at all? And does it matter what we believe, and how we came to that decisive point of belief or unbelief?" "Peter K. Fallon insists that neither the study nor the practice of ethics and metaphysics should be limited to professional academic philosophers and theologians. In The Metaphysics of Media Fallon takes a courageous stand against our hyper-mediated popular culture and the postmodern view of information as a salable commodity. He investigates how and why different media, through different historical eras, have engendered and supported certain concepts of reality - at the expense of others. He begins with a critical discussion of the essential idea of objective reality and truth. Fallon then unfolds the story of the evolution of communication through four major eras and the metaphysical foundation that underlies each era and concludes with a look at the troubling rise of mass ignorance in what we call (without a hint of irony) an "age of information.""--Résumé de l'éditeur.




Philosophy of Emerging Media


Book Description

The term "emerging media" responds to the "big data" now available as a result of the larger role digital media play in everyday life, as well as the notion of "emergence" that has grown across the architecture of science and technology over the last two decades with increasing imbrication. The permeation of everyday life by emerging media is evident, ubiquitous, and destined to accelerate. No longer are images, institutions, social networks, thoughts, acts of communication, emotions and speech-the "media" by means of which we express ourselves in daily life-linked to clearly demarcated, stable entities and contexts. Instead, the loci of meaning within which these occur shift and evolve quickly, emerging in far-reaching ways we are only beginning to learn and bring about. This volume's purpose is to develop, broaden and spark future philosophical discussion of emerging media and their ways of shaping and reshaping the habitus within which everyday lives are to be understood. Drawing from the history of philosophy ideas of influential thinkers in the past, intellectual path makers on the contemporary scene offer new philosophical perspectives, laying the groundwork for future work in philosophy and in media studies. On diverse topics such as identity, agency, reality, mentality, time, aesthetics, representation, consciousness, materiality, emergence, and human nature, the questions addressed here consider the extent to which philosophy should or should not take us to be facing a fundamental transformation.




Bergson and the Metaphysics of Media


Book Description

What is a medium? Why is there always a middle? Can media produce 'immediacy'? Henri Bergson recognized mediation as the central philosophical problem of modernity. This book traces his influence on the 'media philosophies' of Gilles Deleuze, Marshall McLuhan, Walter Benjamin and Michel Serres.




Metaphysics


Book Description

This volume makes available in English for the first time Adorno's lectures on metaphysics. It provides a unique introduction not only to metaphysics but also to Adorno's own intellectual standpoint, as developed in his major work Negative Dialectics. Metaphysics for Adorno is defined by a central tension between concepts and immediate facts. Adorno traces this dualism back to Aristotle, whom he sees as the founder of metaphysics. In Aristotle it appears as an unresolved tension between form and matter. This basic split, in Adorno's interpretation, runs right through the history of metaphysics. Perhaps not surprisingly, Adorno finds this tension resolved in the Hegelian dialectic. Underlying this dualism is a further dichotomy, which Adorno sees as essential to metaphysics: while it dissolves belief in transcendental worlds by thought, at the same time it seeks to rescue belief in a reality beyond the empirical, again by thought. It is to this profound ambiguity, for Adorno, that the metaphysical tradition owes its greatness. The major part of these lectures, given by Adorno late in his life, is devoted to a critical exposition of Aristotle's thought, focusing on its central ambiguities. In the last lectures, Adorno's attention switches to the question of the relevance of metaphysics today, particularly after the Holocaust. He finds in 'metaphysical experiences', which transcend rational discourse without lapsing into irrationalism, a last precarious refuge of the humane truth to which his own thought always aspired. This volume will be essential reading for anyone interested in Adorno's work and will be a valuable text for students and scholars of philosophy and social theory.




Avicenna's Metaphysics in Context


Book Description

The eleventh-century philosopher and physician Abu Ali ibn Sina (d. A.D. 1037) was known in the West by his Latinized name Avicenna. An analysis of the sources and evolution of Avicenna's metaphysics, this book focuses on the answers he and his predecessors gave to two fundamental pairs of questions: what is the soul and how does it cause the body; and what is God and how does He cause the world? To respond to these challenges, Avicenna invented new concepts and distinctions and reinterpreted old ones. The author concludes that Avicenna's innovations are a turning point in the history of metaphysics. Avicenna's metaphysics is the culmination of a period of synthesis during which philosophers fused together a Neoplatonic project (reconciling Plato with Aristotle) with a Peripatetic project (reconciling Aristotle with himself). Avicenna also stands at the beginning of a period during which philosophers sought to integrate the Arabic version of the earlier synthesis with Islamic doctrinal theology (kalam). Avicenna's metaphysics significantly influenced European scholastic thought, but it had an even more profound impact on Islamic intellectual history—the philosophical problems and opportunities associated with the Avicennian synthesis continued to be debated up to the end of the nineteenth century.




