The Moon Maiden


Book Description

In this retelling of a Japanese fairy tale, a childless couple is allowed to take care of the Moon's daughter until it is time for her to join her mother in the sky.




Green Willow


Book Description




The Moon-Maiden - A Japanese Fairy Tale


Book Description

Once upon a time, a long, long time ago and far, far away, in Japan it was early spring on the coast of Suruga. A rose-tinged cloud from heaven had fallen softly on the branches of a cherry tree. Save for the lap of the sea, there was silence on that remote shore. A far-off sound became audible: it might be the song of falling waters, it might be the voice of the awakening wind, it might be the melody of the clouds. Slowly, imperceptibly, the music came nearer. Above the lofty heights of Mount Fujiyama a snow-white cloud floated earthwards. Nearer and nearer came the music. A low clear voice could be heard chanting a lay that breathed of the peace and tranquillity of the moonlight. The fleecy cloud was borne towards the shore. For one moment it seemed to rest upon the sand, and then it melted away. By the sea stood a glistening maiden. In her hand she carried a heart-shaped instrument, and, as her fingers touched the strings, she sang a heavenly song. She wore a robe of feathers, white and spotless as the breast of the wild swan. Birds flocked around her; they perched on her shoulder, and rubbed their soft heads against her cheek. She stroked them gently and they flew away full of joy. The maiden hung her robe of feathers on a pine branch, and went to bathe in the sea. So why had the beautiful maiden come to earth? What was her purpose? Was she brining a message or was she here to just watch and listen?ÿ Well to find out why she had fallen to earth, you?ll have to download this story and find out for yourself! Baba Indaba is a fictitious Zulu storyteller who narrates children's stories from around the world. Baba Indaba translates as "Father of Stories". Each issue also has a "WHERE IN THE WORLD - LOOK IT UP" section, where young readers are challenged to look up a place on a map somewhere in the world. The place, town or city is relevant to the story. HINT - use Google maps. Search for the 400+ Baba Indaba Children's stories on Google. Search for "Baba Indaba Children?s Stories" or using the ISSN "2397-9607" to get the full list. 10% of the profit from the sale of this book will be donated to charities. This book INCLUDES LINKS TO DOWNLOAD 8 FREE STORIES




Japanese Fairy Tales


Book Description

A collection of 20 fairy tales from Japan including "Chin-Chin Kobakama," "The Serpent with Eight Heads," and "The Tea-Kettle."




The Bamboo Cutter & the Moon Maiden


Book Description

An old bamboo cutter finds a tiny baby girl, only a few inches tall inside a bamboo stalk, and wonders if she is a fairy.




The Moon Maiden and Other Japanese Fairy Tales


Book Description

DIVThirty beautifully illustrated stories provide delightful accounts of "The Singing Bird of Heaven," "The Star Lovers," "The Peony Lantern," "The Sea King and the Magic Jewels," and 26 other beguiling tales. /div




Japanese Fairy Tales


Book Description

This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore.... In telling these stories in English I have followed my fancy in adding such touches of local color or description as they seemed to need or as pleased me, and in one or two instances I have gathered in an incident from another version. At all times, among my friends, both young and old, English or American, I have always found eager listeners to the beautiful legends and fairy tales of Japan, and in telling them I have also found that they were still unknown to the vast majority...




Japanese Fairy Tales


Book Description

A collection of traditional Japanese stories adapted and retold for a western audience.




