The Model Town and the Detectives


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Lost Detective


Book Description

A 2016 Edgar Award Nominee Before he became a household name in America as perhaps our greatest hard-boiled crime writer, before his attachment to Lillian Hellman and blacklisting during the McCarthy era, and his subsequent downward spiral, Dashiell Hammett led a life of action. Born in 1894 into a poor Maryland family, Hammett left school at fourteen and held several jobs before joining the Pinkerton National Detective Agency as an operative in 1915 and, with time off in 1918 to serve at the end of World War I, he remained with the agency until 1922, participating alike in the banal and dramatic action of an operative. The tuberculosis he contracted during the war forced him to leave the Pinkertons--but it may well have prompted one of America's most acclaimed writing careers. While Hammett's life on center stage has been well-documented, the question of how he got there has not. That largely overlooked phase is the subject of Nathan Ward's enthralling The Lost Detective. Hammett's childhood, his life in San Francisco, and especially his experience as a detective deeply informed his writing and his characters, from the nameless Continental Op, hero of his stories and early novels, to Sam Spade and Nick Charles. The success of his many stories in the pulp magazine Black Mask following his departure from the Pinkertons led him to novels; he would write five between 1929 and 1934, two of them (The Maltese Falcon and The Thin Man) now American classics. Though he inspired generations of writers, from Chandler to Connelly and all in between, after The Thin Man he never finished another book, a painful silence for his devoted readers; and his popular image has long been shaped by the remembrance of Hellman, who knew him after his literary reputation had been made. Based on original research across the country, The Lost Detective is the first book to illuminate Hammett's transformation from real detective to great American detective writer, throwing brilliant new light on one of America's most celebrated and remembered novelists and his world.




American Mystery and Detective Novels


Book Description

Mystery and detective novels are popular fictional genres within Western literature. As such, they provide a wealth of information about popular art and culture. When the genre develops within various cultures, it adopts, and proceeds to dominate, native expressions and imagery. American mystery and detective novels appeared in the late nineteenth century. This reference provides a selective guide to the important criticism of American mystery and detective novels and presents general features of the genre and its historical development over the past two centuries. Critical approaches covered in the volume include story as game, images, myth criticism, formalism and structuralism, psychonalysis, Marxism and more. Comparisons with related genres, such as gothic, suspense, gangster, and postmodern novels, illustrate similarities and differences important to the understanding of the unique components of mystery and detective fiction. The guide is divided into five major sections: a brief history, related genres, criticism, authors, and reference. This organization accounts for the literary history and types of novels stemming from the mystery and detective genre. A chronology provides a helpful overview of the development and transformation of the genre.




Bucholz and the Detectives


Book Description

About a mile and a half from the city of South Norwalk, in the State of Connecticut, rises an eminence known as Roton Hill. The situation is beautiful and romantic in the extreme. Far away in the distance, glistening in the bright sunshine of an August morning, roll the green waters of Long Island Sound, bearing upon its broad bosom the numerous vessels that ply between the City of New York and the various towns and cities along the coast. The massive and luxurious steamers and the little white-winged yachts, the tall "three-masters" and the trim and gracefully-sailing schooners, are in full view. At the base of the hill runs the New York and New Haven Railroad, with its iron horse and long trains of cars, carrying their wealth of freights and armies of passengers to all points in the East, while to the left lies the town of South Norwalk—the spires of its churches rising up into the blue sky, like monuments pointing heaven-ward—and whose beautiful and capacious school-houses are filled with the bright eyes and rosy faces of the youths who receive from competent teachers the lessons that will prove so valuable in the time to come. Various manufactories add to the wealth of the inhabitants, whose luxurious homes and bright gardens are undoubted indications of prosperity and domestic comfort. The placid river runs through the town, which, with the heavy barges lying at the wharves, the draw-bridges which span its shores, and the smaller crafts, which afford amusement to the youthful fraternity, contribute to the general picturesqueness of the scene. The citizens, descended from good old revolutionary sires, possess the sturdy ambitions, the indomitable will and the undoubted honor of their ancestors, and, as is the case with all progressive American towns, South Norwalk boasts of its daily journal, which furnishes the latest intelligence of current events, proffers its opinions upon the important questions of the day, and, like the Sentinel of old, stands immovable and unimpeachable between the people and any attempted encroachment upon their rights. On a beautiful, sunny day in August, 1878, there descended from the train that came puffing up to the commodious station at South Norwalk, an old man, apparently a German, accompanied by a much younger one, evidently of the same nationality. The old gentleman was not prepossessing in appearance, and seemed to be avoided by his well-dressed fellow-passengers. He was a tall, smooth-faced man about sixty years of age, but his broad shoulders and erect carriage gave evidence of an amount of physical power and strength scarcely in accord with his years. Nor was his appearance calculated to impress the observer with favor. He wore a wretched-looking coat, and upon his head a dingy, faded hat of foreign manufacture. His shoes showed frequent patches, and looked very much as though their owner had performed the duties of an amateur cobbler.




The Legendary Detective


Book Description

“I’m in a business where people come to me with troubles. Big troubles, little troubles, but always troubles they don’t want to take to the cops.” That’s Raymond Chandler’s Philip Marlowe, succinctly setting out our image of the private eye. A no-nonsense loner, working on the margins of society, working in the darkness to shine a little light. The reality is a little different—but no less fascinating. In The Legendary Detective, John Walton offers a sweeping history of the American private detective in reality and myth, from the earliest agencies to the hard-boiled heights of the 1930s and ’40s. Drawing on previously untapped archival accounts of actual detective work, Walton traces both the growth of major private detective agencies like Pinkerton, which became powerful bulwarks against social and labor unrest, and the motley, unglamorous work of small-time operatives. He then goes on to show us how writers like Dashiell Hammett and editors of sensational pulp magazines like Black Mask embellished on actual experiences and fashioned an image of the PI as a compelling, even admirable, necessary evil, doing society’s dirty work while adhering to a self-imposed moral code. Scandals, public investigations, and regulations brought the boom years of private agencies to an end in the late 1930s, Walton explains, in the process fully cementing the shift from reality to fantasy. Today, as the private detective has long since given way to security services and armed guards, the myth of the lone PI remains as potent as ever. No fan of crime fiction or American history will want to miss The Legendary Detective.