The Metaphysics of Death


Book Description

This collection of seventeen essays deals with the metaphysical, as opposed to the moral issues pertaining to death. For example, the authors investigate (among other things) the issue of what makes death a bad thing for an individual, if indeed death is a bad thing. This issue is more basic and abstract than such moral questions as the particular conditions under which euthanasia is justified, if it is ever justified. Though there are important connections between the more abstract questions addressed in this book and many contemporary moral issues, such as euthanasia, suicide, and abortion, the primary focus of this book is on metaphysical issues concerning the nature of death: What is the nature of the harm or bad involved in death? (If it is not pain, wha is it, and how can it be bad?) Who is the subject of the harm or bad? (if the person is no longer alive, how can he be the subject of the bad? An if he is not the subject, who is? Can one have harm with no subject?) When does the harm take place? (Can a harm take place after its subject ceases to exist? If death harms a person, can the harm take place before the death occurs?) If death can be a bad thing, would immorality be a desirable alternative? This family of questions helps to fram ethe puzzle of why--and how--death is bad. Other subjects addressed include the Epicurean view othat death is not a misfortune (for the person who dies); the nature of misfortune and benefit; the meaningulness and value of life; and the distinction between the life of a person and the life of a living creature who is not a person. There is an extensive bibiography that includes science-fiction treatments of death and immorality.




The Metaphysics of Representation


Book Description

Representing the world is a puzzling thing. How can it be that mundane events such as processing a thought--and from there putting those thoughts into words--acquire this property of 'aboutness'? How can expressions, which depend on anything from the most fundamental regularities in the universe to trivial matters of gossip, be either true or false? In The Metaphysics of Representation, J. Robert G. Williams tells a story about how representational properties arise out of a fundamentally non-representational world. The representational properties of language are reduced, via convention, to the representational properties of thoughts. The representational properties of thoughts are reduced, via principles of rationalization, to the representational properties of perception and intention. And this most fundamental layer of representation is explained in terms of the functions they have to communicate. Williams integrates work from rival traditions to present a combined perspective in the metaphysics of representation, give new predictions and explanations of representational phenomena, and offer new solutions to long-standing problems.




Metaphysics to Metafictions


Book Description

Examines the key role played by Nietzsche in the undoing of the Hegelian system of totality.




Introduction to Metaphysics


Book Description

Heidegger's Introduction to Metaphysics is one of the most important works written by this towering figure in twentieth-century philosophy. It includes a powerful reinterpretation of Greek thought, a sweeping vision of Western history, and a glimpse of the reasons behind Heidegger's support of the Nazi Party in the 1930s. Heidegger tries to reawaken the "question of Being" by challenging some of the most enduring prejudices embedded in Western philosophy and in our everyday practices and language. Furthermore, he relates this question to the insights of Greek tragedy into the human condition and to the political and cultural crises of modernity. This new translation makes this work more accessible to students than ever before. It combines smoothness with accuracy and provides conventional translations of Greek passages that Heidegger translated unconventionally. There are also extensive notes, a German-English glossary, and an introduction that discusses the history of the text, its basic themes, and its place in Heidegger's oeuvre.




Vision and Mind


Book Description

The philosophy of perception is a microcosm of the metaphysics of mind. Its central problems—What is perception? What is the nature of perceptual consciousness? How can one fit an account of perceptual experience into a broader account of the nature of the mind and the world?—are at the heart of metaphysics. Rather than try to cover all of the many strands in the philosophy of perception, this book focuses on a particular orthodoxy about the nature of visual perception. The central problem for visual science has been to explain how the brain bridges the gap between what is given to the visual system and what is actually experienced by the perceiver. The orthodox view of perception is that it is a process whereby the brain, or a dedicated subsystem of the brain, builds up representations of relevant figures of the environment on the basis of information encoded by the sensory receptors. Most adherents of the orthodox view also believe that for every conscious perceptual state of the subject, there is a particular set of neurons whose activities are sufficient for the occurrence of that state. Some of the essays in this book defend the orthodoxy; most criticize it; and some propose alternatives to it. Many of the essays are classics. Contributors G.E.M. Anscombe, Dana Ballard, Daniel Dennett, Fred Dretske, Jerry Fodor, H.P. Grice, David Marr, Maurice Merleau-Ponty, Zenon Pylyshyn, Paul Snowdon, and P.F. Strawson