The Early Modern Painter-etcher


Book Description

Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.




The Painting of Modern Life


Book Description

From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.




Mary Cassatt: Painter of Modern Women (Second) (World of Art)


Book Description

This groundbreaking study, the definitive introduction to the work of artist Mary Cassatt, places her work in the wider context of nineteenth-century feminism and art theory and is now updated with color illustrations. This groundbreaking study redefines the status of the beloved American artist Mary Cassatt, placing her work in the wider context of nineteenth- century feminism and art theory. Mary Cassatt looks at the artist’s work in light of her time as an advocate for women’s intellectual life and political emancipation. Esteemed by her contemporaries for her commitment to what she and her radical colleagues in Paris termed “the new art”—now called impressionism—Cassatt brought her discerning gaze and compositional inventiveness to the study of the subtle, often psychological, social interactions of women in public and private spaces. Focusing on key moments of engagement and change over the artist’s long career, art historian Griselda Pollock discusses Cassatt’s artistic training across Europe, her profound study of the Old Masters, and places fresh emphasis on the artist’s interest in Manet and other contemporary French and Spanish painters as well as her influence on American collections of French modernism. Now revised with a new preface, updates to the bibliography, and color illustrations throughout, this book offers a reevaluation of the work of this important artist as seen through the frames of class, gender, space, and difference.




Nat Tate


Book Description

When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself-an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s. William Boyd is the author of nine novels, including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Memorial Prize and shortlisted for the Booker Prize; Brazzaville Beach, winner of the James Tait Black Memorial Prize; and Restless, winner of the Costa Novel of the Year Award. Praise for Nat Tate: "William Boyd's description of Tate's working procedure is so vivid that it convinces me that the small oil I picked up on Prince Street, New York, in the late '60s must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist's most profound dread-that God will make you an artist but only a mediocre artist-did not in retrospect apply to Nat Tate."-David Bowie "A moving account of an artist too well understood by his time."-Gore Vidal




50 Contemporary Artists You Should Know


Book Description

This survey of great contemporary artists is the perfect introduction to the exciting world of art today. Artists working after the Second World War faced a confounding array of challenges, as stylistic barriers were broken, technology advanced, and issues of sexuality and race came to the forefront. From painters and photographers to sculptors and performance artists, fifty of the most influential contemporary artists are profiled in this colorful and engaging book that traces the various artistic movements and radical changes of the second half of the twentieth and early twentyfirst centuries. Presented chronologically, each artist is featured in 2 or 4-page spreads that include brilliant reproductions of their most important works, an illuminating biography, key dates in their career, and informative background on major developments in the art world. Throughout the volume a timeline places each artist within the context of contemporary art. As diverse and inspiring as the artists themselves, this book is a voyage of discovery into art's cutting edge.




Oh, To Be a Painter!


Book Description

Virginia Woolf’s collection of writings on visual arts offer a whole new perspective on the revolutionary author. Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury Group circle, there is no accessible edition or selection of essays dedicated to her writings on art. This newest edition in David Zwirner Books’s ekphrasis series collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures” (1925), and “Pictures and Portraits” (1920). These formally inventive texts reveal the centrality of the visual arts to Woolf’s writing and vision. They show her engaging with contemporary debates about modern art and are innovative in their treatment of ideas about color and form, including in response to the work of her sister, the painter Vanessa Bell, who designed many of her book cover jackets. In these essays and reviews, Woolf illuminates the complex and interdependent relationship between the artist and society, and reveals her own shifting perspectives during decades of social and political change. She also provides sharp and astute commentary on specific works of art and on the relationship between art and writing. An introduction by Claudia Tobin situates the essays within their cultural contexts.




The Modern Flower Painter


Book Description

Anna Mason's exceptional floral artwork has won awards from the Royal Horticultural Society, International Artist magazine and seen her elected to the prestigious Society of Botanical Artists. In this book, she shares her innovative watercolour technique so that you can paint flowers in her clean, crisp style. The book covers every aspect of painting modern botanical-style portraits of flowers, from tips on gathering your reference to Anna's six stage watercolour process. There are instructions on setting up your studio and how to produce the detailed drawings. Each of the six step-by-step projects is accompanied by an outline drawing, tonal notes and useful colour swatches so that you can compare the tone and hue of your mixes to Anna's own. This all builds into a fantastic guide that will inspire and challenge the experienced watercolour artist, while drawing in and reassuring the complete beginner.




Alice Neel


Book Description

This groundbreaking book re-evaluates the work of Alice Neel, one of the most renowned American portrait painters of the 20th century This insightful catalogue examines anew the full range of Alice Neel s (1900-1984)celebrated paintings of people, still life, and cityscapes. Featuring around seventy paintings spanning the entire length of her career, this handsome book accompanies a major retrospective of her work, and reveals her underlying interest in the history of photography, German painting of the 1920s, and other artists, such as Van Gogh and Cezanne, all of which provided an important precedent for the veracity and raw emotional intensity of her figurative works.Neel is renowned for her visual acuity and psychological depth, and her portraits and nude paintings of friends, family, strangers, and prominent cultural figures alike convey an incredibly consistent intimacy regardless of the relationship to her subject. The accompanying essays trace the trajectory of Neel s artistic language as it evolved alongside contemporaneous trends in the New York City art world and examine the manner in which her own work figured into the social and cultural contexts of her time. Created over a sixty-year period, Neel s oeuvre offers a remarkably expressive document of the specific milieus she navigated through and ultimately transcends the marker of time altogether."




Giorgio Morandi: Late Paintings


Book Description

One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.




Old In Art School


Book Description

A finalist for the National Book Critics Circle Award, this memoir of one woman's later in life career change is “a smart, funny and compelling case for going after your heart's desires, no matter your age” (Essence). Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school––in her sixties––to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived. How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference? Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement––bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).