Truth About Art, The


Book Description

‘Both knowledge and truth are beautiful things, but the Good is other and more beautiful than they.’ — Plato, Republic, 508e. This book traces the multiple meanings of art back to their historical roots, and equips the reader to choose between them. Art with a capital A turns out to be an invention of German Romantic philosophers, who endowed their creation with the attributes of genius, originality, rule breaking, and self-expression, directed by the spirit of the age. Recovering the problems that these attributes were devised to solve dispels many of the obscurities and contradictions that accompany them. What artists have always sought is excellence, and they become artists in so far as they achieve it. Quality was the supreme value in Renaissance Italy, and in early Greece it offered mortals glimpses of the divine. Today art historians avoid references to beauty or Quality, since neither is objective or definable, the boundaries beyond which scholars dare not roam. In reality subject and object are united and dissolved in the Quality event, which forms the bow wave of culture, leaving patterns of value and meaning in its wake.










The Academy


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Guide to Reprints


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The Publisher


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Guide to Reprints


Book Description

The established reference work Guide to Reprints has been radically reworked for this edition. Bibliographical data was substantially increased where information was obtainable. In addition, the user-friendliness of Guide to Reprints was raised to the high level of other K.G. Saur directories through author-title cross-references, a subject volume, a person index and a publisher index. In this edition, the directory lists more than 60,000 titles from more than 350 publishers.




The Social Model of Disability in India


Book Description

This book presents various paradigms and debates on the diverse issues concerning disability in India from a sociological perspective. It studies disability in the context of its relationship with concepts such as culture/religion, media, literature, and gender to address the inherent failures in challenging prevalent stereotypical and oppressive ideologies. It traces the theological history of disability and studies the present-day universalized social notions of disablement. The volume challenges the predominant perception of disability being only a medical or biological concern and provides deeper insight into the impact of representation through an analysis of the discourse and criteria for ‘normalcy’ in films from the nineteenth and twentieth centuries. It analyzes the formation of perspectives through a study of representation of disability in print media, especially children’s literature, comics, and graphic novels. The author also discusses the policies and provisions available in India for students with disabilities, especially women who have to also contend with gender inequality and gender-based discrimination. The book will be of interest to scholars and researchers of disability studies, educational psychology, special education, sociology, gender studies, politics of education, and media ecology. It will also be useful for educationalists, NGOs, special educators, disability specialists, media and communication professionals, and counsellors.