The Mistakes Madeline Made


Book Description

Mr. Weller is a bold and productive dramatist. --NY Times. The best thing about Weller's play is that it offers no easy answers for making a relationship work. Its shades of gray are less than comforting but realistic as husband and wife struggle to des




Heddatron


Book Description

A pregnant housewife is abducted by robots and taken to the rainforest and forced to perform Hedda Gabler by her robot captors. Meanwhile, her family is back home in Michigan trying to find her, and Henrik Ibsen is in Norway attempting to write Hedda Gabler, as Strindberg taunts him. A hilarious and savage journey to freedom.




The Best Stage Scenes of 2004


Book Description

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Mr. Marmalade


Book Description

YELLOW FACE is that rarity in theater, a pungent play of ideas with a big heart. Picaresque tale brings to the national discussion about race three much-needed commodities: a sense of humor a mile wide, an even-handed treatment and a hopeful, healing vis LAST OF THE BOYS is to the Vietnam war what Angels In America was to the AIDS crisis. --Talkin' Broadway. Dietz has conjured the 1960s and the war in Vietnam better than any playwright has managed to date. Ghosts appear and disappear in this play...and th




Next Fall


Book Description

THE STORY: Geoffrey Nauffts' NEXT FALL takes a witty and provocative look at faith, commitment and unconditional love. While the play's central story focuses on the five-year relationship between Adam and Luke, NEXT FALL goes beyond a typical love




Outside People


Book Description

A dark, comic look at China/U.S. relations - economic, political, and sexual. In modern-day Beijing, a young American guy falls for a Chinese girl and then struggles to understand where she's coming from. A play about loneliness, culture-shock, language, and trying to make connections across borders.




The Impossible State


Book Description

Wael B. Hallaq boldly argues that the "Islamic state," judged by any standard definition of what the modern state represents, is both impossible and inherently self-contradictory. Comparing the legal, political, moral, and constitutional histories of premodern Islam and Euro-America, he finds the adoption and practice of the modern state to be highly problematic for modern Muslims. He also critiques more expansively modernity's moral predicament, which renders impossible any project resting solely on ethical foundations. The modern state not only suffers from serious legal, political, and constitutional issues, Hallaq argues, but also, by its very nature, fashions a subject inconsistent with what it means to be, or to live as, a Muslim. By Islamic standards, the state's technologies of the self are severely lacking in moral substance, and today's Islamic state, as Hallaq shows, has done little to advance an acceptable form of genuine Shari'a governance. The Islamists' constitutional battles in Egypt and Pakistan, the Islamic legal and political failures of the Iranian Revolution, and similar disappointments underscore this fact. Nevertheless, the state remains the favored template of the Islamists and the ulama (Muslim clergymen). Providing Muslims with a path toward realizing the good life, Hallaq turns to the rich moral resources of Islamic history. Along the way, he proves political and other "crises of Islam" are not unique to the Islamic world nor to the Muslim religion. These crises are integral to the modern condition of both East and West, and by acknowledging these parallels, Muslims can engage more productively with their Western counterparts.