Myths and Legends of Japan


Book Description

Pierre Loti in Madame Chrysanthème, Gilbert and Sullivan in The Mikado, and Sir Edwin Arnold in Seas and Lands, gave us the impression that Japan was a real fairyland in the Far East. We were delighted with the prettiness and quaintness of that country, and still more with the prettiness and quaintness of the Japanese people. We laughed at their topsy-turvy ways, regarded the Japanese woman, in her rich-coloured kimono, as altogether charming and fascinating, and had a vague notion that the principal features of Nippon were the tea-houses, cherry-blossom, and geisha. Twenty years ago we did not take Japan very seriously. We still listen to the melodious music of The Mikado, but now we no longer regard Japan as a sort of glorified willow-pattern plate. The Land of the Rising Sun has become the Land of the Risen Sun, for we have learnt that her quaintness and prettiness, her fairy-like manners and customs, were but the outer signs of a great and progressive nation. To-day we recognise Japan as a power in the East, and her victory over the Russian has made her army and navy famous throughout the world. The Japanese have always been an imitative nation, quick to absorb and utilise the religion, art, and social life of China, and, having set their own national seal upon what they have borrowed from the Celestial Kingdom, to look elsewhere for material that should strengthen and advance their position. This imitative quality is one of Japan's most marked characteristics. She has ever been loath to impart information to others, but ready at all times to gain access to any form of knowledge likely to make for her advancement. In the fourteenth century Kenkō wrote in his Tsure-dzure-gusa: "Nothing opens one's eyes so much as travel, no matter where," and the twentieth-century Japanese has put this excellent advice into practice. He has travelled far and wide, and has made good use of his varied observations. Japan's power of imitation amounts to genius. East and West have contributed to her greatness, and it is a matter of surprise to many of us that a country so long isolated and for so many years bound by feudalism should, within a comparatively short space of time, master our Western system of warfare, as well as many of our ethical and social ideas, and become a great world-power. But Japan's success has not been due entirely to clever imitation, neither has her place among the foremost nations been accomplished with such meteor-like rapidity as some would have us suppose. We hear a good deal about the New Japan to-day, and are too prone to forget the significance of the Old upon which the present régime has been founded. Japan learnt from England, Germany and America all the tactics of modern warfare. She established an efficient army and navy on Western lines; but it must be remembered that Japan's great heroes of to-day, Togo and Oyama, still have in their veins something of the old samurai spirit, still reflect through their modernity something of the meaning of Bushido. The Japanese character is still Japanese and not Western. Her greatness is to be found in her patriotism, in her loyalty and whole-hearted love of her country. Shintōism has taught her to revere the mighty dead; Buddhism, besides adding to her religious ideals, has contributed to her literature and art, and Christianity has had its effect in introducing all manner of beneficent social reforms. There are many conflicting theories in regard to the racial origin of the Japanese people, and we have no definite knowledge on the subject. The first inhabitants of Japan were probably the Ainu, an Aryan people who possibly came from North-Eastern Asia at a time when the distance separating the Islands from the mainland was not so great as it is to-day. The Ainu were followed by two distinct Mongol invasions, and these invaders had no difficulty in subduing their predecessors; but in course of time the Mongols were driven northward by Malays from the Philippines. "By the year A.D. 500 the Ainu, the Mongol, and the Malay elements in the population had become one nation by much the same process as took place in England after the Norman Conquest. To the national characteristics it may be inferred that the Ainu contributed the power of resistance, the Mongol the intellectual qualities, and the Malay that handiness and adaptability which are the heritage of sailor-men." Such authorities as Baelz and Rein are of the opinion that the Japanese are Mongols, and although they have intermarried with the Ainu, "the two nations," writes Professor B. H. Chamberlain, "are as distinct as the whites and reds in North America." In spite of the fact that the Ainu is looked down upon in Japan, and regarded as a hairy aboriginal of interest to the anthropologist and the showman, a poor despised creature, who worships the bear as the emblem of strength and fierceness, he has, nevertheless, left his mark upon Japan. Fuji was possibly a corruption of Huchi, or Fuchi, the Ainu Goddess of Fire, and there is no doubt that these aborigines originated a vast number of geographical names, particularly in the north of the main island, that are recognisable to this day. We can also trace Ainu influence in regard to certain Japanese superstitions, such as the belief in the Kappa, or river monster.




The Ogre of Rashomon


Book Description

Varla Ventura, fan favorite on Huffington Post’s Weird News, frequent guest on Coast to Coast, and bestselling author of The Book of the Bizarre and Beyond Bizarre, introduces a new Weiser Books Collection of forgotten crypto-classics. Magical Creatures is a hair-raising herd of affordable digital editions, curated with Varla’s affectionate and unerring eye for the fantastic. The warrior's sword and the village heroes are no match for the ogres and goblins that gnash their teeth and wreck havoc in early 20th century Japan.